Early Music History: Volume 14


Book Description

Devoted to the study of music from the early Middle Ages to the end of the seventeenth century







Eerie Archives Volume 14


Book Description

The latest Eerie Archives volume reprints issues #65–#69 of Warren Publishing's frightful anthology of horror, fantasy, and science fiction and includes work by Alex Toth, Bernie Wrightson, Paul Neary, and others. Vivid covers by Ken Kelly and Sanjulian are reproduced, and a new introduction by John Cochran caps off this fine collection! * Legendary creators influential, experimental horror! "There's an astonishing assortment of style and craftmanship contained in each and every volume." –Mania.com




Eerie Archives Volume 14


Book Description

Slithering upon the heels of Dark Horse's archive collections of the seminal horror comics magazine Creepy comes its terror-filled cousin publication Eerie! Collected for fans for the first time ever, and packaged in the same amazing oversized format as the Creepy Archives, Dark Horse Comics has taken great, gruesome care in presenting this groundbreaking material to readers who have been waiting decades to get their claws on it.




Nineteenth-Century British Music Studies


Book Description

Originally published in 1999, this volume of essays arises from the first biennial Music in Nineteenth-Century Britain conference, held at the University of hull in July 1997. Like the conference, this book seeks to expand and reassess our current knowledge of musical life in Britain during the nineteenth century, as well as to challenge the preconceptions of earlier attitudes and scholarship. This volume covers a cohesive range of subjects and materials intended not only as a revision of past views and scholarship, but also as a tool for further research. It provides a vigorous reconsideration of the musical activity of the period.




Catalog of Copyright Entries


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The Classical Revolution


Book Description

Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.




The Cambridge Companion to Medieval Music


Book Description

From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.