The Bella Coola Indians


Book Description




The Mythology of the Bella Coola Indians


Book Description

Complete digitally restored reprint (facsimile) of the original edition of 1898. With 58 Masks and Carvings of the Bella Cola Indians and with music notes (Indian music). The title-page is fictitiously. In relation to the original edition extra large font (+60 %).




The Bella Coola Indians


Book Description

A comprehensive guide to Nuxalk culture and a central document in the study of ethnographic methods.




Bella Coola Man


Book Description

When Clayton Mack was a child, his parents wrapped him in wolf skin and dumped him in water four times so he would grow up strong and fierce in the woods like a wolf. True to this Nuxalk tradition, Mack grew up to be a world-famous grizzly bear hunter and guide. Clayton Mack's first book of amazing tales about bears and q'umsciwas (white men), Grizzlies and White Guys, became an instant best seller when it was published in 1993. In Bella Coola Man, Clayton Mack continues his hair-raising stories about pulling bears out of the bushes by their legs, eating fresh bear meat with Thor Heyerdahl, finding gold nuggets in the bush, murder in the Big Ootsa country and dead men's talking beans, plus Crooked Jaw the Indian agent and where to find good fishing. Clayton Mack was a walking encyclopedia of tribal lore, and one of the best storytellers ever born. The stories in Bella Coola Man are the last he told, and reflect his desire to pass on as much information about Nuxalk life and legends as he could before his death. Hear about the man-eater dance performed at River's Inlet where the dancers ate a dead woman's head, or about the last Indian war on the coast, native remedies like devil's club tea which is "good for anything," Alexander Mackenzie's travels through Bella Coola country along the Grease Trail, how native hunters killed mountain goats by prying them off cliffs with sticks, and about forgotten villages and places, which come alive again through Clayton Mack's words. Clayton Mack had a deep understanding and appreciation of life on British Columbia's rugged coast. His stories are unique lessons in history, as well as pure entertainment. Here are the stories of the legend himself, Clayton Mack.




Bella Coola Indian Music


Book Description

A study of the interaction between Northwest Coast Indian Strutures and their Functional Context.




At Home with the Bella Coola Indians


Book Description

Between 1922 and 1924, the young Canadian anthropologist T.F. McIlwraith spent eleven months in the isolated community of Bella Coola, British Columbia, living among the people of the Nuxalk First Nation. During his time there, McIlwraith gained intimate knowledge of the Nuxalk culture and of their struggle to survive in the face of massive depopulation, loss of traditional lands, and the efforts of the Canadian government to ban the potlatch. McIlwraith’s resulting ethnography, The Bella Coola Indians (1948), is widely considered the finest published study of a Northwest Coast First Nation. This volume is a rich complement to McIlwraith’s classic work, incorporating his letters from the field as well as previously unpublished essays on the Nuxalk. Vivid and lively, the letters show the human side of the anthropologist, and provide a fascinating insight into the famous Northwest winter ceremonials and potlatch -- events in which McIlwraith was one of the few white men privileged to participate as a dancer and partner. Extensive editorial annotations and striking photographs make this book a pleasurable read that will appeal to anthropologists and historians, as well as those with interests in Northwest cultures and the history of anthropology in Canada.




Native American Women


Book Description

In fulfilling their traditional roles as leaders in their communities, American Indian women are oftenat the core of American Indianresistance and struggle for liberation. Native women have a long history of assuming leadership positions within their particular tribes. Theirstruggles share many of the characteristics of women's struggles associated with feminism in the larger society, yetmany Native American women explicitly reject the label of feminism. This book takes into account the historical oppression of Native peoples, as well as the relative exclusion of Native women in the existing feminist research. What became apparent despite their more central position in their societies, traditional Native women tend not to view themselves as feminists. An important theme running through the book was although Native women, in general, do not have equality of opportunity within larger American society in terms of economic resources, employment, education, health care, etc, and in many cases are solely responsible for the survival of their families. Native women do not view their struggles for more power within their communities and the larger society as being incompatible with the primacy of home and family.




Northwest Coast Indian Art


Book Description

The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027




Writing the Empire


Book Description

Crossing time and oceans, this fascinating history of the McIlwraiths tracks the family's imperial identities across the generations to tell a story of anthropology and empire.




Native American People The Psychological Impact of Historical Trauma


Book Description

The Psychological Impact of Historical Trauma on Native American People Native American historical trauma is similar to other massive generational group traumas. Past examples include the Jewish holocaust, slavery of the African people in the United States, and treatment of the Japanese Americans in the U.S. during World War II. Understanding the history of Native Americans allows for the design of culturally specific preventative and therapeutic interventions. Contrary to what is taught in modern history books, Native Americans were an advanced culture deeply immersed in their environments. From the invasion by the Spanish in the 1400s to the scorched earth extermination policies of the United States in the 1800s, Native Americans endured attempted genocide, forced relocation and confinement to reservations, and forced assimilation. Historical trauma is generational and dwells deep in the souls of Native American individuals and communities all across the United States. For any healing to occur, one must take a close look at the root cause of historical trauma for the Native American people. The focus of this book is to explore and develop ideas that will assist Native Americans in accessing which old ways are too biologically ingrained to do away with and what new ways must be taken on to come to terms with such a massively different environment. To understand the Native American people, it is essential to understand the environment in which they live, know their history, and see how this history has shaped them. It is equally important to understand and respect their worldview, which describes the thought process of a people or a culture. Native Americans were displaced from their traditional lands, their sacred sites were excavated, and their sacred objects were placed in private collections and museums. Their dead were exhumed from their traditional burial sites to make room for ranching and industry. Their artwork was never seen as separate from their culture. It was commercially reproduced and modified for Western tastes. Traditional ceremonies and stories were depicted, usually inaccurately, in novels, movies, and on television. Their way of life was disrupted, and they were forced to accept religious institutions whose dogmas often conflicted with Native American values. A variety of terms have been used interchangeably to refer to America's indigenous populations -- "Indians," "Native Americans," "American Indians," Native peoples." The problem of terminology began with Columbus. He was lost. The people he met were not Indians because he was not in India. Still, for six centuries, these peoples have been called "Indians." They are many different peoples and many different nations with many other languages. To justify the use of "Indians," which some scholars find offensive, I refer to Sherman Alexie's remark during a reading in Milwaukee, Wisconsin, March 1993: "The white man tried to take our land, our sovereignty, and our languages. He gave us the word "Indian." Now he wants to take the word "Indian" away from us too. Well, he can't have it." Throughout this book, all these terms have been used interchangeably to best reflect the subject being discussed.