The Complete Public Enemies - Pt 2


Book Description

When World War Two Ended the focus of fighting crime and evil once more turned toward the domestic shores - where police and FBI became the modern realistic superheroes. PUBLIC ENEMIES told exciting and colorful stories of the men (and women) who break the law, and those who would catch them. Although it only had a short run (1948-1949) it represents some of the best story-telling of the Golden Age - and we have them all here for you! As individual issues; In a 3-volume collection; Altogether in CLASSIC COMICS LIBRARY #159 RARE COMICS CAN BE HARD TO FIND IN EXCELLENT CONDITION. These books are reprinted from the best available images, and the books will be updated as new copies are uncovered. Sometimes the early and rarer books reflect the age and the condition of the originals. Many people enjoy these authentic characteristics. If you are not entirely happy, please contact us for exchange or refund at any time! ALL STORIES - NO ADS Get the complete catalog by contacting [email protected]




Public Enemies


Book Description

In Public Enemies, bestselling author Bryan Burrough strips away the thick layer of myths put out by J. Edgar Hoover’s FBI to tell the full story—for the first time—of the most spectacular crime wave in American history, the two-year battle between the young Hoover and the assortment of criminals who became national icons: John Dillinger, Machine Gun Kelly, Bonnie and Clyde, Baby Face Nelson, Pretty Boy Floyd, and the Barkers. In an epic feat of storytelling and drawing on a remarkable amount of newly available material on all the major figures involved, Burrough reveals a web of interconnections within the vast American underworld and demonstrates how Hoover’s G-men overcame their early fumbles to secure the FBI’s rise to power.




Public Enemies


Book Description

The international publishing sensation is now available in the United States—two brilliant, controversial authors confront each other and their enemies in an unforgettable exchange of letters. In one corner, Bernard-Henri Lévy, creator of the classic Barbarism with a Human Face, dismissed by the media as a wealthy, self-promoting, arrogant do-gooder. In the other, Michel Houellebecq, bestselling author of The Elementary Particles, widely derided as a sex-obsessed racist and misogynist. What began as a secret correspondence between bitter enemies evolved into a remarkable joint personal meditation by France’s premier literary and political live wires. An instant international bestseller, Public Enemies has now been translated into English for all lovers of superb insights, scandalous opinions, and iconoclastic ideas. In wicked, wide-ranging, and freewheeling letters, the two self-described “whipping boys” debate whether they crave disgrace or secretly have an insane desire to please. Lévy extols heroism in the face of tyranny; Houellebecq sees himself as one who would “fight little and badly.” Lévy says “life does not ‘live’” unless he can write; Houellebecq bemoans work as leaving him in such “a state of nervous exhaustion that it takes several bottles of alcohol to get out.” There are also touching and intimate exchanges on the existence of God and about their own families. Dazzling, delightful, and provocative, Public Enemies is a death match between literary lions, remarkable men who find common ground, confident that, in the end (as Lévy puts it), “it is we who will come out on top.”










Superman (2006-) #701


Book Description

Grounded' part 1! Writer J. Michael Straczynski ('Babylon 5,' WONDER WOMAN) begins an important soul-searching journey for the Man of Steel. Trekking around the US, Superman makes his first stop in Philadelphia—just in time to try to save a young girl about to commit suicide!




A Law Dictionary


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Expressman's Monthly


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I Was a Communist for the FBI


Book Description

Who is Matt Cvetic? Hero? Scoundrel? Mole? The man who loosely provided the inspiration for the B-Grade cult movie I Was a Communist for the FBI had a life that was marred by alcoholism, damaged expectations, and greed. Cvetic, at the request of the FBI, joined a Pittsburgh branch of the CPUSA in 1943. He became one of many plants in the Party during that decade and gained the nickname &"Pennsylvania&’s most significant mole.&" However, because of his erratic behavior, the FBI fired him in 1950, at which time he surfaced and suddenly became a celebrity through his testimony before the HUAC hearing. Journalist Richard Rovere described Cvetic as a &"kept witness,&" a term that fits those who &"made a business of being witnesses,&" thereby &"befouling due process.&" Cvetic was the subject of a multipart series in the Saturday Evening Post. The articles bordered on fiction, but they gave Cvetic the national exposure he needed to secure a screen deal. Warner Brothers bought the story, made the movie, and enhanced Cvetic&’s celebrity as pop icon. In the mid&–1950s, Cvetic was discredited as a witness by the courts. His career ended and he found a new niche on the Radical Right, yet he died in 1962 after years of fighting to uphold his image with the media. Today Cvetic&’s image is dimly remembered as he continues to fight &"the Red Menace&" on late-night television. Leab juxtaposes Cvetic&’s real life with his reel life. He chronicles his fall from grace, yet admits that Cvetic&’s life offers fascinating and useful insights into the creation, merchandising, and distribution of a reckless professional witness. Leab also writes about Cvetic&’s life prior to his involvement with the FBI, his glory days, and shows that there is much to be learned from the story of an &"anti-Communist icon.&"