Chapman's The Conspiracy and Tragedy of Charles, Duke of Byron


Book Description

Originally published in 1979, this two-volume modern spelling of George Chapman's The Conspiracy and Tragedy of Charles, Duke of Byron is split into two parts: a critical introduction and commentary, and the texts of the double-play, the Conspiracy (contained in Volume I) and the Tragedy (Volume II - not currently available). The Critical Introduction comprises five chapters treating the date, sources, scholarly tradition, interpretation, and unity of The Conspiracy and Tragedy of Byron.










Echoing Texts


Book Description

Review: "Echoing Texts: George Chapman's Conspiracy and Tragedy of Charles Duke of Byron is an intertextual study, offering a close comparative exploration of the discourses behind Chapman's text and the text itself with a view to activating the interpretive potential of the intertextual links. Chapter 2 investigates the French chronicle material from Edward Grimeston's General Inventorie and how Chapman's departures from this material influence our reading. Chapters 3 and 4 look at the effects of the classical subtexts, above all transpositions from Homer's Iliad, Plutarch's Moralia and Seneca's Oedipus, but also Lucan's Pharsalia. Chapter 5 deals with the cultural and political negotiations in the double play, tracing references to the earl of Essex and his rebellion and allusions to topical issues of Stuart kingship." "The intertextual reading projects a problematization of the concept of the patriarchical monarch and the absolute state and a veiling of the representative of liberty and individual heroism in a nostalgic light. Together with the overlays of meaning caused by the classical texts, the changes in the chronicle material and the topical allusions register an ideological stance. Repressed, represented in sometimes devious ways, Chapman's version of near-contemporary history nevertheless makes a powerful statement about the relationship between ruler and ruled, pointing to problems of contemporary statecraft."--BOOK JACKET




Natural Fictions


Book Description

Natural Fictions is a theatrical and historical study of the principal tragedies written by George Chapman during the first decade of King James I's reign in England. Each chapter considers the theatrical and literary qualities of the respective plays and examines the historical sources used by Chapman.




The Annals of English Drama 975-1700


Book Description

An analytical record of all plays, extinct or lost, chronologically arranged and indexed by authors, titles and dramatic companies.




Stages of Dismemberment


Book Description

"This study has essentially two focuses, two stories to tell. One story traces the secularization, theatricalization, and uncanny returns of suppressed religious culture in early modern drama. The other story concerns the tendency of the theater to expose contingencies and gaps in politico-judicial practices of spectacular violence." "The investigation covers a broad range of plays dating from the fifteenth century to the closing of the theatres in 1642; however, three chapters are devoted to extensive analysis of single plays: R.B.'s Apius and Virginia, Shakespeare's 2 Henry VI, and Marlowe's Doctor Faustus."--Jacket.




Critical Analyses in English Renaissance Drama


Book Description

This bibliographic guide directs the reader to a prize selection of the best modern, analytical studies of every play, anonymous play, masque, pageant, and "entertainment" written by more than two dozen contemporaries of Shakespeare in the years between 1580 and 1642. Together with Shakespeare's plays, these works comprise the most illustrious body of drama in the English language.




T. S. Eliot’s Ariel Poems


Book Description

T. S. Eliot once stated that the supreme poet "in writing himself, writes his time". In saying that, he honoured Dante and Shakespeare, but this pithy remark fittingly characterises his own work, including The Ariel Poems, with which he promptly and pointedly responded to the problems of his times. Published with unwavering regularity, a poem a year, the Ariels were composed in the period when Eliot was mainly writing prose; and, like his prose, they reverberated with diverse contemporary issues ranging from the revision of the Book of Common Prayer to the translations of Heidegger to the questions of leadership and populism. In order to highlight the poems' historical specificity, this study seeks to outline the constellations of thought connecting Eliot’s poetry and prose. In addition, it attempts to expose the Ariels’ shared arc of meaning, an unobtrusive incarnational metaphor determining the perspective from which they propose an unorthodox understanding of the epoch— an underlying pattern of thought bringing them together into a conceptually discrete set. This is the first study that both universalizes and historicises the series, striving to disclose the regular without suppressing the random. Approaching the series as a system of orderly disorder, the notion very much at home with chaos theory, it suggests new intellectual contexts, offering interpretations that are either fresh, or significantly reangled.