The Comic History of Rome


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Bring the Monkey


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It all begins when the wildly adventurous ZarlOsterley is invited to Tattingwood Hall for the weekend, together with her monkey Percy. She also brings along her friend, masquerading as a maid and monkey keeper. Whilst they are there, the quiet and rather idyllic atmosphere of the old English Cottage is disrupted by a heinous crime: the disappearance of renowned diamonds and the horrible murder of the chief inspector called in to investigate. The three guests are all inextricably involved in this nasty affair, and it takes the brains and cunning of women to solve a mess that ruins everyone's weekend...




Fanfrolico Press


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This book consists of a detailed history of the Press and a full bibliography of its publications and ephemera, tracing the venture from its origins in Sydney, Australia, in the early 1920s, to success in London from 1926, and its final dissolution in 1930. The Press was notable for the literary input of its proprietor Jack Lindsay, working initially with John Kirtley, later with P. R. Stephensen, and finally alone. For the illustrations, it published work by Jack's father, Norman Lindsay, as well as by Edward Bawden, Hal Collins, Lionel Ellis, and others. Jack Lindsay was responsible for the typographical design (initially with Kirtley) that brought a distinctive style to the books of the Press. This book has been designed by Paul W. Nash, printed by Henry Ling, and bound in blue cloth with a design inspired by a Fanfrolico publication. There are 96 illustrations, including reduced facsimiles of the title pages of the forty-six books published by the Press.




A Brennan Collection


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Emblems of Love


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Maoriland


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The Casebook of Victor Frankenstein


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Peter Ackroyd's imagination dazzles in this brilliant novel written in the voice of Victor Frankenstein himself. Mary Shelley and Shelley are characters in the novel. It was at Oxford that I first met Bysshe. We arrived at our college on the same day; confusing to a mere foreigner, it is called University College. I had seen him from my window and had been struck by his auburn locks. The long-haired poet -- "Mad Shelley" -- and the serious-minded student from Switzerland spark each other's interest in the new philosophy of science which is overturning long-cherished beliefs. Perhaps there is no God. In which case, where is the divine spark, the soul? Can it be found in the human brain? The heart? The eyes? Victor Frankenstein begins his anatomy experiments in a barn near Oxford. The coroner's office provides corpses -- but they have often died of violence and drowning; they are damaged and putrifying. Victor moves his coils and jars and electrical fluids to a deserted pottery and from there, makes contact with the Doomesday Men -- the resurrectionists. Victor finds that perfect specimens are hard to come by . . . until that Thames-side dawn when, wrapped in his greatcoat, he hears the splashing of oars and sees in the half-light the approaching boat where, slung into the stern, is the corpse of a handsome young man, one hand trailing in the water. . . .




The Wry Romance of the Literary Rectory


Book Description

The English rectory nestling beside an ancient church may evoke a scene from Jane Austen or conjure up something much darker, such as the parsonage on the Yorkshire Moors where the Brontë sisters led their confined yet creative lives. This engaging, deeply researched book explores the lives of writers and poets who were either the children of clergy, such as Tennyson and Dorothy L. Sayers, or those, such as Rupert Brooke and John Betjeman, who were seduced by the romance and values that these houses suggest. The serene exterior often belied tensions within that have produced some of the greatest writers and poets in the English language.