The Blue-necked God


Book Description

The Blue-necked God (Nilakantha Braja), published in 1976, is one of Indira Goswami’s early novels and the first time that a writer highlighted the exploitation and poverty of widows, dumped in a ‘sacred’ city to eke out their days in prayer by uncaring, callous families under the guise of religious sanction and tradition. It was a book that raised many eyebrows when it was first published for this amazing narrative combined fact and fiction, autobiography and reflection in a fascinating mix as she tried to depict the confusion and the mental agony she herself experienced after the death of her husband through her character Saudamini. The physical, emotional, financial deprivation faced by the young widow has been woven into a perceptive text that drew on the author’s own research and experiences as she roamed the streets of Vrindavan and exposed, for the first time, the uglier side of the city and its traditions. ‘Indira Goswami is one of the pre-eminent literary figures in India and a woman of remarkable courage and conviction... She has also been an important voice in championing women’s causes, and has done much to highlight the plight of widows. [She] is one of those rare figures whose achievements as a writer are closely paralleled by their accomplishments as a social and political activist.’ - Amitav Ghosh Published by Zubaan.







The Religions of India


Book Description

Series title in part also at head of t.-p. Bibliography: p. [573]-595.




God's Middle Finger


Book Description

A narrative portrait of the Sierra Madre describes the author's numerous journeys into its ungoverned regions, where he consulted with a folk healer and witnessed local violence and lawlessness that eventually threatened his own survival. Original. 75,000 first printing.




Legends of Devi


Book Description

This book is a captivating narration of the various legends and folktales that surround the revered goddesses of India. The goddesses not only epitomize the forces of good fighting over evil, but also the source of worldly wellbeing. Ramananda Bandapadhyay s illustrations are symbolically rich and they in themselves constitute a storehouse of information on mythological iconography.