A Challenge for the Actor


Book Description

"I held onto this book for dear life throughout my twenties, and still thumb through it when I need a tune up. If I lose my car keys and I’m frantically turning my house upside down trying to find them I look up at the heavens and hope she’s having a good laugh." - Amanda Peet "I was extraordinarily privileged to work with Uta Hagen in Circle in the Square’s production of George Bernard Shaw’s play, You Never Can Tell. She was committed to revealing the truth and we are the beneficiaries of her brilliant observations." - Victor Garber "CHALLENGE FOR THE ACTOR, written by one of the most important actors of the 20th Century, is a remarkable source of practical principles on how to be a human being in your work and to not just “act." Uta's purpose for this book is to clarify and update the articulation of her technique as stated in RESPECT FOR ACTING. In "Chapter 8" of this book particularly, she provides a self-empowering approach to acting that is an invaluable resource for achieving the art of acting for stage, film, and television at its highest level." - Ted Brunetti "Uta Hagen changed my life. She changed the lives of thousands and thousands of other people as well. To have Uta’s books and to be able to look through them at the drop of a hat keeps me going and keeps me inspired to keep going." - Austin Pendleton "Uta Hagen’s A CHALLENGE FOR THE ACTOR is simply the bible for any acting student serious about their craft. Even as a professional I refer to it time and again for the basics. It is a touchstone." - Laila Robins “'Cynicism leads to mental illness and insanity.' Words of warning Uta Hagen spoke often to her students. Here in lies the difference between Ms. Hagen’s classic RESPECT FOR ACTING and its companion A CHALLENGE FOR THE ACTOR. She meets head on the soul killing demon that threatens the art and craft of all actors, cynicism. The challenge is to remain curious, caring, innocent, disciplined, educated, and life-loving amid dark times. To have the courage to fight the forces of apathy and disbelief in order to serve with all one’s heart the profession that one loves.” - Victor Slezak Uta Hagen, one of the world's most renowned stage actresses, also taught acting for more than 40 years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, remains a best seller in print. In this edition of her second classic book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher. She raises the issue of the actor's goals and examines the specifics of the actor's techniques. She goes on to consider the actor's relationship to the physical and psychological senses. There is a brilliantly conceived section on the animation of the body and mind, of listening and talking, and the concept of expectation. But perhaps the most useful are the exercises that Uta Hagen has created and elaborated to help the actor learn his craft. The exercises deal with developing the actor's physical destination in a role; making changes in the self serviceable in the creation of a character; recreating physical sensations; bringing the outdoors on stage; finding occupation while waiting; talking to oneself and the audience; and employing historical imagination. The scope and range of Uta Hagen here is extraordinary. Her years of acting and teaching have made her as finely seasoned an artist as the theatre has produced.




Challenge For The Actor


Book Description

Theoretically, the actor ought to be more sound in mind and body than other people, since he learns to understand the psychological problems of human beings when putting his own passions, his loves, fears, and rages to work in the service of the characters he plays. He will learn to face himself, to hide nothing from himself -- and to do so takes an insatiable curiosity about the human condition. from the Prologue Uta Hagen, one of the world's most renowned stage actresses, has also taught acting for more than forty years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, is still in print and has sold more than 150,000 copies. In her new book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher. She raises the issue of the actor's goals and examines the specifics of the actor's techniques. She goes on to consider the actor's relationship to the physical and psychological senses. There is a brilliantly conceived section on the animation of the body and mind, of listening and talking, and the concept of expectation. But perhaps the most useful sections in this book are the exercises that Uta Hagen has created and elaborated to help the actor learn his craft. The exercises deal with developing the actor's physical destination in a role; making changes in the self serviceable in the creation of a character; recreating physical sensations; bringing the outdoors on stage; finding occupation while waiting; talking to oneself and the audience; and employing historical imagination. The scope and range of Uta Hagen here is extraordinary. Her years of acting and teaching have made her as finely seasoned an artist as the theatre has produced.




An Actress Prepares


Book Description

'Every day, thousands of women enter acting classes where most of them will receive some variation on the Stanislavsky-based training that has now been taught in the U.S. for nearly ninety years. Yet relatively little feminist consideration has been given to the experience of the student actress: What happens to women in Method actor training?' An Actress Prepares is the first book to interrogate Method acting from a specifically feminist perspective. Rose Malague addresses "the Method" not only with much-needed critical distance, but also the crucial insider's view of a trained actor. Case studies examine the preeminent American teachers who popularized and transformed elements of Stanislavsky’s System within the U.S.—Strasberg, Adler, Meisner, and Hagen— by analyzing and comparing their related but distinctly different approaches. This book confronts the sexism that still exists in actor training and exposes the gender biases embedded within the Method itself. Its in-depth examination of these Stanislavskian techniques seeks to reclaim Method acting from its patriarchal practices and to empower women who act. 'I've been waiting for someone to write this book for years: a thorough-going analysis and reconsideration of American approaches to Stanislavsky from a feminist perspective ... lively, intelligent, and engaging.' – Phillip Zarrilli, University of Exeter 'Theatre people of any gender will be transformed by Rose Malague’s eye-opening study An Actress Prepares... This book will be useful to all scholars and practitioners determined to make gender equity central to how they hone their craft and their thinking.' – Jill Dolan, Princeton University




