The Architectural Nature of the Illustrated Books of Iliazd


Book Description

This dissertation proposes the application of Le Corbusier's conception of the architectural promenade to a selection of four distinctive illustrated books conceived and produced by Iliazd (Ilia Zdanevich, 1894-1975, born Tiflis, Georgia). The four books examined in this study are Pismo (1948), Poésie de mots inconnus (1949), Chevaux de minuit (1956), and Le Courtisan grotesque (1974). While all of Iliazd's editions featured carefully conceived structures and integrations of typeset texts and engraved elements, as opposed to the largely generic designs of his contemporaries, each of these four books in particular presents successive variations of atypical page foldings. The experimental structures of these books allow for their justifiable designation as architectural constructions, as scholars have previously recognized. The complex architectonics of the books demands a critical vocabulary of the kind Le Corbusier's architectural promenade, which has been broadly proposed as the basis for the structures of his buildings, provides. The architectural promenade in effect asserts a chain of elements which guide the explorer of Le Corbusier's buildings to successive perspective points, which present views of internal and external spaces during an ascent from entry level to rooftop. Flora Samuel wrote a monograph (The Elements of Le Corbusier's Architectural Promenade, 2010) in which she proposed five stages for the promenade. Modifications of her stages are used for the present study, altered for the transition from building to book. These stages, some of which are descriptive and some analytical, while presented as the likely experience of a general viewer, are based on my individual understanding of all the details of the structures of these books. The complex structures, while fascinating, are not an end in themselves, but rather the enabling support of an individual aesthetic experience. This study asserts that the architectural promenade illuminates the experience of Iliazd's unique conception of the illustrated book, enabling a hitherto unparalleled appreciation of their complexity.




2021


Book Description

This volume explores the fraught relationship between Futurism and the Sacred. Like many fin-de-siècle intellectuals, the Futurists were fascinated by various forms of esotericism such as theosophy and spiritualism and saw art as a privileged means to access states of being beyond the surface of the mundane world. At the same time, they viewed with suspicion organized religions as social institutions hindering modernization and ironically used their symbols. In Italy, the theorization of "Futurist Sacred Art" in the 1930s began a new period of dialogue between Futurism and the Catholic Church. The essays in the volume span the history of Futurism from 1909 to 1944 and consider its different configurations across different disciplines and geographical locations, from Polish and Spanish literature to Italian art and American music.




Iliazd


Book Description

Iliazd is at once a rich study of a significant figure and a thoughtful reflection on the way a biography creates an encounter with its always absent subject.







Athanor


Book Description




A Century of Artists Books


Book Description

Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.




The Century of Artists' Books


Book Description

"Over the last ten years this book has become the definitive text in an emergent field: teachers, librarians, students, artists, and readers turn to the expertise contained on these pages every day."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




New York Magazine


Book Description

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.




New York Magazine


Book Description

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.




Avant-garde as Method


Book Description

"The groundbreaking new study on the early Soviet Union's Higher Art and Technical Studios, known as Vkhutemas, and their pioneering curriculum that has been a source of inspiration for generations of architects, designers, and artists until the present day."--Provided by publisher.