The Barbarian Invasions of Italy


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What caused the fall of the Roman Empire? The first reply that occurs to us is this: That the Romans were corrupt and enfeebled by corruption; the Barbarians, while rougher, were also stronger and less corrupt. When the latter had once crossed the Rhine and the Danube, their ultimate victory was assured; the Empire was bound to fall, new social conditions were bound to arise. But what had corrupted and weakened a people that had been for so many centuries a model of discipline, virtue, and strength - a people that had conquered the world? Its corruption was a consequence, not a cause, and was the first symptom of the decline that had already begun. The Empire that Livy had seen bending beneath the burden of its own greatness could not last for ever...




The Barbarian Invasions of Italy;


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Italy and Its Invaders


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Warfare & defence.




The Barbarian Invasions of Italy [Didactic Press Paperbacks]


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What caused the fall of the Roman Empire? The first reply that occurs to us is this: That the Romans were corrupt and enfeebled by corruption; the Barbarians, while rougher, were also stronger and less corrupt. When the latter had once crossed the Rhine and the Danube, their ultimate victory was assured; the Empire was bound to fall, new social conditions were bound to arise. But what had corrupted and weakened a people that had been for so many centuries a model of discipline, virtue, and strength-a people that had conquered the world? Its corruption was a consequence, not a cause, and was the first symptom of the decline that had already begun. The Empire that Livy had seen bending beneath the burden of its own greatness could not last for ever. The Empire had brought into being that moral and civil unity of the ancient world which was a necessary preliminary towards the formation of nationalities. Nationalities, in fact, can neither live nor thrive unless so closely inter-related as to feel themselves members of the same family. But their rise put an end to the existence of that ancient world which recognised the absolute predominance of one civilisation alone, outside of which were only barbarians. Therefore while, on the one hand, and seen from afar, the fall of the Empire may appear an extraordinary, an unexpected event; on the other we are positively moved to amazement by the length of its duration. In fact, under one or another form, we witness its posthumous survival throughout the Middle Ages. Later still, we see vain attempts made to restore it to life, first by Charles V. and then by Napoleon Buonaparte. The truth is that the unity of Europe and the diversity of the nations within its borders are two equally undeniable facts of which the vicissitudes of modern history are the results...







The Barbarian Invasions


Book Description

How the history of art begins with the myth of the barbarian invasion—the romantic fragmentation of classical eternity. The history of art, argues Éric Michaud, begins with the romantic myth of the barbarian invasions. Viewed from the nineteenth century, the Germanic-led invasions of the Roman Empire in the fifth century became the gateway to modernity, seen not as a catastrophe but as a release from a period of stagnation, renewing Roman culture with fresh, northern blood—and with new art that was anti-Roman and anticlassical. Artifacts of art from then on would be considered as the natural product of “races” and “peoples” rather than the creation of individuals. The myth of the barbarian invasions achieved the fragmentation of classical eternity. This narrative, Michaud explains, inseparable from the formation of nation states and the rise of nationalism in Europe, was based on the dual premise of the homogeneity and continuity of peoples. Local and historical particularities became weapons aimed at classicism's universalism. The history of art linked its objects with racial groups—denouncing or praising certain qualities as “Latin” or “Germanic.” Thus the predominance of linear elements was thought to betray a southern origin, and the “painterly” a Germanic or northern source. Even today, Michaud points out, it is said that art best embodies the genius of peoples. In the globalized contemporary art market, the ethnic provenance of works—categorized, for example, as “African American,” “Latino,” or “Native American”—creates added value. The market displays the same competition among “races” that was present at the foundation of art history as a discipline.




The barbarian invasions


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Translation of: Geschichte der Kriegskunst im Rahmen der politischen Geschichte.




Italy and Her Invaders


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The Barbarian Invasions of Italy, Vol. 2 (Classic Reprint)


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Excerpt from The Barbarian Invasions of Italy, Vol. 2 The election OF adrian I.' - the condemnation and death OF afiarta - charles, king OF the franks, makes A descent upon italy - defeat OF the longobards and siege OF pavia - charles enters rome and spends easter there IN 774. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.