The Gordion Wooden Objects, Volume 1 The Furniture from Tumulus MM (2-vol. set)


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The Furniture from Tumulus MM, The Gordion Wooden Objects, volume 1, is a study of the furniture from the largest tomb at Gordion, Turkey, excavated in 1957 by the University of Pennsylvania Museum. The tomb dates to the eighth century BC and is thought to be the burial of the great Phrygian king Midas or his father. The objects, initially misunderstood, are now identified as nine tables, two serving stands, two stools, a chair, and an open log coffin. Three pieces are ornately carved and inlaid with religious symbols and complex geometric motifs. The wooden objects from Gordion are now recognized as the most important collection of well preserved wooden artifacts excavated from the Near East. Included in this volume are new photographs, reconstruction drawings, and eight scientific/technical appendices. Contributors include: Harry Alden, Burhan Aytuğ, Mary W. Ballard, Robert A. Blanchette, Roland Cunningham, Laure Dussubieux, Patrick E. McGovern, Benjamin Held, Walter Hopwood, Joseph Koles, Lynn E. Roller, Krysia Spirydowicz. "...this work goes well beyond a typical site-specific object catalogue and makes important contributions to a wide range of scholarly fields, both technical and conceptual, from textile and wood analysis to anthropological and religious studies." Elizabeth P. Baughan, University of Richmond “The book succeeds in its main aims of making available every scrap of information about the finds, and it illuminates form, techniques, and function in a most convincing and stimulating manner.” Catherine M. Draycott, Courtauld Institute of Art




The Bulletin


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Club Bulletin


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Catalog of Copyright Entries. New Series


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European Textiles


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This volume catalogues the more than 250 textiles and objects made of fabric that were part of Robert Lehman's bequest to the Metropolitan Museum in 1975. Many of these textiles were used as hangings, covers, or upholstery to embellish the Lehmans' elegant townhouse in Manhattan. They represent sixty-five years of assembling, owning, and living with historic fabrics on a day-to-day basis, and they document an American style of living and interior decoration that has largely disappeared. Among the highlights of the collection are two series of embroidered roundels from fifteenth-century Flanders that illustrate the lives of Saints Martin and Catherine of Alexandria; four large tapestries, including the Last Supper after Bernaert van Orley that is arguably the finest Renaissance tapestry in an American collection; and a number of ecclesiastical vestments and panels of magnificent silks and velvets in an array of techniques and styles that span six centuries. Comparative illustrations supplement the catalogue entries. Glossary, bibliography, and index. -- Metropolitan Museum of Art website.




Catalog of Copyright Entries


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Catalog of Copyright Entries. Third Series


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Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)




The Authority of the Word


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This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700. Like texts, images partook of rhetorical forms and hermeneutic functions – typological, paraphrastic, parabolic, among others – based largely in illustrative traditions of biblical commentary. If the specific relation between biblical texts and images exemplified the range of possible relations between texts and images more generally, it also operated in tandem with other discursive paradigms – scribal, humanistic, antiquarian, historical, and literary, to name but a few – for the connection, complementary or otherwise, between verbal and visual media. The Authority of the Word discusses the ways in which the mutual form and function, manner and meaning of texts and images were conceived and deployed in early modern Europe. Contributors include James Clifton, John R. Decker, Maarten Delbeke, Wim François, Jan L. de Jong, Catherine Levesque, Andrew Morrall, Birgit Ulrike Münch, Carolyn Muessig, Bart Ramakers, Kathryn Rudy, Els Stronks, Achim Timmermann, Anita Traninger, Peter van der Coelen, Geert Warnar, and Michel Weemans.