The Royal Art of Poison


Book Description

The story of poison is the story of power... For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns and antidotes tested on condemned prisoners. Servants licked the royal family’s spoons, tried on their underpants and tested their chamber pots. Ironically, royals terrified of poison were unknowingly poisoning themselves daily with their cosmetics, medications and filthy living conditions. Women wore makeup made with lead. Men rubbed feces on their bald spots. Physicians prescribed mercury enemas, arsenic skin cream, drinks of lead filings and potions of human fat and skull, fresh from the executioner. Gazing at gorgeous portraits of centuries past, we don’t see what lies beneath the royal robes and the stench of unwashed bodies; the lice feasting on private parts; and worms nesting in the intestines. The Royal Art of Poison is a hugely entertaining work of popular history that traces the use of poison as a political - and cosmetic - tool in the royal courts of Western Europe from the Middle Ages to the Kremlin today.




Royal Art of Benin


Book Description

Tantalizing trivia. this Hitler, spoiling everything?"




The Book on the Royal Art


Book Description

In this beautiful and atmospheric book, Bô Yin Râ sets the tone for concepts he develops in all his future works. Rich in allegory, metaphor, and poetic language, The Book on the Royal Art invites readers to enter the path of the inner journey towards an awakening of their timeless, true self. The path is simple, straightforward, and quiet. At the core of Bô Yin Râ's teaching is the importance of cultivating an inner silence so that one's eternal self can slowly emerge. It is the work of a lifetime, and transcends death. Bô Yin Râ stresses that there is no need to look outside for masters, to renounce the world or engage in unusual practices: We can develop ourselves in our everyday, familiar surroundings. All experiences in life can be of use. Even the most painful grief and sufferings of life can be used to strengthen us and bring us into greater aliveness and joy. The royal art refers to the preparation received by the Luminaries, beings who live among us, almost always in obscurity, who act as mediators of eternal light. The Luminaries form a bridge helping us to receive, in a gradual and gentle way, spiritual light that would otherwise be too powerful to absorb. They function as inner protectors, buoying us up with strength and insights that speak to us in silence and from within. Bô Yin Râ disabuses us of the temptation to think of Luminaries as godlike, emphasizing that they are ordinary people who have been chosen, often to their horror, to bear the burdens and risks of their compassionate task. "Know that on your quest for light," Bô Yin Râ tells us, "your path will be protected by the spirit's luminaries..." The Book on the Royal Art is the first volume of the 32-volume cycle The Gated Garden, in which Bô Yin Râ further develops different aspects of the path towards consciousness of one's eternal self. E.W.S., Publisher The Kober Press's translations of the books of Bô Yin Râ are the only English translations authorized by the Kober Verlag, Switzerland. The Kober Verlag publishes the books of Bô Yin Râ in the original German and has protected their integrity since Bô Yin Râ's lifetime. Contents: PART ONE: The Light from Himavat and the Words of the Masters The Luminary's Self-Disclosure to the Seeking Soul. The Harvest. The One whose Being is Infinity. Know Thyself. On the Masters of the Spirit's World. Pitfalls of Vanity. PART TWO: From the Lands of the Luminaries The Threshold. The King's Question. The Pillar in the Mountains. The Night of Easter. Communion. PART THREE: The Will to Joy To All who Strive Toward Timeless Light. The Teachings on Joy. Epilogue.




The Royal Academy of Arts


Book Description

Published in association with the Royal Academy of Arts, London Animated by an unprecedented study of its collections, this book tells the story of the Royal Academy of Arts, London, and illuminates the history of art in Britain over the past two and a half centuries. Thousands of paintings, sculptures, drawings, and engravings, as well as silver, furniture, medals, and historic photographs, make up this monumental collection, featured here in stunning illustrations, and including an array of little-studied works of art and other objects of the highest quality. The works of art complement an archive of 600,000 documents and the first library in Britain dedicated to the fine arts. This fresh history reveals the central role of the Royal Academy in British national life, especially during the 19th century. It also explores periods of turmoil in the 20th century, when the Academy sought either to defy or to come to terms with modernism, challenging linear histories and frequently held notions of progress and innovation. Published in association with the Paul Mellon Centre for Studies in British Art and Royal Academy of Arts, London




Art of the Royal Court


Book Description

"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework, the art of pietre dure was developed in Renaissance Florence, where the manufacture of such objects was enthusiastically sponsored by Medici princes. Ideally suited for ostentatious display, the works sent an unmistakable message of wealth and political might that was understood in centers of power everywhere. From Italy the medium spread across Europeto Prague, Madrid, Naples, Paris, and later Saint Petersburg. Precious and fragile, pietre dure objects are rarely brought together in large numbers. This richly illustrated catalogue contains more than 150 masterworks from across Europe, dating from five centuries, including almost every artistic use of semiprecious stone during this time as well as some of the finest examples of the medium. Eight essays by European and American experts discuss the individualized development of pietre dure in every European region, the latest developments in scholarship, the interrelationships between art and dynastic politics and between cultures, and a variety of techniques used to produce these luxurious masterworks."--Metropolitan Museum of Art website.




