The Art of Organ Building, Vol. 1


Book Description

Volume 1 of this set includes an outline of organ history, external design and decoration, internal arrangement and mechanical systems, acoustics, more. Complete with illustrations, tables, and specifications. Set includes 385 figures and 15 plates.




The Art of Organ-building


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The Art of Organ-building


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Practical Organ-building


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Organ Building for Amateurs


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I must, in the first instance, warn the reader that it is not written with the intention of dealing exhaustively with organ building generally, but, as its title implies, only with that particular phase which comes within the means and scope of an intelligent amateur workman. Therefore, such refinements as electric and pneumatic actions, not being required in small instruments, find no place in this work, but everything of interest to a home- worker is touched upon in a thoroughly practical manner. There are many works on the subject to which builders, purchasers, or general readers may resort for information respecting organs, but the in- structions contained in most of these works being limited to general, and often vague, description, are of little service to an ordinary amateur desirous of building the instrument himself, as in most cases the idea of building an organ at home is taken up by persons having little knowledge of the construction of the instrument which they so ardently desire to possess. It is indeed rather surprising that there is not a larger supply of literature dealing with this Subject from an amateur's point of view, for it is a matter which is constantly claiming the attention of young men of mechanical proclivities, and also one which exercises an astonishing and peculiar fascination Vf PREFACE. over them. But beyond isolated papers in magazines, and the little manual of the Rev. W. E. Dickson, there dees not appear to be anything which can rightly be considered as meeting the requirements of persons of the class referred to. It is with the object of supplying this want that I have been induced to compile the little manual which now seeks the suffrages of home- workers. As an amateur organ-builder I may fairly claim to have some knowledge of the necessities of that class, and of the difficulties which beset them at every turn. It has been my endeavour to smooth away those dMficulties by describing every part of the instrument in the fullest detail, and by supplementing the instructions, wherever practicable, with carefully- drawn illustrations. The method of making pipes of paper, which is an invention of my own, will, I trust, prove a boon to amateurs, especially those of limited means, as by making pipes of this material the most expensive item in the cost of the instrument is reduced to a comparati\'ely nominal sum. I do not think I could adduce better testimony of their efficiency than the fact that a practical organ-builder, who is quite un- known to me, has thought it worth his while to take up the manufacture of these pipes, and to enlarge his workshops for the purpose. I would add that the care, patience, and perseverance devoted to building even a small organ at home must necessarily afford most valuable training to young men, and the moral value of the instrument itself in a home where children are growing up cannot, 1 think, be over-estimated.




The Art of Organ Building, Vol. 2


Book Description

Volume 2 of this set includes an outline of organ history, external design and decoration, internal arrangement and mechanical systems, acoustics, more. Complete with illustrations, tables, and specifications. Set includes 385 figures and 15 plates.




Organ-building in Georgian and Victorian England


Book Description

Established for the building of keyboard instruments, by the mid-1790s the workshop of brothers Robert and William Gray had become one of the leading organ-makers in London, with instruments in St Paul's, Covent Garden and St Martin-in-the-Fields. Under William's son John Gray, the firm built some of the largest English organs of the 1820s and 1830s, as well as exporting major instruments to Boston and Charleston in the United States. In the early 1840s, with the marriage of John Gray's daughter to Frederick Davison - a member of the circle of Bach-enthusiasts around the composer Samuel Wesley - the firm became 'Gray & Davison'. Davison was a progressive figure who reformed workshop practices, commissioned a purpose-built organ factory in Euston Road and opened a branch workshop in Liverpool to exploit the booming market for church organs in Lancashire and the north-west. Under Davison's management, the firm was responsible for significant mechanical and musical innovations, especially in the design of concert organs. Instruments such as those built in the 1850s for Glasgow City Hall, the Crystal Palace and Leeds Town Hall were heavily influenced by contemporary French practice; they were designed to perform a repertoire dominated by orchestral transcriptions. Many of the instruments made by the firm have been lost or altered; but the surviving organs in St Anne, Limehouse (1851), Usk Parish Church (1861) and Clumber Chapel (1889) testify to the quality and importance of Gray & Davison's work. This book charts the firm's history from its foundation in 1772 to Frederick Davison's death in 1889. At the same time, it describes changes in musical taste and liturgical use and explores such topics as provincial music festivals, the town hall organ, domestic music-making and popular entertainment, the building of churches and the impact on church music of the Evangelical and Tractarian movements. It will appeal to organ aficionados interested in the evolution of the English organ in the later Georgian and Victorian eras, as well as other music scholars and cultural historians. NICHOLAS THISTLETHWAITE has written extensively on the history of the English organ and other aspects of English church music, and his book, The making of the Victorian organ (1990) is recognised as the standard work on the subject. He has acted as consultant for the restoration and rebuilding of organs, most recently at St Edmundsbury Cathedral and Christ Church




French Masters of the Organ


Book Description

This study draws portraits of the French romantic organist-composers including Aristide Cavaille-Coll, Cesar Franck, Charles-Marie Widor, Louis Vierne, Marcel Dupre, Jean Langlais and Olivier Messiaen. The author details the lives, times, styles, and techniques of these composers.




The Cambridge Companion to the Organ


Book Description

This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.




The Art of Organ-building


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