The Ara Pacis of Augustus and Mussolini


Book Description

The first complete history of the Altar of Peace dedicated in ancient Rome to the emperor Augustus Caesar. The monument was restored under the auspices of Benito Mussolini in 1938 to commemorate the bi-millennial birth of Augustus. It is now being refurbished in the Ara Pacis museum in Rome by the American architect Richard Meier. The author disputes the date of this monument, as well as the integrity of the reconstruction, He brings an avalanche of evidence to bear on its reassignment as a commemorative monument assembled not under the reign of Augustus but rather under that of his successor, the emperor Tiberius. The author also offers new interpretation of the iconography of the many relief sculptures that adorn the monument.




Rome, Empire of Plunder


Book Description

An interdisciplinary exploration of Roman cultural appropriation, offering new insights into the processes through which Rome made and remade itself.




Archaeology, Ideology, and Urbanism in Rome from the Grand Tour to Berlusconi


Book Description

Rome is one of the world's greatest archaeological sites, preserving many major monuments of the classical past. It is also a city with an important post-Roman history and home to both the papacy and the modern Italian state. Archaeologists have studied the ruins, and popes and politicians have used them for propaganda programs. Developers and preservationists have fought over what should and should not be preserved. This book tells the story of those complex, interacting developments over the past three centuries, from the days of the Grand Tour through the arrival of the fascists, which saw more destruction but also an unprecedented use of the remains for political propaganda. In post-war Rome, urban development predominated over archaeological preservation and much was lost. However, starting in the 1970s, preservationists have fought back, saving much and making the city into Europe's most important case study in historical preservation and historical loss.




The Ara Pacis Augustae


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The Artists of the Ara Pacis


Book Description

Conlin questions the long-held assumption that the friezes' sculptors were anonymous Greek masters, directly influenced by the reliefs carved on the Parthenon. Through close analysis of the sculptures, Conlin demonstrates that the carvers of the large processional friezes were actually Italian-trained sculptors influenced by both native and Hellenic stonecarving practices. Her conclusions rest on a systematic examination of the evidence left on the marble by the sculptors themselves - the traces of tool marks, the carving of specific details, and the compositional formulas of the friezes.




Excavating Modernity


Book Description

The cultural and material legacies of the Roman Republic and Empire in evidence throughout Rome have made it the "Eternal City." Too often, however, this patrimony has caused Rome to be seen as static and antique, insulated from the transformations of the modern world. In Excavating Modernity, Joshua Arthurs dramatically revises this perception, arguing that as both place and idea, Rome was strongly shaped by a radical vision of modernity imposed by Mussolini's regime between the two world wars. Italian Fascism's appropriation of the Roman past-the idea of Rome, or romanità- encapsulated the Fascist virtues of discipline, hierarchy, and order; the Fascist "new man" was modeled on the Roman legionary, the epitome of the virile citizen-soldier. This vision of modernity also transcended Italy's borders, with the Roman Empire providing a foundation for Fascism's own vision of Mediterranean domination and a European New Order. At the same time, romanità also served as a vocabulary of anxiety about modernity. Fears of population decline, racial degeneration and revolution were mapped onto the barbarian invasions and the fall of Rome. Offering a critical assessment of romanità and its effects, Arthurs explores the ways in which academics, officials, and ideologues approached Rome not as a site of distant glories but as a blueprint for contemporary life, a source of dynamic values to shape the present and future.




Res Gestae Divi Augusti


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Rome the Second Time


Book Description

Designed for the tourist seeking a fresh, authentic, Roman experience, this intimate, stimulating guide explores Rome's splendid modern architecture, its bustling close-in neighborhoods, and its rivers, magnificent fountains, and aqueducts. Itineraries take the reader to Fascist and occupied Rome of World War II, the nearby Alban Hills, and the Eternal City's lesser-known green spaces. Innovative chapters feature cultural and artistic Rome, including art galleries, jazz clubs, film locations, and rooftop bars--even places that offer a sumptuous (and free) "vernissage" of wine and hors d'oeuvres. With Bill and Dianne as guides-their voices part of the experience-the curious traveler will discover a housing project built under Mussolini; ascend a little-known holy Roman road on the city's outskirts; spend an evening in the out-of-the-way, artsy neighborhood of Pigneto; enjoy a trattoria where only Italians eat; and, among the book's many informative, creative "sidebars," find in one the troubling story of Rome's Jewish community, and in another locate sites in "Angels & Demons." 16 maps, 70 photos, an index, and detailed directions and instructions (including websites) make this "new" Rome easily accessible. For the frugally-minded, at times adventurous (at times armchair) traveler. Foreword by Rome Mayor Walter Veltroni.




She-Wolf


Book Description

Since antiquity, the she-wolf has served as the potent symbol of Rome. For more than two thousand years, the legendary animal that rescued Romulus and Remus has been the subject of historical and political accounts, literary treatments in poetry and prose, and visual representations in every medium. In She-Wolf: The Story of a Roman Icon, Cristina Mazzoni examines the evolution of the she-wolf as a symbol in western history, art, and literature, from antiquity to contemporary times. Used, for example, as an icon of Roman imperial power, papal authority, and the distance between the present and the past, the she-wolf has also served as an allegory for greed, good politics, excessive female sexuality, and, most recently, modern, multi-cultural Rome. Mazzoni engagingly analyzes the various role guises of the she-wolf over time in the first comprehensive study in any language on this subject.




Donatello Among the Blackshirts


Book Description

Focuses on the appropriation of visual elements of the classical, medieval, and Renaissance past in Mussolini's Italy.