Alchemy


Book Description




Art, Passion & Power


Book Description

"Hall’s consummate history is not just the story of the evolution of one of the world’s great collections... The book is also a through-the-keyhole insight into the shifting tastes, good or bad, of 1,000 years of monarchs." - The Times The Royal Collection is the last great collection formed by the European monarchies to have survived into the twenty-first century. Containing over a million artworks and objects, it covers all aspects of the fine and decorative arts, from paintings by Rembrandt and Michelangelo to grand sculpture, Fabergé eggs and some of the most exquisite furniture ever made. The Royal Collection also offers a revealing insight into the history of the British monarchy from William the Conqueror to Queen Elizabeth II, recording the tastes and obsessions of kings and queens over the past 500 years. With unprecedented access to the royal residences of St James' Palace, Windsor Castle and Buckingham Palace, Art, Passion & Power traces the history of this national institution from the Middle Ages to the present day, exploring how royalty used the arts to strengthen their position as rulers by divine right and celebrating treasures from the Crown Jewels to the "Abraham" tapestries in Hampton Court Palace. Author Michael Hall examines the monarchy's response to changing attitudes to the arts and sciences during the Enlightenment and celebrates the British monarchy's role in the democratisation of art in the modern world. Packed with glimpses of rarely seen artworks, Art, Passion & Power is a visual treat for all art enthusiasts. Accompanying the BBC television series and a major exhibition at the Royal Academy, Art, Passion & Power is the definitive statement on the British monarchy's treasures of the art world.




The Royal Arts of Africa


Book Description

For use in an undergraduate or graduate course in African Art; also suitable as a supplementary reading for art history surveys. Lavishly illustrated, this historically grounded text draws together key traditions from West, Central, Eastern and Southern Africa to present an informative and captivating survey of the most important royal arts in the great sub-Saharan African kingdoms. Exploring the diverse ways that African rulers employed art and architecture to define individual and state identity, it provides an overview of the major themes in royal African art and discusses what these arts reveal about the nature of kingship.




The Hermetic Tradition


Book Description

This important survey of alchemical symbols and doctrines sets forth the mysterious worldview and teachings of the practitioners of the "royal art." One of the leading exponents of the Hermetic tradition, Julius Evola demonstrates the singularity of subject matter that lies behind the words of all adepts in all ages, showing how alchemy--often misunderstood as primitive chemistry or a mere template for the Jungian process of "individuation"--is nothing less than a universal secret science of human and natural transformation. First published in 1931 in Italian. This is the first English translation. Draws from a host of sources in the Western esoteric tradition--works on theurgy, magic, and gnosticism from neoplatonic, Arab, and medieval sources.




Benin


Book Description

"The ancient kingdom of Benin lies in the tropical rain forest of West Africa, in present-day Nigeria. During its classical age, from the fourteenth to the nineteenth century, it produced one of the continent's most glorious artistic legacies. To reflect the splendor of the royal court, the Oba (king) commissioned highly skilled artisans to create rare and beautiful works of cast brass and carved ivory. These included human and animal figures, relief plaques, elephant tusks, pendants, bracelets, life-size commemorative heads of Obas and queen mothers, and ceremonial objects to adorn the royal palace and the altars honoring Obas of the past. The exquisite brass heads were intended to function as objects celebrating ancestors, as war trophies, and as focal points for sacrificial ceremonies." "This volume presents a superb selection of artifacts from the Museum fur Volkerkunde in Vienna, home to one of the world's foremost collections of Benin art. Most of these artifacts were acquired at the end of the last century, when the influx of Benin objects into Europe after the destruction of Benin City caused a sensation among art experts and caught the interest of museum representatives and private collectors. Of the more than one hundred works reproduced here in full color, the majority have never been seen as a group in the U.S. Most celebrated are the cast brass sculptures - including the two figures of dwarfs - which have no parallel in sub-Saharan Africa." "A history of the kingdom of Benin up to the British punitive expedition of 1897 provides insight into the politics and culture of one of Africa's greatest civilizations. Further chapters discuss the court hierarchy, the art of brasscasting, the art of Benin and its symbolism, and the history of the Benin Collection in Vienna. To interpret the rich symbolism in Benin art, the book furnishes detailed analyses of the works that are reproduced. In his description of myths and ritual observances, the author presents a fascinating cosmology, in which animals were assigned magical and medicinal powers, and the Oba was seen as an intermediary between the earth and the world of spirits."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved