The Body in the Fjord


Book Description

This time out, smalltown caterer and minister's wife Faith Fairchild's neighbor, Pix Miller, takes center stage, heading off to Norway to investigate the sudden disappearance of a family friend. Determined to discover the truth, Pix is drawn into a suspenseful world of intrigue, stolen antiques, secret histories, and deadly echoes from Norway's past and the Nazi occupation. Surrounded by the country's breathtaking beauty, the ever-resourceful New Englander perseveres -- until at last she finds herself face-to-face with a remorseless killer...with no way out.




The Body in the Fjord


Book Description

This time out, smalltown caterer and minister's wife Faith Fairchild's neighbor, Pix Miller, takes center stage, heading off to Norway to investigate the sudden disappearance of a family friend. Determined to discover the truth, Pix is drawn into a suspenseful world of intrigue, stolen antiques, secret histories, and deadly echoes from Norway's past and the Nazi occupation. Surrounded by the country's breathtaking beauty, the ever-resourceful New Englander perseveres -- until at last she finds herself face-to-face with a remorseless killer...with no way out.




The Body in the Cast


Book Description

Transplanted New York caterer Faith Fairchild returns as a movie crew and murder come to her adopted Massachusetts home.




A Frog in the Fjord


Book Description

An insightful and humorous account of the author's first year in Norway as a foreigner. From Easter to summer holidays and Christmas, it dives deeply into Norwegian culture, language and people.




Devil's Fjord


Book Description

New District Sheriff Tristan Haraldsen uncovers a series of dark secrets when he investigates the disappearance of two boys in the remote Faroe Islands. Newly-appointed District Sheriff Tristan Haraldsen and his wife Elsebeth are looking forward to a peaceful semi-retirement in the remote fishing village of Djevulsfjord on the stunningly beautiful island of Vagar. But when two boys go missing during the first whale hunt of the season, the repercussions strike at the heart of the isolated coastal community. As he pursues his investigations, Tristan discovers that the Mikkelsen brothers aren’t the first young men to have vanished on Vagar. Determined to solve the mystery of Djevulsfjord, yet encountering suspicion wherever he turns, Haraldsen comes to realize he and his wife are not living in the rural paradise they had imagined, and that the wild beauty of the region hides a far darker reality.




Wound from the Mouth of a Wound


Book Description

A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.




By Fell and Fjord


Book Description




Body and Image


Book Description

The understanding and interpretation of ancient architecture, landscapes, and art has always been viewed through an iconographic lens—a cognitive process based on traditional practices in art history. But ancient people did not ascribe their visions on canvas, rather on hills, stones, and fields. Thus, Chris Tilley argues, the iconographic approach falls short of understanding how ancient people interacted with their imagery. A kinaesthetic approach, one that uses the full body and all the senses, can better approximate the meaning that these artifacts had for their makers and today’s viewers. The body intersects the landscape in a myriad of ways—through the effort to reach the image, the angles that one can use to view, the multiple senses required for interaction. Tilley outlines the choreographic basis of understanding ancient landscapes and art phenomenologically, and demonstrates the power of his thesis through examples of rock art and megalithic architecture in Norway, Ireland, and Sweden. This is a powerful new model from one of the leading contemporary theorists in archaeology.




Being a Ballerina


Book Description

Finalist, the Arts Club of Washington Marfield Prize A look inside a dancer’s world Inspiring, revealing, and deeply relatable, Being a Ballerina is a firsthand look at the realities of life as a professional ballet dancer. Through episodes from her own career, Gavin Larsen describes the forces that drive a person to study dance; the daily balance that dancers navigate between hardship and joy; and the dancer’s continual quest to discover who they are as a person and as an artist. Starting with her arrival as a young beginner at a class too advanced for her, Larsen tells how the embarrassing mistake ended up helping her learn quickly and advance rapidly. In other stories of her early teachers, training, and auditions, she explains how she gradually came to understand and achieve what she and her body were capable of. Larsen then re-creates scenes from her experiences in dance companies, from unglamorous roles to exhilarating performances. Working as a ballerina was shocking and scary at first, she says, recalling unexpected injuries, leaps of faith, and her constant struggle to operate at the level she wanted—but full of enormously rewarding moments. Larsen also reflects candidly on her difficult decision to retire at age 35. An ideal read for aspiring dancers, Larsen’s memoir will also delight experienced dance professionals and fascinate anyone who wonders what it takes to live a life dedicated to the perfection of the art form.




Fjords Vol.2


Book Description