The Chinese Ginger Jars


Book Description

The Chinese Ginger Jars is a bright and intimate portrait of the adventures, trials, and achievements of an American housewife who lived through dangerous days in modern China. When Myra Scovel arrived in Peking in 1930 with her medical missionary husband and infant son, China was a land steeped in an ancient culture, mellow as the smooth cream ivory of its curio shops, relaxed as the curves of a temple roof against the sky. Twenty-one years later—as the Scovels were forced to leave China by the Communists—it was a country of fear, of terror, of hatred toward the foreigner. The dramatic events that transformed China are recounted here from the fresh and poignant viewpoint of an extraordinary American wife and mother.




The Chinese Jar


Book Description

The Chinese Jar is a detective mystery by Fergus Hume. Hume was a prolific English novelist, known for his detective fiction, thrillers and mysteries. Excerpt: "After glancing at the cryptographs, Crate resumed his breakfast with a grunt of discontent, being genuinely disappointed at the success achieved by Fanks. Much as he would have liked to have disbelieved the information, he could not doubt the evidence of his own eyes. The ciphers were assuredly there, set forth in the same characters as were in the book of Poe's, shown to him by Fanks on the previous day."




A Handbook of Chinese Ceramics


Book Description




The Chinese Jar Mystery


Book Description

Hardback. "John Stephen Strange" was the pseudonym of Dorothy Stockbridge Tillett (1896-1983), who wrote several classic mystery novels. 'The Chinese Jar Mystery', originally published in 1934, is an intriguing whodunit involving the descendants of a buccaneering opium trader, a family curse, and a strange antique Chinese jar. Ramble House is pleased to be able to bring this old mystery back for the delectation of modern readers.




Four Quartets in the Light of the Chinese Jar


Book Description

Titled Four Quartets in the Light of the Chinese Jar, this is the first book that discusses how Four Quartets should be explored afresh with a prosodic-philosophically sustained interdisciplinary and cross-cultural literary approach in ways as the often overlooked pivotal image of the Chinese jar so indicates in the great sequence; the pivotal image suggests the subtle but vital elixir from both “The ‘shores of Asia and the Edgware Road’ [which] are brought together as they had been brought together to The Waste Land.” With a steady focus on the function words-mediated and phonemes-facilitated, and “autochthonously” void-suggesting verbal transformation, the book shows how the verbal transformation, especially of the cases with “parts of speech” in the live context, makes Four Quartets truly a “rhythmical creation of [meaningful] beauty”; it demonstrates how the meaningful poetic beauty culminates in a quintessential state or being of poetry not merely being “poetic” particularly in terms of its prosodically sustained philosophical tenets, which are often so serendipitously transformed into “virtuoso mastery of verbal music.” As genuine poetry, the great sequence flows freely from inside out at once in accordance with and in spirt of any given rhythmical form or rhyming pattern.




Transformative Jars


Book Description

The term 'jar' refers to any man-made shape with the capacity to enclose something. Few objects are as universal and multi-functional as a jar – regardless of whether they contain food or drink, matter or a void, life-giving medicine or the ashes of the deceased. As ubiquitous as they may seem, such containers, storage vessels and urns are, as this book demonstrates, highly significant cultural and historical artefacts that mediate between content and environment, exterior worlds and interior enclosures, local and global, this-worldly and otherworldly realms. The contributors to this volume understand jars not only as household utensils or evidence of human civilizations, but also as artefacts in their own right. Asian jars are culturally and aesthetically defined crafted goods and as objects charged with spiritual meanings and ritual significance. Transformative Jars situates Asian jars in a global context and focuses on relationships between the filling, emptying and re-filling of jars with a variety of contents and meanings through time and throughout space. Transformative Jars brings together an interdisciplinary team of scholars with backgrounds in curating, art history and anthropology to offer perspectives that go beyond archaeological approaches with detailed analyses of a broad range of objects. By looking at jars as things in the hands of makers, users and collectors, this book presents these objects as agents of change in cultures of craftsmanship and consumption.




The Green Ginger Jar


Book Description

Ai-mei gives a strange girl an old ginger jar belonging to her grandmother, believing it has no value. When she finds out how important it is to her family, she and her brother Lu Chen search throughout Chicago in an attempt to recover the jar.







Chinese Glazes


Book Description

Chinese pottery has long been esteemed not only for its beauty and delicacy but also for the utility and efficiency evident in the potter's skill.




How to Read Chinese Ceramics


Book Description

Among the most revered and beloved artworks in China are ceramics—sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere. Spanning five millennia, the Metropolitan Museum’s collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era. As with previous books in the How to Read series, How to Read Chinese Ceramics elucidates the works to encourage deeper understanding and appreciation of the meaning of individual pieces and the culture in which they were created. From exquisite jars, bowls, bottles, and dishes to the elegantly sculpted Chan Patriarch Bodhidharma and the gorgeous Vase with Flowers of the Four Seasons, How to Read Chinese Ceramics is a captivating introduction to one of the greatest artistic traditions in Asian culture.