The Best Men's Monologues of 1996
Author : Jocelyn Beard
Publisher : Smith & Kraus
Page : 140 pages
File Size : 11,55 MB
Release : 1997
Category : Acting
ISBN :
Author : Jocelyn Beard
Publisher : Smith & Kraus
Page : 140 pages
File Size : 11,55 MB
Release : 1997
Category : Acting
ISBN :
Author : Jocelyn Beard
Publisher : Smith & Kraus
Page : 132 pages
File Size : 24,14 MB
Release : 2001
Category : Acting
ISBN :
Author : Jocelyn Beard
Publisher : Smith & Kraus
Page : 156 pages
File Size : 34,61 MB
Release : 1999
Category : Acting
ISBN :
The latest edition of America's best-selling monologue series for men. All monologues are excerpted from plays produced during the 1998 theatrical season.
Author : Smith & Kraus Inc
Publisher : Smith & Kraus
Page : 100 pages
File Size : 44,93 MB
Release : 2003
Category : Acting
ISBN :
The latest edition of America's best-selling monologue series for women and men. All monologues are excerpted from plays produced during the 2001 theatrical season. Almost all from readily available published plays. A collection of great men's monologues from 2001.
Author : D. L. Lepidus
Publisher : Smith & Kraus
Page : 116 pages
File Size : 33,28 MB
Release : 2004
Category : Acting
ISBN :
Selections from 43 plays staged in 2004 feature monologues designed to help male actors enhance their audition and performance skills.
Author : Lawrence Harbison
Publisher : Hal Leonard Corporation
Page : 170 pages
File Size : 44,13 MB
Release : 2014-11-01
Category : Performing Arts
ISBN : 1495013588
(Applause Acting Series). Lawrence Harbison has selected 100 terrific monologues for men from contemporary plays, all by characters between the ages of 18 and 35 perfect for auditions or class. There are comic monologues (laughs) and dramatic monologues (no laughs). Most have a compelling present-tense action for actors to perform. A few are story monologues and they're great stories. Actors will find pieces by star playwrights such as Don Nigro, Itamar Moses, Stephen Adly Guirgis, and Terence McNally; by exciting up-and-comers such as Nicole Pandolfo, Peter Sinn Nachtrieb, Crystal Skillman, Greg Kalleres, Reina Hardy, and J. Thalia Cunningham; and information on getting the complete text of each play. This is a must-have resource in the arsenal of every aspiring actor hoping to knock 'em dead with his contemporary piece after bowling over teachers and casting directors alike with a classical excerpt.
Author : Jocelyn Beard
Publisher : Smith & Kraus
Page : 100 pages
File Size : 26,55 MB
Release : 2002
Category : Acting
ISBN :
Author : Stephanie Coen
Publisher :
Page : 200 pages
File Size : 21,81 MB
Release : 2003
Category : Drama
ISBN :
Audition monologues selected from plays first published in American theatre magazine since 1985.
Author : D. L. Lepidus
Publisher : Smith & Kraus
Page : 132 pages
File Size : 45,31 MB
Release : 2006
Category : Acting
ISBN :
Contains forty-three monologues for men, selected from some of the best plays published or produced during the 2004-2005 theatrical season, most for characters under the age of forty.
Author : Lawrence Harbison
Publisher : Smith & Kraus
Page : 116 pages
File Size : 25,39 MB
Release : 2008
Category : Acting
ISBN :
This latest in Smith and Kraus's popular series contains only material from published, readily available plays, all first published or produced in 2006/2007, and most appropriate for use by student actors and working actors in need of audition material. A partial list:BEL CANTO by Renee Flemings BFF by Anna Ziegler BLOOD ORANGE by David Wiener CAROL MULRONEY by Stephen Belber DARK PLAY; OR STORIES FOR BOYS by Carlos Murillo THE DARLINGS by Susan Eve Haar DEDICATION; OR by THE STUFF OF DREAMS by Terrence McNally DIRECT FROM DEATH ROW THE SCOTTSBORO BOYS by Mark Stein DISCONNECT by Rob Ackerman DRACULA RIDES AGAIN by Jeff Goode THE FIRST ANNUAL ACHADAMEE AWARDS by Alan Haehnel HOME FRONT by Greg Owens. Also gender-specific are The Best Men¿s Stage Monologues of 2007, and The Best Women¿s Stage Monologues of 2007, both edited by Lawrence Harbison. Some of the playwrights represented are familiar (Theresa Rebeck, A.R. Gurney, Terrence McNally), but much of the material is from new and emerging authors ¿ once again giving the performer access to well crafted, but not overexposed works. Stage Directions - Off The Shelf, May 2008