The Belgian Rattlesnake


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Illustrated World ...


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The Lewis Gun


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During World War I, the British adopted the US-designed Lewis gun as an infantry weapon, realizing that its light weight and the fact that it could be fired both prone and on the move made it ideal for supporting advances and defending captured trenches. Later adopted by an array of countries from the Netherlands to Japan, the Lewis successfully served as the primary or secondary armament in armoured fighting vehicles and in both ground-based anti-aircraft and aircraft-mounted roles. Although it was superseded by the Bren in British service in 1937, the outbreak of World War II meant that thousands returned to active service, and it played a key role as far afield as Libya, with the Long-Range Desert Group, and the Philippines, with the US Marine Corps. Written by an authority on this iconic light machine gun, this is the fascinating story of the innovative and influential Lewis gun, from the trenches of World War I to the Libyan desert and Pacific islands of World War II and beyond.




The Machine Gun: History, evolution and development of manually operated, full automatic, and power driven aircraft machine guns


Book Description

"The series of books entitled "The machine gun" was begun with the belief that the next best thing to actual knowledge is knowing where to find it. The research summarized within the covers of these volumes has been compiled by the Bureau of Ordinance, Department of the Navy, in order to place in the hands of those rightfully interested in the art of automatic weapon design, the world's recorded progress in this field of endeavor."--Vol. II, p. v.




The Machine Gun


Book Description

"The series of books entitled "The machine gun" was begun with the belief that the next best thing to actual knowledge is knowing where to find it. The research summarized within the covers of these volumes has been compiled by the Bureau of Ordinance, Department of the Navy, in order to place in the hands of those rightfully interested in the art of automatic weapon design, the world's recorded progress in this field of endeavor."--Vol. II, p. v.










The Belgian Army in World War I


Book Description

While small in numbers, the Belgian Army played a vital role in World War 1 that is often overlooked. Germany's invasion of neutral Belgium, which led Britain to declare war in August 1914, should have been swift and fierce yet the unexpected heroic defence, against great odds, of Belgian fortresses, frustrated the German Schlieffen Plan for a thrust to Paris and a lightning victory. The plucky Belgian resistance proved successful in buying time for French and British troops to mobilize and report to the front, where the Belgians would then go on to fight, stubbornly defending the northern end of the Allied trench line for the rest of the war. Discover the story of this determined Army, from their organization and commanders, to their uniforms and equipment. The only main combatant army of World War I not previously covered by Osprey, this volume will be an important addition to any enthusiast's collection, accompanied by detailed artwork and archive photographs.




Snake Dance


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The terrifying first use of nuclear weapons over Hiroshima and Nagasaki in August 1945 was the most controversial act of warfare in history, dramatically ending the Second World War but ushering in the age of mass destruction. Yet it was also the climax of a story that extends beyond Japan and Washington: the culmination of decades of scientific achievement and centuries of colonial exploitation. Snake Dance is the account of a journey that turned into a quest to discover how humanity reaches this point. Patrick Marnham travels from the opulent nineteenth-century palaces of King Leopold II of Belgium, built with riches plundered from the Congo, to the lethally derelict nuclear reactor of modern-day Kinshasa. He follows the shipment of Congolese uranium to the deserts of New Mexico for the Manhattan Projectâe(tm)s secret test detonation. Here he uncovers the legacies of Robert Oppenheimer and Aby Warburg, two âe~mad geniusesâe(tm) who confronted the devastating power of twentieth-century science in very different ways. Both men travelled to New Mexico. Oppenheimer was honoured for buiding a bomb, the ancestor of weapons that have enslaved humanity. Warburg, condemned to obscurity and confined to a mental hospital, regained his sanity by studying the rituals of the Native Americans of the Southwest who, for thousands of years, practiced the ritual of the 'snake dance' in an attempt to harness the power of lightening. And it was in New Mexico, at Los Alamos, that the ultimate act of playing God was realised. The circle is closed in Japan.. Faced with the catastrophe at the Fukushima Nuclear Plant in March 2011, scientific man, like the snake dancers, is faced with a power beyond his control. Spanning three continents and the history of civilisation, Snake Dance is at once an intrepid intellectual adventure and a wake-up call for mankind.




Still Life


Book Description

After her curiosity is piqued by a safari gone awry, a journalist delves into the curious world of taxidermy and shares her findings. It’s easy to dismiss taxidermy as a kitschy or morbid sideline, the realm of trophy fish and jackalopes or an anachronistic throwback to the dusty diorama. Yet theirs is a world of intrepid hunter-explorers, eccentric naturalists, and gifted museum artisans, all devoted to the paradoxical pursuit of creating the illusion of life. Into this subculture of passionate animal-lovers ventures journalist Melissa Milgrom, whose journey stretches from the anachronistic family workshop of the last chief taxidermist for the American Museum of Natural History to the studio where an English sculptor, granddaughter of a surrealist artist, preserves the animals for Damien Hirst’s most disturbing artworks. She wanders through Mr. Potter’s Museum of Curiosities in the final days of its existence to watch dealers vie for preserved Victorian oddities, and visits the Smithsonian’s offsite lab, where taxidermists transform zoo skins into vivacious beasts. She tags along with a Canadian bear trapper and former Roy Orbison impersonator—the three-time World Taxidermy Champion—as he resurrects an extinct Irish elk using DNA studies and Paleolithic cave art for reference; she even ultimately picks up a scalpel and stuffs her own squirrel. Transformed from a curious onlooker to an empathetic participant, Milgrom takes us deep into the world of taxidermy and reveals its uncanny appeal. “Hilarious but respectful.” —Washington Post “Engrossing.” —New Yorker “[A] delightful debut . . . Milgrom has in Still Life opened up a whole world to readers.” —Chicago Tribune “Milgrom’s lively account will appeal to readers who enjoyed Mary Roach’s quirky science books.” —Library Journal