The Autobiography of a Pennsylvanian


Book Description

Excerpt from The Autobiography of a Pennsylvanian It is now a matter of public knowledge that the late Governor Pennypacker wrote, for publication, an Autobiography. Of the existence of this work he had often spoken to his friends. A fear exists, on the part of the latter, that a desire to avoid controversy, or the possible injury to someone's feelings may tempt his family to consider having the manuscript edited. His friends and associates whose signatures are appended, feel that they owe it to his family, to the institutions with which he was connected, and to his memory, to urge that this be not done. Unaltered, unexpurgated and unedited, Governor Pennypacker's Autobiography constitutes an invaluable historical document, of increasing public interest, perhaps his greatest contribution to the history of the state. And it is in the name of the citizens of Pennsylvania, living and to come, that we urge his family to print his Autobiography exactly as it was written. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Pennsylvania Impressionism


Book Description

"This magnificent new book . . . has assembled a definitive collection of impressionistic works from the Bucks Country region of eastern Pennsylvania. . . . Excellent!"—Bloomsbury Review







My Lord, what a Morning


Book Description

My Lord, What a Morning is a gentle and engrossing memoir, abounding with the tender and inspiring stories of Marian Anderson's life in her own modest words. From her humble but proud beginnings in south Philadelphia to international vocal renown, the legendary contralto writes of triumph and adversity, of being grounded in faith and surrounded by family, and of the music that shaped her career. Anderson published My Lord, What a Morning in 1956 on the heels of her groundbreaking role as the first African American to perform at the Metropolitan Opera. In it are bittersweet reminiscences of a working-class childhood, from her first job scrubbing the neighbors' steps to the sorrow and upheaval of her father's untimely death. Here are the stories of a young girl with prodigious talent, and her warm remembrances of the teachers, managers, friends, accompanists, and fans who worked to foster it. Here is a veritable travelogue of her concerts across the globe and rare glimpses at the personal life of a woman more concerned with family than celebrity. An entire chapter devoted to the Easter concert at the Lincoln Memorial in 1939 reveals Anderson's immense respect for Eleanor Roosevelt, who resigned from the Daughters of the American Revolution when they refused to let Anderson perform at Constitution Hall. Supplanting sorrow and regret for anger and violence, Anderson demurely imparts her views on discrimination and on becoming an icon in the struggle for civil rights. With eleven photographs and a touching new foreword by Anderson's nephew, famed conductor and poet James DePreist, this new paperback edition of My Lord, What a Morning revives the classic portrait of a musical legend who was resilient in the bullying face of bigotry and gracious in the unfaltering glow of fame.




The Autobiography of a Pennsylvanian (Classic Reprint)


Book Description

Excerpt from The Autobiography of a Pennsylvanian Public duties and other activities and responsibilities necessarily confined the writing Of the autobiography to brief periods in the summers of some four or five years. Late in the summer Of 1915 his right arm was broken and, while still carried in a sling, was again injured in a railroad train. He was never able to use the arm during the year of life that remained, but immediately after the injury, at the age Of seventy-two years, with the courage and resolution which always characterized him, he set out to write with his left hand. The concluding sentence of his account in Chapter XIII Of his visit to the battlefields Of Fredericks burg and Chancellorsville was the last portion of the auto biography written with the right hand. The remainder of Chapter XIII, the pages of comment and review in Chapter XIV, the sketches of Walt Whitman and Elihu Root in Chapter XV and the introductory paragraph of Chapter XVI were written with the left hand. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Critical Disaster Studies


Book Description

This book announces the new, interdisciplinary field of critical disaster studies. Unlike most existing approaches to disaster, critical disaster studies begins with the idea that disasters are not objective facts, but rather are interpretive fictions—and they shape the way people see the world. By questioning the concept of disaster itself, critical disaster studies reveals the stakes of defining people or places as vulnerable, resilient, or at risk. As social constructs, disaster, vulnerability, resilience, and risk shape and are shaped by contests over power. Managers and technocrats often herald the goals of disaster response and recovery as objective, quantifiable, or self-evident. In reality, the goals are subjective, and usually contested. Critical disaster studies attends to the ways powerful people often use claims of technocratic expertise to maintain power. Moreover, rather than existing as isolated events, disasters take place over time. People commonly imagine disasters to be unexpected and sudden, making structural conditions appear contingent, widespread conditions appear local, and chronic conditions appear acute. By placing disasters in broader contexts, critical disaster studies peels away that veneer. With chapters by scholars of five continents and seven disciplines, Critical Disaster Studies asks how disasters come to be known as disasters, how disasters are used as tools of governance and politics, and how people imagine and anticipate disasters. The volume will be of interest to scholars of disaster in any discipline and especially to those teaching the growing number of courses on disaster studies.




Infortunate


Book Description