Sacred Text -- Sacred Space


Book Description

This book is not designed to define the sacred. It is, rather, a bringing together of case histories (a rich, varied collection from medieval, early modern and nineteenth-century contexts in England and Wales) that goes beyond familiar paradigms to explore the dynamic, protean interaction, in different times and places, between sacred space and text. Essentially an interdisciplinary enterprise, it focuses a range of historical and critical methodologies on that complex process of transformation and transmission whereby spiritual intuitions, experiences and teachings are made palpable ‘in art and architecture, poetry and prayer, in histories, scriptures and liturgies, even landscapes. So the sacred, variously constructed and inscribed, makes itself felt ‘on the pulse’; is a presence, a voice even now not stilled.




The Book of the Foundation of St. Bartholomew's Church in London


Book Description

From a manuscript formerly belonging to the Priory of St. Bartholomew by an Augustinian canon of the Priory. Of the two versions, Latin (ca. 1174-1189) and English (ca. 1400) only the English is printed here.




Churches and Churchmen in Medieval Europe


Book Description

Considers many facets of the medieval church, dealing with institutions, buildings, personalities and literature. The text explores the origins of the diocese and the parish, the history of the See of Hereford and of York Minster. It discusses the arrival of the archdeacon, the Normans as cathedral builders and the kings of England and Scotland as monastic patrons. The studies of monastic life deal with the European question of monastic vocation and with St Bernard's part in the sensational expansion of the early 12th century. An epilogue takes us to the 14th century, contrasting Chaucer's parson with an actual Norfolk rector.







Learning to Die in London, 1380-1540


Book Description

Taking as her focus a body of writings in poetic, didactic, and legal modes that circulated in England's capital between the 1380s—just a generation after the Black Death—and the first decade of the English reformation in the 1530s, Amy Appleford offers the first full-length study of the Middle English "art of dying" (ars moriendi). An educated awareness of death and mortality was a vital aspect of medieval civic culture, she contends, critical not only to the shaping of single lives and the management of families and households but also to the practices of cultural memory, the building of institutions, and the good government of the city itself. In fifteenth-century London in particular, where an increasingly laicized reformist religiosity coexisted with an ambitious program of urban renewal, cultivating a sophisticated attitude toward death was understood as essential to good living in the widest sense. The virtuous ordering of self, household, and city rested on a proper attitude toward mortality on the part both of the ruled and of their secular and religious rulers. The intricacies of keeping death constantly in mind informed not only the religious prose of the period, but also literary and visual arts. In London's version of the famous image-text known as the Dance of Death, Thomas Hoccleve's poetic collection The Series, and the early sixteenth-century prose treatises of Tudor writers Richard Whitford, Thomas Lupset, and Thomas More, death is understood as an explicitly generative force, one capable (if properly managed) of providing vital personal, social, and literary opportunities.










Bell’s Cathedrals (Complete)


Book Description

At York the city did not grow up round the cathedral as at Ely or Lincoln, for York, like Rome or Athens, is an immemorial—a prehistoric—city; though like them it has legends of its foundation. Geoffrey of Monmouth, whose knowledge of Britain before the Roman occupation is not shared by our modern historians, gives the following account of its beginning:—"Ebraucus, son of Mempricius, the third king from Brute, did build a city north of Humber, which from his own name, he called Kaer Ebrauc—that is, the City of Ebraucus—about the time that David ruled in Judea." Thus, by tradition, as both Romulus and Ebraucus were descended from Priam, Rome and York are sister cities; and York is the older of the two. One can understand the eagerness of Drake, the historian of York, to believe the story. According to him the verity of Geoffrey's history has been excellently well vindicated, but in Drake's time romance was preferred to evidence almost as easily as in Geoffrey's, and he gives us no facts to support his belief, for the very good reason that he has none to give. Abandoning, therefore, the account of Geoffrey of Monmouth, we are reduced to these facts and surmises. Before the Roman invasion the valley of the Ouse was in the hands of a tribe called the Brigantes, who probably had a settlement on or near the site of the present city of York. Tools of flint and bronze and vessels of clay have been found in the neighbourhood. The Brigantes, no doubt, waged intermittent war upon the neighbouring tribes, and on the wolds surrounding the city are to be found barrows and traces of fortifications to which they retired from time to time for safety. The position of York would make it a favourable one for a settlement. It stands at the head of a fertile and pleasant valley and on the banks of a tidal river. Possibly there were tribal settlements on the eastern wolds in the neighbourhood in earlier and still more barbarous times, before the Brigantes found it safe to make a permanent home in the valley, but this is all conjecture. It is not until the Roman conquest of Britain that York enters into history.




Bell's Cathedrals: The Priory Church of St. Bartholomew-the-Great, Smithfield


Book Description

DigiCat Publishing presents to you this special edition of "Bell's Cathedrals: The Priory Church of St. Bartholomew-the-Great, Smithfield" (A Short History of the Foundation and a Description of the / Fabric and also of the Church of St. Bartholomew-the-Less) by George Worley. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.