From Telegrapher to Titan


Book Description

William Van Horne, general manager of the CPR, pushed through construction of the transcontinental line and went on to become company president.







Obsession


Book Description

Sir William Van Horne (1843–1915), a gifted connoisseur most famously associated with the building of the Canadian Pacific Railway, amassed of one of the most extensive collections of Japanese ceramics in North America. Obsession is an illuminating account of the how and why behind his passion for studying and acquiring nearly 1,200 objects. Ron Graham assembles a profile of Van Horne's larger-than-life personality as well as essays about his place at the top of the art collectors in Montreal's Golden Square Mile and the afterlife of his collection following his death. Accompanying the texts are historical photographs and documents, a detailed catalogue of over three hundred individual pieces in the Royal Ontario Museum and the Montreal Museum of Fine Arts, and a selection of beautiful reproductions of Van Horne's personal notebooks and exquisite watercolours from the archives of the Art Gallery of Ontario. Published in conjunction with a major exhibition at the Gardiner Museum in Toronto and the Montreal Museum of Fine Arts, Obsession presents a remarkable collection in the context of the life and career of a nineteenth-century Canadian business giant.




Architecture in Transition


Book Description

The world of Canadian architecture was transformed during the years before 1900. New technologies such as the steel frame changed the way buildings were constructed, new styles such as the Richardsonian Romanesque changed the way buildings looked, and the development of the Canadian economy meant that new types of buildings were required. Many of the public buildings, banks, houses, hotels, department stores, and factories constructed during these years determined the character of Canadian cities for the next half century.




Architecture and Urbanism in the British Empire


Book Description

A comprehensive overview of the architectural and urban transformations that took place across the British Empire between the seventeenth and mid-twentieth centuries, exploring the built heritage of Britain's former colonial empire as a fundamental part of how we negotiate our postcolonial identities.







The Architecture of Andrew Thomas Taylor


Book Description

By the year 1900, architect Andrew Taylor had designed Bank of Montreal branches across the continent and much of McGill University, helped found the McGill School of Architecture, and played a critical role in creating the first professional organization for Quebec architects. In The Architecture of Andrew Thomas Taylor, Susan Wagg presents a groundbreaking study of the life and work of a major figure in nineteenth-century Canadian architecture. Born in Edinburgh and trained in Scotland and England, Taylor spent two decades in Canada between 1883 and 1904, designing some of Montreal's most iconic landmarks. Wagg places his career amidst the wealth of opportunities provided by Canada's high society and captains of industry. Taylor's Canadian relatives, Montreal's powerful Redpath family, brought him into contact with the small group of financiers and entrepreneurs who controlled Canada's destiny. With the support of such influential patrons as Sir William Macdonald and the Bank of Montreal, Taylor successfully confronted dramatic changes in building technology as iron and steel were increasingly used and buildings grew ever taller. He innovatively adapted English and American styles to the Canadian environment, designing structures distinctively suited to their place in history. Positioning Taylor's extensive designs within the context of his time, The Architecture of Andrew Thomas Taylor firmly establishes his work as a cornerstone of Canadian architecture.




The Builder


Book Description




National Soul


Book Description

Examining their social, political, and economic contexts, McKay shows how the murals of this period glorified Canada as a modern nation state, extolled the virtues of commerce and industry, inculcated conventions of gender and race, and shared the intensity of nationalistic sentiment that led to the work of the more renowned painters of Toronto's Group of Seven. Bringing together for the first time a body of Canadian work - civic, commercial, religious, and private - that has been largely ignored by art historians, A National Soul challenges previous histories of Canadian painting. This generously illustrated book reproduces seldom-seen works from across the country, many of which have been moved or destroyed, and includes a comprehensive listing of all works from the period, their original and present locations, and their state of preservation.