The Brancusi Effect


Book Description

Presents archival documents of Brancusi's second solo exhibition at Brummer Gallery, New York, which opened on November 17, 1933.




Brancusi


Book Description




Brancusi, Rosso, Man Ray. Framing Sculpture


Book Description

This catalogue is published to accompany the exhibition of the same name in Museum Boijmans Van Beuningen, Rotterdam (8 February-11 May 2014). The exhibition is a unique meeting of the work of three of the most influential artists of the twentieth century: Constantin Brancusi (1876-1957), Medardo Rosso (1858-1928) and Man Ray (1890-1976). The works exhibited and discussed in the catalogue, forty-five sculptures and some hundred photographs they took of them, offer a glimpse over the shoulders of these artists.Not only were Brancusi, Rosso and Man Ray all crucial in the development of modern sculpture, they were innovators in the way they involved photography in their work-not so much for recording it, but as a means of explaining how viewers should look at and interpret their sculptures. They played with the possibilities of the medium-experimental for the time-using overexposure, innovative camera angles and blurring the foreground or background.




I'm Isa Genzken, the Only Female Fool


Book Description

X93;The Only Female Fool” is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Genzken’s artistic practice is characterized by a wide spectrum of media and forms, although her roots in sculpture always remain visible. The exhibition and catalogue focus on specific aspects of her oeuvre, including the mirror motif, the examination of architecture, and space as a social sphere; where early works are juxtaposed with series from later creative periods. Genzken’s collaboration with other artists and her admiration for certain artistic positions is also brought into focus, and selected works by Dan Graham, Gordon Matta-Clark, Jasper Johns, Gerhard Richter, Wolfgang Tillmans, and Lawrence Weiner are presented in dialogue with Genzken’s multilayered work. 00Exhibition: Kunsthalle Wien, Vienna, Austria (28.05-07.09.2014).




Art and Subjecthood


Book Description

"This book is based on the conference 'Art and subjecthood: the return of the human figure in semiocapitalism' ... organized by the Institut f'ur Kunstkritik on July 1, 2011, at the Staatliche Hochschule f'ur Bildende K'unste/St'adelschule in Frankfurt am Main"--P. 6.




Brancusi New York


Book Description

The pure, abstract sculptures made by Constantin Brancusi have had a large and enthusiastic audience in New York ever since they were first shown on American soil at the 1913 Armory Show. The numerous American collectors, muses, friends, and exhibitions that enabled his success had a profound influence on the eccentric Romanian artist who lived in Paris. And the feeling was definitely reciprocated. From the trial concerning his Bird in Space--which helped define modern art--to his first museum retrospective, and his dream of a skyscraper sculpture, New York was the place where Brancusi's career unfolded. Over the last one hundred years his effect on the city's art scene has never waned. Through stunning archival images and text by Brancusi authority Jérôme Neutres, Brancusi New York tells the story of the mutually beneficial relationship between the sculptor and the Big Apple. The book also features gorgeous new photographs of the five bronze sculptures on display at the Paul Kasmin Gallery in New York for the exhibition Brancusi in New York: 1913-2013.




Ion Grigorescu


Book Description

The Man with a Single Camera provides an extraordinary overview of Ion Grigorescu's body of work since the late 1960s until today. Regarded as one of the key protagonists of Eastern European conceptualism, the Romanian artist advocates a radical convergence between the organic and spiritual, an uninhibited immersion of life into art. The concept of “reality” is at the heart of Grigorescu's work. His ritualized actions and intimate performances, his films and photographs, and his paintings and writings allow, in a unique and antitraditional manner, existential concerns to proliferate. This book is a result of long-term research conducted in the artist's archive. It brings together a complete selection of source materials and theoretical contributions, which grasp the complexity of the social and political surroundings in which Grigorescu has worked, and provides an extended insight into the particularity of his artistic strategies. Copublished with Asociația pepluspatru, ERSTE Foundation, Kontakt. Art Collection Contributors Maria Alina Asavei, Nuno Faria, Klara Kemp-Welch, Anders Kreuger, Ileana Pintilie, Alina Şerban




Serra Brancusi


Book Description

"The starting point for this book is the work of Constantin Brancusi (1876-1957), as expressed in his reduction of volume to tease out formal essence. Some thirty-five exemplary works by Brancusi, among them 'The Kiss' and the 'Column of the Infinite', thus initiate a line of inquiry into the essence and the possibilities of sculpture, the discussion of which continues with a selection of works from different periods by Richard Serra (born 1939), whose art opens up new 'ways of seeing' to his viewers. The resulting juxtaposition of Brancusi's sensuous modeling of marble, bronze, wood, and plaster with Serra's minimalist steel sculptures set in motion a fascinating dialogue. The essays by Friedrich Teja Bach, Alfred Pacquement, Oliver Wick, and others conspire with the concentrated selection of works to underscore not only the contrasts between these two pioneering artists, but also their common ground enabling the reader to experience anew the universal power of sculpture." --Jacket.




The Sculptural Imagination


Book Description

Potts also offers a detailed view of selected iconic works by sculptors ranging from Antonio Canova and Auguste Rodin to Constantin Brancusi, David Smith, Carl Andre, Eva Hesse and Louise Bourgeois - key players in modern thinking about the sculptural. The impact of minimalism features prominently in this discussion, for it disrupted accepted understanding of how a viewer interacts with a work of art, thereby placing the phenomenology of viewing three-dimensional objects for the first time at the center of debate about modern visual art."--Jacket.




Mara, Marietta


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