The Visions of Isobel Gowdie


Book Description

The confessions of Isobel Gowdie are widely recognised as the most extraordinary on record in Britain. Using historical, psychological, comparative religious and anthropological perspectives, this book sets out to separate the voice of Isobel Gowdie from that of her interrogators.




The Confessions of Isobel Gowdie


Book Description

sobel Gowdie has been unfairly labelled "The Witch Queen of Scotland" largely due to her confessions to witchcraft being a matter of historical record. Michael McGrinder tells Isobel's story on a grand canvas spanning a period of seventeen years. This full-length play is not for the prudish nor is it for the faint-hearted, but neither is it for those without a sense of humor or deep compassion. It is for those who like a good story well-told and for those especially who enjoy a love story. It is definitely for all who appreciate great theatre!




Scottish Witches and Witch-Hunters


Book Description

This book brings together twelve studies that collectively provide an overview of the main issues of live interest in Scottish witchcraft. As well as fresh studies of the well-established topic of witch-hunting, the book also launches an exploration of some of the more esoteric aspects of magical belief and practice.




A Scots Song


Book Description

Sir James MacMillan first burst into prominence in 1990 with The Confessions of Isobel Gowdie. A steady stream of works has followed, with commissions from many of the world's major orchestras. A prominent part of his work is his religious composition, which includes settings of both the John and Luke passions, Tu Es Petrus (for the 2010 papal visit to Britain) and numerous smaller choral pieces. His works are heard all around the world – Seven Last Words from the Cross has been performed in 24 countries since its premiere in 1994, and his Stabat Mater received a private performance at the Sistine Chapel in 2018. He is a trenchant commentator on a wide range of political, social and theological issues, many of which spring from his commitment to the cultural life of Scotland. He is a passionate advocacy of community involvement in music and set up the burgeoning music festival The Cumnock Tryst in 2013. Much of his music reflects his strong Scottish roots and interest in all aspects of musical tradition.




Cunning Folk and Familiar Spirits


Book Description

In the hundreds of confessions relating to witchcraft and sorcery trials from early modern Britain we frequently find detailed descriptions of intimate working relationships between popular magical practitioners and familiar spirits of either human or animal form. Until recently historians often dismissed these descriptions as elaborate fictions created by judicial interrogators eager to find evidence of stereotypical pacts with the Devil. Although this paradigm is now routinely questioned, and most historians acknowledge that there was a folkloric component to familiar lore in the period, these beliefs and the experiences reportedly associated with them, remain substantially unexamined. Cunning-Folk and Familiar Spirits examines the folkloric roots of familiar lore from historical, anthropological and comparative religious perspectives. It argues that beliefs about witches' familiars were rooted in beliefs surrounding the use of fairy familiars by beneficent magical practitioners or 'cunning folk', and corroborates this through a comparative analysis of familiar beliefs found in traditional native American and Siberian shamanism. The author explores the experiential dimension of familiar lore by drawing parallels between early modern familiar encounters and visionary mysticism as it appears in both tribal shamanism and medieval European contemplative traditions. These perspectives challenge the reductionist view of popular magic in early modern British often presented by historians.




The Witchcraft Sourcebook


Book Description

This collection of trial records, laws, treatises, sermons, speeches, woodcuttings, paintings and literary texts illustrates how contemporaries from various periods have perceived alleged witches and their activities.




Bitter Magic: Inspired by the True Story of a Confessed Witch


Book Description

A chance encounter leads teenaged Margaret into the circle of Isobel Gowdie, a "cunning woman" who practices magic and travels in the fairy world. But Scotland is aflame with wars over religion and "correct" belief-English against Scots, Catholics against Protestants-and in the Scottish Highlands, the witch craze is at its height. When Margaret starts to meet with Isobel to learn magic, Isobel is accused of witchcraft, and Margaret becomes a suspect, too. Can Margaret's tutor, Katharine, a Christian mystic, affect the outcome? Bitter Magic is inspired by the true story of the witchcraft trial of Isobel Gowdie in 1662.




The Devil's Mistress


Book Description

The Devil's Mistress by J.W. Brodie-Innes is about young Isabelle Goudie married to boring old John Gilbert. Isabelle attempts to find love, excitement, and meaning in her life. Excerpt: "IF the story which follows were to be regarded as a work of imagination, it might justly be characterized as too wildly fanciful to deserve even serious consideration. But it is not this: it is an attempt to portray exactly one of the most curious phases of belief or superstition that ever passed over this country, the witchcraft, namely, of the latter part of the seventeenth century."




The God of the Witches


Book Description

This celebrated study of witchcraft in Europe traces the worship of the pre-Christian and prehistoric Horned God from paleolithic times to the medieval period. Murray, the first to turn a scholarly eye on the mysteries of witchcraft, enables us to see its existence in the Middle Ages not as an isolated and terrifying phenomenon, but as the survival of a religion nearly as old as humankind itself, whose devotees held passionately to a view of life threatened by an alien creed. The findings she sets forth, once thought of as provocative and implausible, are now regarded as irrefutable by folklorists and scholars in related fields. Exploring the rites and ceremonies associated with witchcraft, Murray establishes the concept of the "dying god"--the priest-king who was ritually killed to ensure the country and its people a continuity of fertility and strength. In this light, she considers such figures as Thomas a Becket, Joan of Arc, and Gilles de Rais as spiritual leaders whose deaths were ritually imposed. Truly a classic work of anthropology, and written in a clear, accessible style that anyone can enjoy, The God of the Witches forces us to reevaluate our thoughts about an ancient and vital religion.




The Witchcraft Reader


Book Description

The excellent reader offers a selection of the best historical writing on witchcraft, exploring how belief in witchcraft began, and the social and context in which this belief flourished.