The Cambridge Songs (Carmina Cantabrigiensia)
Author : Jan Ziolkowski
Publisher :
Page : 401 pages
File Size : 23,80 MB
Release : 1998
Category :
ISBN :
Author : Jan Ziolkowski
Publisher :
Page : 401 pages
File Size : 23,80 MB
Release : 1998
Category :
ISBN :
Author :
Publisher :
Page : 120 pages
File Size : 11,42 MB
Release : 1915
Category :
ISBN :
Author : Mark Everist
Publisher : Cambridge University Press
Page : pages
File Size : 20,45 MB
Release : 2018-08-09
Category : Music
ISBN : 1108577075
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author : Karl Breul
Publisher : CUP Archive
Page : 180 pages
File Size : 19,35 MB
Release : 1915
Category : Goliards
ISBN :
Cambridge, The University press, 1915.
Author : Anna Maria Busse Berger
Publisher : Cambridge University Press
Page : 1058 pages
File Size : 40,21 MB
Release : 2015-07-16
Category : Music
ISBN : 1316298299
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Author : Philip V. Bohlman
Publisher : Cambridge University Press
Page : 943 pages
File Size : 49,8 MB
Release : 2013-12-12
Category : Music
ISBN : 1316025667
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
Author : Tim Carter
Publisher : Cambridge University Press
Page : 636 pages
File Size : 47,94 MB
Release : 2005-12-22
Category : Music
ISBN : 9780521792738
First published in 2005, this title provides extensive knowledge on seventeenth-century music.
Author : Mark Everist
Publisher : Cambridge University Press
Page : 982 pages
File Size : 28,81 MB
Release : 2011-03-03
Category : Music
ISBN : 1107495121
From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.
Author : John Potter
Publisher : Cambridge University Press
Page : 300 pages
File Size : 27,38 MB
Release : 2000-04-13
Category : Music
ISBN : 1139825771
Ranging from medieval music to Madonna and beyond, this book covers in detail the many aspects of the voice. The volume is divided into four broad areas. Popular Traditions begins with an overview of singing traditions in world music and continues with aspects of rock, rap and jazz. The Voice in the Theatre includes both opera singing from the beginnings to the present day and twentieth-century stage and screen entertainers. Choral Music and Song features a history of the art song, essential hints on singing in a larger choir, the English cathedral tradition and a history of the choral movement in the United States. The final substantial section on performance practices ranges from the voice in the Middle Ages and the interpretation of early singing treatises to contemporary vocal techniques, ensemble singing, the teaching of singing, children's choirs, and a comprehensive exposition of vocal acoustics.
Author : Richard J. Watts
Publisher : Cambridge University Press
Page : 391 pages
File Size : 31,43 MB
Release : 2019-01-31
Category : Language Arts & Disciplines
ISBN : 1107112710
The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.