The Birth of the Elegy in France 1500-1550
Author : Christine M. Scollen
Publisher : Librairie Droz
Page : 184 pages
File Size : 26,6 MB
Release : 1967
Category : Elegiac poetry, French
ISBN : 9782600030182
Author : Christine M. Scollen
Publisher : Librairie Droz
Page : 184 pages
File Size : 26,6 MB
Release : 1967
Category : Elegiac poetry, French
ISBN : 9782600030182
Author : R. R. Bolgar
Publisher : Cambridge University Press
Page : 422 pages
File Size : 41,5 MB
Release : 1976-04-15
Category : History
ISBN : 0521208408
The papers illustrate the different ways in which the Renaissance made use of its classical heritage.
Author : Jörg Oberste
Publisher : BRILL
Page : 288 pages
File Size : 20,35 MB
Release : 2021-10-11
Category : Architecture
ISBN : 9004468412
Between 1150 and 1350, Paris grew from a mid-sized episcopal see in Europe to the largest metropolis on the continent. The population rose during these two centuries from approximately 30,000 to over 250,000 inhabitants. The causes and consequences of this demographic explosion are thoroughly examined for the first time in this book by Jörg Oberste.
Author : Robert Griffin
Publisher : Univ of California Press
Page : 416 pages
File Size : 47,79 MB
Release : 2023-11-10
Category :
ISBN : 0520322096
Author : Malcolm Quainton
Publisher : Routledge
Page : 244 pages
File Size : 39,59 MB
Release : 2016-12-05
Category : Literary Criticism
ISBN : 1351954946
In recent years, literary scholars have come increasingly to acknowledge that an adequate understanding of texts requires the study of books, the material objects through which the meanings of texts are constructed. Focusing on French poetry in the period 1400-1600, contributors to this volume analyze layout, illustration, graphology, paratext, typography, anthologization, and other such elements in works by a variety of writers, among them Charles d'Orléans, Jean Bouchet, Pierre de Ronsard and Louise Labé. They demonstrate how those elements play a crucial role in shaping the relationships between authors, texts, contexts, and readers, and how these relationships change as the nature of the book evolves. An introduction to the volume outlines the methodological implications of studying the materiality of literature in this period; situates the various papers in relation to each other and to the field as a whole; and indicates possible future directions of research in the field. By engaging with issues of major current methodological concern, this volume appeals to all scholars interested in the materiality of the literary text, including the burgeoning field of text-image studies, not only in French but also in other national literatures. In addition, it enables fruitful connections to be made between late-medieval and Renaissance literature, areas still often studied in isolation from each other.
Author : Clifton D. Bryant
Publisher : SAGE Publications
Page : 1161 pages
File Size : 34,59 MB
Release : 2009-07-15
Category : Social Science
ISBN : 1452266166
Death and dying and death-related behavior involve the causes of death and the nature of the actions and emotions surrounding death among the living. Interest in the varied dimensions of death and dying has led to the development of death studies that move beyond medical research to include behavioral science disciplines and practitioner-oriented fields. As a result of this interdisciplinary interest, the literature in the field has proliferated. This two-volume resource addresses the traditional death and dying–related topics but also presents a unique focus on the human experience to create a new dimension to the study of death and dying. With more than 300 entries, the Encyclopedia of Death and the Human Experience includes the complex cultural beliefs and traditions and the institutionalized social rituals that surround dying and death, as well as the array of emotional responses relating to bereavement, grieving, and mourning. The Encyclopedia is enriched through important multidisciplinary contributions and perspectives as it arranges, organizes, defines, and clarifies a comprehensive list of death-related perspectives, concepts, and theories. Key Features Imparts significant insight into the process of dying and the phenomenon of death Includes contributors from Asia,; Africa; Australia; Canada; China; eastern, southern, and western Europe; Iceland; Scandinavia; South America; and the United States who offer important interdisciplinary and cross-cultural perspectives Provides a special focus on the cultural artifacts and social institutions and practices that constitute the human experience Addresses death-related terms and concepts such as angel makers, equivocal death, end-of-life decision making, near-death experiences, cemeteries, ghost photography, halo nurses, caregiver stress, cyberfunerals, global religious beliefs and traditions, and death denial Presents a selective use of figures, tables, and images Key Themes Arts, Media, and Popular Culture Perspectives Causes of Death Conceptualization of Death, Dying, and the Human Experience Coping With Loss and Grief: The Human Experience Cross-Cultural Perspectives Cultural-Determined, Social-Oriented, and Violent Forms of Death Developmental and Demographic Perspectives Funerals and Death-Related Activities Legal Matters Process of Dying, Symbolic Rituals, Ceremonies, and Celebrations of Life Theories and Concepts Unworldly Entities and Events With an array of topics that include traditional subjects and important emerging ideas, the Encyclopedia of Death and the Human Experience is the ultimate resource for students, researchers, academics, and others interested in this intriguing area of study.
Author : Brian Oliver Murdoch
Publisher : BRILL
Page : 421 pages
File Size : 25,3 MB
Release : 2019-05-27
Category : Literary Criticism
ISBN : 900440094X
This book is a study of the literary reception of the originally Greek love-story of Hero and Leander, examining the nature of the tale and demonstrating its longevity and huge popularity from classical times to the present, in a great variety of different genres. Chapters consider the classical versions (Ovid, Musaios, Martial), medieval and renaissance versions in various European languages, folk and literary ballads (and even a pop song), the lyric, dramatic versions, settings to music, burlesques and travesties in all genres, modern reflections of the story in (experimental) literary forms.
Author : Sarah Alyn Stacey
Publisher : Peter Lang
Page : 276 pages
File Size : 16,12 MB
Release : 2009
Category : History
ISBN : 9783039105595
This collection of essays by thirteen renowned specialists in the fields of French Renaissance literature and history is a fitting tribute to the scholarship of Pauline Smith, Emeritus Professor in French at the University of Hull and Research Associate of the Centre for Medieval and Renaissance Studies, Trinity College, Dublin. The essays, which focus on areas of research to which Professor Smith has herself given - and continues to give - particular attention, are organised into two frequently converging strands: court and humour. The contributors engage with political and cultural issues at the heart of the construction and aesthetic expression of the French Renaissance, whilst also offering insights into the broader European context. The collection as a whole challenges and revises a number of established views and identifies paths for future research.
Author : Yvonne LeBlanc
Publisher : Summa Publications, Inc.
Page : 282 pages
File Size : 22,38 MB
Release : 1995
Category : Poetry
ISBN : 9781883479046
Author : Barbara Kiefer Lewalski
Publisher : Harvard University Press
Page : 524 pages
File Size : 29,96 MB
Release : 1986
Category : History
ISBN : 9780674760400
Today genre studies are flourishing, and nowhere more vigorously perhaps than in the field of Renaissance literature, given the importance to Renaissance writers of questions of genre. These studies have been nourished, as Barbara Lewalski points out, by the varied insights of contemporary literary theory. More sophisticated conceptions of genre have led to a fuller appreciation of the complex and flexible Renaissance uses of literary forms. The eighteen essays in this volume are striking in their diversity of stance and approach. Three are addressed to genre theory explicitly, and all reveal a concern with theoretical issues. The contributors are Earl Miner, Ann E. Imbrie, Claudio Guillen, Alastair Fowler, Harry Levin, Morton W. Bloomfield, Mary T. Crane, Barbara J. Bono, Janel M. Mueller, Annabel Patterson, Steven N. Zwicker, Marjorie Garber, Robert N. Watson, John N. King, Heather Dubrow, John Klause, James S. Baumlin, and Francis C. Blessington.