The Branch Will Not Break


Book Description

A new book of poetry from a Pulitzer Prize-winning master poet These new poems by the author of Saint Judas and The Green Wall embody a sharp break with his earlier work. Their impact is well described by the British critic Michael Hamburger: "He has absorbed the work of modern Spanish and other continental poets and evolved a medium of his own. This medium dispenses with argument and rhetoric, and presents the pure substance of poetry, images which are 'the objective correlatives' of emotion and feeling. It is only in the new collection that Wright has found this wholly distinctive voice." Mr. Wright is well known for his previous books and his contributions to virtually every literary journal of importance. His numerous honors include a Fullbright fellowship, a Kenyon Review fellowship, and many other prizes and awards.




The Branch Will Not Break


Book Description

A new book of poetry from a Pulitzer Prize-winning master poet




The Branch


Book Description

When an ice storm snaps a small girl’s favorite branch from the tree in her yard, she won’t let it be hauled away. To her, it wasn’t just any branch, “It was my castle, my spy base, my ship …” Her neighbor Mr. Frank agrees. He says the branch has “potential,” and the two get to work transforming what was broken into something whole and new, to be enjoyed again and again.




James Wright


Book Description

Collects the finest critical writing on one of the masters of American poetry




The Poetry of James Wright


Book Description

In The Poetry of James Wright the author traces Wright's formal evolution and concentrates on his consistent themes: the artist's role in society, the artist's search for poetic and personal identities, the power of poetry as fortification against the onslaughts of time, and the definition of a good and humane action. Charting the poet's evolution from his first book, The Green Wall, to the last collections, This Journey, Elkins discusses one major book I each chapter, explicating the more important poems in detail and explaining how each volume is part of a progression from youthful imitator to mature innovator. Wright's individual struggle, taking place as it did in the last half of the 20th century in America, dramatizes the central problems of the creative individual in a late industrial society who is trying to turn a life into are. Wright worked in the great tradition of the adamant individualists in our literary heritage, and, like all of his formidable ancestors, he refused to trust the socialized self he found attached to his soul, refused to be diminished or circumscribed by any society's definition of himself. The effect of reading and studying his complete work is the recognition that Wright is a major 20th century American poet whose apparent simplicity and occasional sentimentality can obscure the complexity and maturity of his courageous confrontation with the problems of living and writhing in contemporary America.







Dictionary of Midwestern Literature, Volume Two


Book Description

The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.




The Heart of American Poetry


Book Description

An acclaimed poet and our greatest champion for poetry offers an inspiring and insightful new reading of the American tradition We live in unsettled times. What is America and who are we as a people? How do we understand the dreams and betrayals that have shaped the American experience? For poet and critic Edward Hirsch, poetry opens up new ways of answering these questions, of reconnecting with one another and with what’s best in us. In this landmark new book from Library of America, Hirsch offers deeply personal readings of forty essential American poems we thought we knew—from Anne Bradstreet’s “The Author to Her Book” and Phillis Wheatley’s “To S.M. a Young African Painter, on seeing his Works” to Garrett Hongo’s “Ancestral Graves, Kahuku” and Joy Harjo’s “Rabbit Is Up to Tricks”—exploring how these poems have sustained his own life and how they might uplift our diverse but divided nation. “This is a personal book about American poetry,” writes Hirsch, “but I hope it is more than a personal selection. I have chosen forty poems from our extensive archive and songbook that have been meaningful to me, part of my affective life, my critical consideration, but I have also tried to be cognizant of the changing playbook in American poetry, which is not fixed but fluctuating, ever in flow, to pay attention to the wider consideration, the appreciable reach of our literature. This is a book of encounters and realizations.”




The Midwestern Pastoral


Book Description

The midwestern pastoral is a literary tradition of place and rural experience that celebrates an attachment to land that is mystical as well as practical, based on historical and scientific knowledge as well as personal experience. It is exemplified in the poetry, fiction, and essays of writers who express an informed love of the nature and regional landscapes of the Midwest. Drawing on recent studies in cultural geography, environmental history, and mythology, as well as literary criticism, The Midwestern Pastoral: Place and Landscape in Literature of the American Heartland relates Midwestern pastoral writers to their local geographies and explains their approaches. William Barillas treats five important Midwestern pastoralists—Willa Cather, Aldo Leopold, Theodore Roethke, James Wright, and Jim Harrison—in separate chapters. He also discusses Jane Smiley, U.S. Poet Laureate Ted Kooser, Paul Gruchow, and others. For these writers, the aim of writing is not merely intellectual and aesthetic, but democratic and ecological. In depicting and promoting commitment to local communities, human and natural, they express their love for, their understanding of, and their sense of place in the American Midwest. Students and serious readers, as well as scholars in the growing field of literature and the environment, will appreciate this study of writers who counter alienation and materialism in modern society.




Conversant Essays


Book Description