The Buildings and Designs of Andrea Palladio


Book Description

Andrea Palladio is unquestionably the most important architect in the Western world: his carefully proportioned, pedimented designs are the foundations for most single-family homes and public buildings in the United States and Europe. In 1776, architect and scholar Ottavio Bertotti Scamozzi began documenting and analyzing Palladio's designs, which were published in four volumes as Le fabbriche e i disegni di Andrea Palladio. Gathered together here for the first time in English in a single volume, The Buildings and Designs of Andrea Palladio is the complete works of Palladio, from his well-known villas of the Veneto to his lesser-known engineering structures, such as bridges. Featuring the highest quality printing and binding, this large-format stunner features more than two hundred reproductions and showcases Palladio's designs for villas, churches, and civic buildings, and for the first time, the English translation of Scamozzi's introduction to Palladio's remarkable oeuvre.




Andrea Palladio


Book Description

Andrea Palladio (1508-1589) was one of the most creative architects the world has ever known; many consider his villas, palaces, and churches the epitome of Renaissance ideals. Though his buildings have often been photographed and numerous specialized studies have been written about his career, never before have Palladio's life and times been brought together in a narrative as incisive as this one. Richly illustrated with specially commissioned photographs as well as period plans and drawings, this volume defines Palladio's remarkable career against the backdrop of the dramatic events and personalities of the age, while the buildings are discussed in terms of their importance in art history.




Andrea Palladio


Book Description

Ispirandosi alla logica che aveva guidato Palladio nel "Secondo" dei suoi "Quattro libri dell'Architettura", in questo volume i curatori hanno voluto la parola scritta ridotta all'essenziale, per lasciare spazio alle oltre 250 fotografie scattate da Pino Guidolotti. Un vero e proprio ritratto dell'opera palladiana allo scadere del secolo, attraverso il quale sono state censite tutte le 66 opere autografe, o presunte tali da una tradizione consolidata.




The First Book of Architecture


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Possible Palladian Villas


Book Description

Drawing on Palladio's original published legacy of approximately 40 designs, the authors attempt to reveal the rigorous geometric rules by which Palladio conceived these structures. Using a computer, they test each rule in every possible application.




Palladio


Book Description

Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.







How to Architect


Book Description

The basics of the profession and practice of architecture, presented in illustrated A-Z form. The word "architect" is a noun, but Doug Patt uses it as a verb—coining a term and making a point about using parts of speech and parts of buildings in new ways. Changing the function of a word, or a room, can produce surprise and meaning. In How to Architect, Patt—an architect and the creator of a series of wildly popular online videos about architecture—presents the basics of architecture in A-Z form, starting with "A is for Asymmetry" (as seen in Chartres Cathedral and Frank Gehry), detouring through "N is for Narrative," and ending with "Z is for Zeal" (a quality that successful architects tend to have, even in fiction—see The Fountainhead's architect-hero Howard Roark.) How to Architect is a book to guide you on the road to architecture. If you are just starting on that journey or thinking about becoming an architect, it is a place to begin. If you are already an architect and want to remind yourself of what drew you to the profession, it is a book of affirmation. And if you are just curious about what goes into the design and construction of buildings, this book tells you how architects think. Patt introduces each entry with a hand-drawn letter, and accompanies the text with illustrations that illuminate the concept discussed: a fallen Humpty Dumpty illustrates the perils of fragile egos; photographs of an X-Acto knife and other hand tools remind us of architecture's nondigital origins. How to Architect offers encouragement to aspiring architects but also mounts a defense of architecture as a profession—by calling out a defiant verb: architect!




The Four Books of Andrea Palladio's Architecture


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T040073 The titlepage is engraved; with individual engraved titlepages to books II-IV. At head of titlepage: "Regina virtus." Translated by Isaac Ware. London: published by Isaac Ware, 1738. [14],110p., plates; 2°




Jefferson and Palladio


Book Description

Thomas Jefferson (1743-1826), a cosmopolitan figure with rural roots, was a master of the knowledge of his time. He drafted The Declaration of Independence (1776), and thus founded a new view of the proper relation between governed and government. Jefferson was the architect of the new America, not just in a political sense, but in a literal sense as well. Architecture had an important place in his personal and public agenda. A self-taught architect, Jefferson buildings are amongst America's most famous: Monticello, the Virginia State Capitol and the University of Virginia are the starting points of American classical architecture. Jefferson was guided by his admiration for Palladio's Four Books on Architecture, which provided him with key architectural forms and ideas. Palladio showed him how the admired building types of the ancient Romans could be adapted to modern purposes and provide a rational, harmonious framework for living and for building a new society. Contents: Palladio in America by James S. Ackerman; Jefferson and Palladio by Guido Beltramini; Jefferson: Architecture and Democracy by Fulvio Lenzo; Photographing Jefferson by Filippo Romano; Palladianism in America Before Jefferson by Bruce Boucher; The National Survey Grid and the American Democracy by Catherine Maumi; Jefferson's Creation of American Classical Architecture by Richard Guy Wilson; Jefferson and the First Public Statues in the United States by Giovanna Capitelli; Canova and the Monument to George Washington by Mario Guderzo; Palladio: Materials and Building Techniques Damiana by Lucia Paterno; Jefferson Builder by Travis McDonald. ENTRIES: Monticello; Virginia State Capitol; President's House; Poplar Forest; Bremo; Barboursville; University of Virginia Bibliographiy of works cited List of the Exhibits"