The Art of Thomas Bewick


Book Description

This title provides an illustrated investigation of much-loved English wood-engraver and watercolourist Thomas Bewick. The book sets Bewick's art in the context of his tumultuous life, and draws connections between the artist's political and religious views and the character of his images.




Nature's Engraver


Book Description

In this superb biography, Uglow tells the story of the farmers son who influenced book illustration for a century to come. It is a story of violent change, radical politics, lost ways of life, and the beauty of the wild--a journey to the beginning of a lasting obsession with the natural world.




Bewick's British Birds


Book Description

With Bewick on my knee, I was then happy...' Jane Eyre Charlotte Bronte's heroine was not alone in her enjoyment of Thomas Bewick's British Birds - since its first publication in 1797 it has become one of the best-loved classics of natural history. Bewick's masterful woodcuts are more than scientific records; each beady eye and jaunty pose betrays the artist's love of birds. This edition includes over 180 bird species, from garden favourites such as robins, blackbirds and finches, to predators such as the osprey and the majestic golden eagle. Each entry is illustrated with an engraving, and throughout the book are narrative vignettes typical of Bewick's playful, engaging style.







Thomas Bewick


Book Description

Thomas Bewick (1753-1828) was the foremost wood engraver of his generation, and the quality of his work has remained unsurpassed. His extraordinary woodcuts of animals and birds made him famous, and he dramatically influenced the development of the illustrated book in both England and America. Yet Bewick was no isolated creative genius toiling in an artists atelier, but a trade engraver in the heart of the city of Newcastle upon Tyne, working at the very moment when the Industrial Revolution was beginning to change the world. This book celebrates the skill of the artist by presenting 60 engravings, some never published before, and by offering a historical perspective.




A History of Wood-engraving


Book Description







Casting into Mystery


Book Description

‘Every time I leave the world of work, family and community to wade into a river with fly rod in hand, I enter a sacred space that sometimes finds expression in the written word.’ In Casting into Mystery, writer Robert Reid and wood engraver Wesley W. Bates—avid anglers, both—put ink to paper in homage to the venerable sport of fly fishing. Through text and image, they recall with fondness the ‘company of rivers’ each is grateful to know, providing a glimpse inside a sporting culture teeming with literature, art and music. Part memoir, part objet d’art and part field guide, Casting into Mystery will delight passionate fly fishing practitioners and armchair anglers alike.




Romanticism and Realism


Book Description

Traces the split during the early nineteenth century between avant-garde and academic art, examines the work of Caspar David Friedrich, Thomas Bewick, and Thomas Couture, and discusses the impact of photography on art




Scene Through Wood


Book Description

Covers the entire history of wood engraving, including every major artist of the genre Accompanies the Scene through Wood: A Century of Wood Engraving exhibition at the Ashmolean Museum, from 28 March to 12 July 2020 The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably with acquisitions of large groups of prints, often as gifts from the artists, resulting in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists' family, which resulted in a memorable exhibition organized by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the Society of Wood Engravers (SWE) and has been keeping the collection up to date by acquiring work by members, both at the Society's annual exhibition and privately. This exhibition catalog covers the entire history of wood engraving, including every major artist of the genre.