The Art and Science of Gilding; A Hand Book of Information for the Picture Framer ..


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




ART & SCIENCE OF GILDING


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







The Art and Science of Gilding


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EXACT reproduction of the original book THE ART AND SCIENCE OF GILDING : A HANDBOOK OF INFORMATION FOR THE PICTURE FRAMER by Ford & Mimmack first published in 1909. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




The Art and Science of Gilding


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Excerpt from The Art and Science of Gilding: A Hand Book of Information for the Picture Framer During the past few years, we have received many requests from retail picture frame dealers for information that would enable them to do their own re-gilding. Books have been written on the subject; but nothing practical has ever been published. Having followed the trade of Picture Framing and Gilding for nearly thirty years, we have put into this little volume some of the knowledge acquired; and have endeavored to explain the different processes used by gilders. In a factory, an apprentice has to work about four years before he is looked upon as a competent gilder. Even then, there is much necessary information that he may not have acquired. Employers and foremen usually keep secret many of the formulas, and give the workmen the materials mixed, ready for use. In this book, all of these formulas are given, with explicit directions for compounding them; and with its aid, one with ordinary intelligence and a few weeks of practice, can do very creditable work. The beginner will doubtless be awkward and clumsy, especially in handling the leaf; but a little practice will soon overcome the difficulty. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







The Art and Science of Gilding


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Originally compiled and published by Ford & Mimmack of Rochester, New York, in 1909.




Bookbinding


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Mammoth volume by one of the world's foremost practitioners. Both historical survey emphasizing decorated bindings, and eminently practical guide to hand bookbinding. 93 plates, 242 figures.




The Art and Science of Gilding


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An excerpt from the beginning of the first chapter. In using the word "gilding," we do not refer to gold plating; but to the process of applying gold or silver leaf to a moulding or frame, as it is practiced by the picture frame manufacturers and dealers. There are two styles of dull gold work; oil gold and matte gold. (These are produced by different processes which will be explained.) In contrast to these dull effects is the bright or burnished gold. In doing over old work, it is customary to burnish the parts that were originally burnished; but on new work, the gilder has to select the parts that it is advisable to burnish. Sometimes it will be the entire top of the ornament; but usually, to give the best effects, the higher parts are selected. On the smooth parts of the frame, the concave places (called hollows) and the convex parts (called beads) are the parts generally burnished. It will be found that the hollows and beads are easier to burnish than the flats, and the wider the flat, the harder it is to accomplish good work. As a great amount of the gilding done in retail stores is the refinishing of old frames, we will take up this class of work first and more in detail. We wish to impress on the beginner as strongly as possible, the necessity of preparing the frame. If it is not prepared properly, good work cannot be done. It is just as essential to have the preliminary work carefully executed, as any other part of the process. This work, if slighted by the gilder, will in time come to light; and it will be necessary to re-gild the frame.




The Builder


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