The Black dwarf, by T.J. Wooler
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Page : 414 pages
File Size : 42,42 MB
Release : 1817
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Page : 414 pages
File Size : 42,42 MB
Release : 1817
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Author : T. J. (Thomas Jonathan) Wooler
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Page : pages
File Size : 19,39 MB
Release : 1817
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Author : Alex Benchimol
Publisher : Peter Lang
Page : 340 pages
File Size : 27,23 MB
Release : 2007
Category : History
ISBN : 9783039105397
This book explores the ways in which intellectual and cultural publics from the early modern period to the postmodern present have actively constructed their cultural identities within the social processes of modernity. It brings together some of the most compelling recent writing on the public sphere by scholars in the fields of literary history, cultural studies and social theory from both sides of the Atlantic. Taken together, the essays in this collection offer a major re-examination of recent scholarship on the theory of the public sphere as developed by Jürgen Habermas. They also stand as a collective effort both to interrogate and to extend this influential model by exploring modern forms of intellectual and cultural activity in all their rich diversity and ideological complexity. Contributions range from the divided inheritance of Shakespeare publishing history to the new forms of mass-mediated cultural experience in contemporary Britain; from attempts at cultural regulation in the literary public sphere of the Romantic period to the postmodern political conflict played out in the American public sphere of the 1990s; and from varieties of religious dissent to modes of postcolonial criticism. The book furthers the dialogue between academic methodologies, fields and periods, and presents readers with a contested narrative of the key cultural and intellectual practices that have made up our modern world.
Author : Edward Smith
Publisher :
Page : 384 pages
File Size : 31,16 MB
Release : 1879
Category : Great Britain
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Author : Gerard Cohen-Vrignaud
Publisher : Cambridge University Press
Page : 279 pages
File Size : 33,26 MB
Release : 2015-07-30
Category : Literary Criticism
ISBN : 1107110327
This book explores the relationship between ideas of the East and the struggle for democratic rights in the Romantic period.
Author : James P. Huzel
Publisher : Routledge
Page : 244 pages
File Size : 41,42 MB
Release : 2017-05-15
Category : History
ISBN : 1351883720
The political economist Thomas Robert Malthus (1766-1834) has gained increasing and deserved scholarly attention in recent years. As well as the republication of his works and letters, a rich body of scholarship has been produced that enlightens our understanding of his thoughts and arguments. Yet little has been written on the ways in which his message was translated to, and interpreted by, a popular audience. Malthus first rose to prominence in 1798 with the publication of his Essay on the Principle of Population, in which he blamed rising levels of poverty on the inability of Britain's economy to support its growing population. His remedy, to limit the number of children born to poor families, outraged many social reformers, most notably William Cobbett, but found a ready audience in other quarters, Harriet Martineau, among others, being a famous Malthusian advocate. In this new study of Malthus and the impact of his writings, James Huzel shows how, by being both popularized and demonized, he framed the terms of reference for debate on the problems of pauperism and became the beacon against which all proposals seeking to remedy the problem of poverty had to be measured. It is argued that the New Poor Law of 1834 was deeply influenced by Malthusian ideals, replacing the traditional sources of outdoor relief with the humiliation of the workhouse. Dealing with issues of social, economic and intellectual history this work offers a fresh and insightful investigation into one of the most influential, though misunderstood, thinkers of the late eighteenth and early nineteenth centuries and concludes that Malthus was perhaps even more important than Adam Smith and David Ricardo in fostering the rise of a market economy. It is essential reading for all those who wish to reach a fuller understanding of how the tremendous social and economic upheavals of the Industrial Revolution shaped the development of modern Britain.
Author : Frederick Burwick
Publisher : John Wiley & Sons
Page : 1767 pages
File Size : 26,20 MB
Release : 2012-01-30
Category : Literary Criticism
ISBN : 1405188103
The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
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Page : 808 pages
File Size : 47,68 MB
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Author : T. W. Whitley
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Page : 576 pages
File Size : 48,49 MB
Release : 1894
Category : Coventry (England)
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Author : Dana Van Kooy
Publisher : Routledge
Page : 367 pages
File Size : 39,64 MB
Release : 2016-03-31
Category : Literary Criticism
ISBN : 1317055500
Dana Van Kooy draws critical attention to Percy Bysshe Shelley as a dramatist and argues that his dramas represent a critical paradigm of romanticism in which history is 'staged'. Reading Shelley's dramas as a series of radical stages - historical reenactments and theatrical reproductions - Van Kooy highlights the cultural significance of the drama and the theatre in shaping and contesting constructions of both the sovereign nation and the global empire in the post-Napoleonic era. This book is about the power of performance to challenge and reformulate cultural memories that were locked in historical narratives and in Britain's theatrical repertoire. It examines each of Shelley's dramas as a specific radical stage that reformulates the familiar cultural performances of war, revolution, slavery and domestic tyranny. Shelley's plays invite audiences to step away from these horrors and to imagine their lives as something other than a tragedy or a melodrama where characters are entrapped in cycles of violence or struck blind or silent by fear. Although Shelley's dramas are few in number they engage a larger cultural project of aesthetic and political reform that constituted a groundswell of activism that took place during the Romantic period.