Vitruvius Britannicus


Book Description

A consortium of British architects and their patrons rebelled against the early eighteenth century's Baroque excesses and turned instead toward the Renaissance works of Andrea Palladio for inspiration. These Neo-Palladians guided the course of British architecture toward classical principles, and the Vitruvius Britannicus (British Vitruvius) reflects their vision. A sumptuous collection of magnificent copperplate engravings, it depicts great English country houses and public buildings. Published between 1715 and 1725 in a three-folio set, the Vitruvius Britannicus documents in meticulous detail many of the buildings from the previous two centuries. Its 300 illustrations include facades, ground plans, exterior elevations, and perspective views. Featured buildings include those designed by Inigo Jones, the seventeenth-century architect who introduced Palladianism to England; the work of Sir John Vanbrugh, whose innovative Classical-Revival architecture retained a Baroque flair; and contemporary designs, including those of the author, Scottish architect Colen Campbell. The popularity of this volume fostered the development of the Neo-Palladian movement, and Vitruvius Britannicus continues to influence architects and designers. Handsome and modestly priced, this new edition is an essential complement to any design library.




The Architecture of Colen Campbell


Book Description







The Palladian Revival


Book Description

In 1726, Richard Boyle, 3rd Earl of Burlington, built an addition to his modest country house on the river Thames at Chiswick. The structure was a free standing villa, which is the subject of this book. The author explores the villa's architectural inspiration and the evolution of its design.




A Book of Architecture, Containing Designs of Buildings and Ornaments. by James Gibbs


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T022978 London: printed, 1728. [4], xxviiip.,150 plates; 2°




Vitruvius Britannicus


Book Description

The Baroque excesses of the early eighteenth century inspired a rebellion among a consortium of British architects and their patrons. Taking their cue from the Renaissance works of Andrea Palladio, these Neo-Palladians returned the direction of British architecture toward classical principles. The Vitruvius Britannicus (British Vitruvius) reflects their vision, offering magnificent copperplate engravings of great English country houses and public buildings. The sequel to Dover’s first edition of Vitruvius Britannicus, this volume comprises three folios, originally published between 1739 and 1771. More than one hundred plates depict facades, ground plans, exterior elevations, and perspective views of grand buildings, including royal palaces at Richmond, Kensington, and Hampton Court as well as country homes and gardens throughout England and Scotland. The Neo-Palladian works featured in this volume and its predecessor continue to influence architects and designers. Handsome and modestly priced, this new edition of an architectural classic is an essential complement to any design library.




Architecture of Scotland, 1660-1750


Book Description

This architectural survey covers one of Scotland's most important periods of political and architectural change when mainstream European classicism became embedded as the cultural norm. Interposed between the decline of 'the Scottish castle' and its revival as Scotch Baronial architecture, the contributors consider both private and public/civic architecture. They showcase the architectural reflections of a Scotland finding its new elites by providing new research, analysing paradigms such as Holyrood and Hamilton Palace, as well as external reference points such as Paris tenements, Roman precedents and English parallels. Typologically, the book is broad in scope, covering the architecture and design of country estate and also the urban scene in the era before Edinburgh New Town. Steps decisively away from the 'Scottish castle' genre of architectureContextualises the work of Scotland's first well-documented grouping of major architects - including Sir William Bruce, Mr James Smith, James Gibbs and the Adam dynastyDocuments the architectural developments of a transformational period in Scottish history Beautifully illustrated throughout with 300 colour illustrations a




Stourhead, Wiltshire


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Gibbs' Book of Architecture


Book Description

Gibbs's legendary 1728 folio includes perspectives and blueprints for such magnificent commissions as London's St. Martin in the Fields; the Senate House of the University of Cambridge; plus fine drawings of marble cisterns, iron gates, funeral monuments, and more.




Vitruvius Scoticus


Book Description

This classic portfolio uses elevations, floor plans, and other line drawings by Scotland's first great classical architect to document the high Scottish style of the eighteenth century. It was assembled by William Adam (1689–1748), whose sons were the developers of the "Adam style," and published posthumously in 1812. The elder Adam designed, extended, and remodeled numerous country homes and undertook many public contracts. Vitruvius Scoticus's 160 plates include 100 of his own designs. Unlike the Vitruvius Britannicus books, this volume features plans for many smaller buildings that served as models for American builders and architects of the nineteenth century. Its engravings include images of such stately homes as Mavisbank House, Haddo House, and Fasque House; Hamilton Palace, one of the nation's grandest homes, and Holyrood Palace, the official residence of the monarch in Scotland; and a series of bridges at Inveraray in the county of Argyll. Never before available in an affordable edition, this volume is an essential reference for architectural historians and students. It includes an Introduction and Notes to the Plates by James Simpson.