The Clash of Images


Book Description

The Clash of Images is a sweet, Borgesian mix of bildungsroman memoir, family history, short-story collection, fable, and literary criticism. Written in a graceful and charming style, Kilito’s story takes place in an unnamed coastal city of memories where a child experiences first-hand the cultural clash of text and image in a changing, modern society. It is a time when the old Arabic world of texts and oral traditions is making way for something new: the era of the image, the comic book, photo IDs, and the cinema. The stories form a kaleidoscopic memoir of growing up in two worlds, a brilliant mixture of cultural and family history. Here are tales of first kisses and first reads, Tintin and the Prophet Muhammad, fantasies of the Wild West, the inferno of the bathhouse, and the lost paradises of childhood. The Clash of Images is a celebration of the pleasures of storytelling, a magic lantern that delicately reveals how the world of books intimately connects with the world outside their pages.




The Tongue of Adam


Book Description

A playful and erudite look at the origins of language In the beginning there was one language—one tongue that Adam used to compose the first poem, an elegy for Abel. “These days, no one bothers to ask about the tongue of Adam. It is a naive question, vaguely embarrassing and irksome, like questions posed by children, which one can only answer rather stupidly.” So begins Abdelfattah Kilito’s The Tongue of Adam, a delightful series of lectures. With a Borgesian flair for riddles, stories, and subtle scholarly distinctions, Kilito presents an assortment of discussions related to Adam’s tongue, including translation, comparative religion, and lexicography: for example, how, from Babel onward, can we explain the plurality of language? Or can Adam’s poetry be judged aesthetically, the same as any other poem? Drawing from the commentators of the Koran to Walter Benjamin, from the esoteric speculations of Judaism to Herodotus, The Tongue of Adam is a nimble book about the mysterious rise of humankind’s multilingualism.




The Clash


Book Description

A collection of black-and-white photographs accompanied by captions, depicting members of the British musical group called "The Clash."




The Clash of the Images


Book Description

In everyday life, we take there to be ordinary objects such as persons, tables, and stones bearing certain properties such as color and shape and standing in various causal relationships to each other. Basic convictions such as these form our everyday picture of the world: the manifest image. The scientific image, on the other hand, is a system of beliefs that is only based on scientific results. It contains many beliefs we are not familiar with. At first glance, this may not seem to be a problem. But Mulamustafic shows convincingly that this is a mistake: The world as it is in itself cannot be both the way the manifest image depicts it and the way the scientific image describes it to be.




Likeness and Presence


Book Description

Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover




Punk, Post Punk, New Wave


Book Description

Iconic and never-before-seen images of punk and post-punk’s quintessential bands In the late 70s, punk rock music began to evolve into the post-punk and new wave movements that dominated until the early 90s. During this time, prolific photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York, and getting shots on- and backstage with bands such as The Cramps, Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others. Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. Punk, Post Punk, New Wave: Onstage, Backstage, In Your Face, 1978–1991 features stunning, never-before-seen photography from this iconic period in music. In addition to concert photography, he also shot album covers and promotional pieces that round out this impressively extensive photo collection. Featuring a foreword from Fred Schneider of the B-52’s, Punk, Post Punk, New Wave is a quintessential piece of music history for anyone looking for backstage access into the careers of punk and post punk’s most beloved bands.




The Clash


Book Description

Revised and updated to cover the Clash's induction into the Rock and Roll Hall of Fame and the band members' post-Clash careers, The Clash: Return of the Last Gang in Town now includes the first full account of Joe Strummer's "Wilderness Years," his triumphant comeback with the Mescaleros, and his sudden and tragic early death. Extensively revised and updated from both its 1995 and 2001 incarnations, The Clash traces the band members' progress from dispiriting rehearsals in damp London basements to packed American stadiums. A fascinatingly detailed account of the first band to take punk's radical politics to the masses and survive for a decade against all the odds, it also offers an intriguing investigation into the gap between rock mythology and rock reality.







The Clash of Gods


Book Description

Between the third and sixth centuries, the ancient gods, goddesses, and heroes who had populated the imagination of humankind for a millennium were replaced by a new imagery of Christ and his saints. Thomas Mathews explores the many different, often surprising, artistic images and religious interpretations of Christ during this period. He challenges the accepted theory of the "Emperor Mystique," which, interpreting Christ as king, derives the vocabulary of Christian art from the propagandistic imagery of the Roman emperor. This revised edition contains a new preface by the author and a new chapter on the origin and development of icons in private domestic cult.




Rock Seen


Book Description

“The official monograph of rock and roll’smost famous photographer, Rock Seen is a must-have for all rock fans.” (RollingStone.com) For forty years, Bob Gruen’s name has been synonymous with rock and roll. From taking early photos on tour with Ike and Tina Turner, to capturing the early CBGB/Max’s Kansas City scene to covering current stadium rockers such as Green Day, Gruen has always been at the right place at the right time—and he’s always gotten the shot. In this lavish monograph, Gruen has curated his favorite photographs from his career, with intimate captions and behind-the-scenes anecdotes. Featuring such illustrious acts as the Clash, Led Zeppelin, the Rolling Stones, Sex Pistols, Ramones, and more, and including an introduction by the legendary Debbie Harry of Blondie, this collection is a must-have for all fans of rock and roll. “Rock Seen offers a disarmingly natural look at icons like Blondie and Cher before the era of the posed rock-star portrait kicked in.” —Entertainment Weekly “Rock Seen . . . hits the high points on and off the stage in rock’s past four decades.” —USA Today “Go backstage with forty years’ worth of rock-and-roll images from the legendary lens of Bob Gruen. . . . From over-the-top action shots of Elton John’s acrobatics to private pics of Lennon and Yoko in bed with baby Sean to boozy plane rides with the Sex Pistols, the glossy pages act as your VIP pass to the rock-star lifestyle you’ve dreamed of.” —Marie Claire “Gruen had a front-row seat to the rise of many rock legends [from] Elton John to Green Day.” —The New York Post