The European Union Decides


Book Description

European legislation affects countless aspects of daily life in modern Europe but just how does the European Union make such significant legislative decisions? How important are the formal decision-making procedures in defining decision outcomes and how important is the bargaining that takes place among the actors involved? Using a combination of detailed evidence and theoretical rigour, this volume addresses these questions and others that are central to understanding how the EU works in practice. It focuses on the practice of day-to-day decision-making in Brussels and the interactions that take place among the Member States in the Council and among the Commission, the Council and the European Parliament. A unique data set of actual Commission proposals are examined against which the authors develop, apply and test a range of explanatory models of decision-making, exemplifying how to study decision-making in other political systems using advanced theoretical tools and appropriate research design.




The REDD+ Governance Landscape and the Challenge of Coordination in Brazil


Book Description

Key points Despite significant efforts towards the coordination of governance related to REDD+ (Reducing Emissions from Deforestation and Forest Degradation), it remains a major challenge in Brazil. This challenge is pervasive whether between government levels (as evidenced in the differences in REDD+ perspectives and interests between federal and state governments), civil society or between government and the private sector.Despite their clear mandate to do so, state actors exchange only limited information on REDD+ policy with non-state actors.Domestic NGOs play an important mediating role in the limited REDD+ coordination that does take place.Private-sector actors, one of the main forces driving deforestation and forest degradation, are largely absent from the REDD+ policy domain, and the few who do participate are relatively isolated from other REDD+ policy actors.




Performance, Movement and the Body


Book Description

Investigating a range of influential movement training practices, this ambitious book considers the significance of professional training to performers and their bodies. Performance training approaches are examined within their wider social and cultural contexts, illuminating their evolution in response to the changing context of theatre practice and production. Adopting a rigorous critical angle, Mark Evans' approach is at the cutting-edge of Theatre scholarship, drawing on interviews with recognised practitioners and considering the implications for movement and the body in the digital age. Engaging and enlightening, this is essential reading for undergraduate and postgraduate students of Theatre, Drama and Performance wishing to understand and contextualise the theories behind performance training.




The Passing of an Actor


Book Description

An aging actor, forced into retirement after a lifetime on the stage, decides he will create for himself a new life based on Rostand's immortal Cyrano de Bergerac. With the help of other actors, the actor's fantasy becomes true to life and the he is faced with a life or death choice.




The BoxWhatBox Book


Book Description

What if an actor possessed the expressive tools to work across cultures? Actor, director, and playwright Michael Devine (Playing Outside the Lines: Collected Plays I) has spent years bridging cultures in both performance and training. Through an exploration of the core principles of power, control, and joy, BoxWhatBox frees the artist from habits that inhibit their development and their ability to create, and which confine them within the box of their own cultures and lived experience. With case studies, photographs, and engaging games, exercises, and études, BoxWhatBox is the practical handbook for any actor who desires to inspire.




Introduction to XXX (2002 film)


Book Description

"Introduction to XXX" is a 2002 film directed by Richard Willett. The movie follows the life of Jimmy (Bryan Greenberg), a young man who moves to Los Angeles to pursue his dreams of becoming an actor. He quickly becomes acquainted with the fast-paced lifestyle of the city and meets a cast of characters who influence his journey into the entertainment industry. Along the way, Jimmy must navigate the challenges of love, identity, and self-discovery. The film explores themes of masculinity, fame, and the cost of pursuing our dreams. The characters are flawed but relatable, each striving for their own version of success. The film received mixed reviews upon its release, with some critics praising its authenticity while others criticized its lack of depth. Overall, "Introduction to XXX" is an entertaining look at the behind-the-scenes workings of Hollywood and the struggles that come with pursuing our passions.




Beyond the Studio


Book Description

This book is a conversation about acting with noted actor, director and educator Cynthia Henderson. Cynthia takes the reader on a journey to the heart of acting, sharing techniques and exercises she has developed over a lifetime of personal and professional exploration. Drawing from the diverse landscape of what it means to be human, Cynthia creates a space to meet the actor where they are. It is a profound and often humorous guide that is accessible for the beginning actor while inviting the seasoned professional to dive deeper. Her unique insights into actor training form the cornerstone for compelling character development and offer insight into how theatre can be a catalyst for social change. Cynthia’s concepts are cutting edge actor training. More than an acting book, this book is an intimate look at the exploration of the human condition and why we do what we do.