U.S. Orientalisms


Book Description

Uncovers the roots of Americans' construction of the "Orient" by examining the work of nineteenth-century authors




Madness in Black Women’s Diasporic Fictions


Book Description

This collection chronicles the strategic uses of madness in works by black women fiction writers from Africa, the Caribbean, Canada, Europe, and the United States. Moving from an over-reliance on the “madwoman” as a romanticized figure constructed in opposition to the status quo, contributors to this volume examine how black women authors use madness, trauma, mental illness, and psychopathology as a refraction of cultural contradictions, psychosocial fissures, and political tensions of the larger social systems in which their diverse literary works are set through a cultural studies approach. The volume is constructed in three sections: Revisiting the Archive, Reinscribing Its Texts: Slavery and Madness as Historical Contestation, The Contradictions of Witnessing in Conflict Zones: Trauma and Testimony, and Novel Form, Mythic Space: Syncretic Rituals as Healing Balm. The novels under review re-envision the initial trauma of slavery and imperialism, both acknowledging the impact of these events on diasporic populations and expanding the discourse beyond that framework. Through madness and healing as sites of psychic return, these novels become contemporary parables of cultural resistance.




Slave to Faith - The Sinful Nun 1


Book Description

Sophie travels to the seemingly peaceful Convent of the Higher Faith to find peace and aid in fighting her addiction, but she soon discovers that they use more than prayers and hard work to help guide the young nuns. The same day Sophie arrives, Nicolas starts his work as a priest at the convent, meant to take over the duties of the older Father Owen. Sparks fly as the two lock eyes across the courtyard, but Nicolas is meant to guide the entire flock, not just Sophie, a task that involves several hours in the old dungeons beneath the castle that houses the convent."Slave to Faith" is the first book in the series "The Sinful Nun", a blisteringly hot erotic romance story with heavy doses of consensual BDSM, explicit sex, domination, and physical punishment.DISCLAIMER: This story, despite its content, does not refer to any particular faith or religion and has deliberately avoided such mentions. If the thought of BDSM in a religious content still offends you, please do not buy this book.




The Romance of the Harem


Book Description

Anna Harriette Leonowens' 'The Romance of the Harem' is a fascinating exploration of the exotic and mysterious world of the Middle Eastern harem. Through vivid descriptions and captivating storytelling, Leonowens delves into the intricacies of these secluded spaces, unveiling the complex lives of the women who inhabit them. Written in a flowing and eloquent style, the book transports readers to a time and place where tradition and passion collide, offering a unique perspective on a culture shrouded in secrecy. Leonowens' attention to detail and rich imagery make 'The Romance of the Harem' a literary gem that is sure to captivate readers with its beauty and insight.




Emissaries in Early Modern Literature and Culture


Book Description

With its emphasis on early modern emissaries and their role in England's expansionary ventures and cross-cultural encounters across the globe, this collection of essays takes the messenger figure as a focal point for the discussion of transnational exchange and intercourse in the sixteenth and seventeenth centuries. It sees the emissary as embodying the processes of representation and communication within the world of the text, itself an 'emissary' that strives to communicate and re-present certain perceptions of the 'real.' Drawing attention to the limits and licenses of communication, the emissary is a reminder of the alien quality of foreign language and the symbolic power of performative gestures and rituals. Contributions to this collection examine different kinds of cross-cultural activities (e.g. diplomacy, trade, translation, espionage, missionary endeavors) in different world areas (e.g. Asia, the Mediterranean, the Levant, the New World) via different critical methods and approaches. They take up the literary and cultural productions and representations of ambassadors, factors, traders, translators, spies, middlemen, merchants, missionaries, and other agents, who served as complex conduits for the global transport of goods, religious ideologies, and socio-cultural practices throughout the early modern period. Authors in the collection investigate the multiple ways in which the emissary became enmeshed in emerging discourses of racial, religious, gender, and class differences. They consider how the emissary's role might have contributed to an idealized progressive vision of a borderless world or, conversely, permeated and dissolved borders and boundaries between peoples only to further specific group interests.




Women, Space and Utopia 1600–1800


Book Description

The first full length study of women's utopian spatial imagination in the seventeenth and eigtheenth centuries, this book explores the sophisticated correlation between identity and social space. The investigation is mainly driven by conceptual questions and thus seeks to link theoretical debates about space, gender and utopianism to historiographic debates about the (gendered) social production of space. As Pohl's primary aim is to demonstrate how women writers explore the complex (gender) politics of space, specific attention is given to spaces that feature widely in contemporary utopian imagination: Arcadia, the palace, the convent, the harem and the country house. The early modern writers Lady Mary Wroth and Margaret Cavendish seek to recreate Paradise in their versions of Eden and Jerusalem; the one yearns for Arcadia, the other for Solomon's Temple. Margaret Cavendish and Mary Astell redefine the convent as an emancipatory space, dismissing its symbolic meaning as a confining and surveilled architecture. The utopia of the country house in the work of Delarivier Manley, Sarah Scott and Mary Hamilton will reveal how women writers resignify the traditional metonym of the country estate. The study will finish with an investigation of Oriental tales and travel writing by Ellis Cornelia Knight, Lady Mary Montagu, Elizabeth Craven and Lady Hester Stanhope who unveil the seraglio as a location for a Western, specifically masculine discourse on Orientalism, despotism and female sexuality and offers their own utopian judgment.




Two Empresses


Book Description

1779, France. On the island paradise of Martinique, two beautiful, well-bred cousins have reached marriageable age. Sixteen-year-old Rose must sail to France to marry Alexandre, the dashing Vicomte de Beauharnais. Golden-haired Aimee will finish her education at a French convent in hopes of making a worthy match. Once in Paris, Rose’s illusions are shattered by her new husband, who casts her off when his mistress bears him a son. Yet revolution is tearing through the land, changing fortunes—and fates—in an instant, leaving Rose free to reinvent herself. Soon she is pursued by a young general, Napoleon Bonaparte, who prefers to call her by another name: Josephine. Presumed dead after her ship is attacked by pirates, Aimee survives and is taken to the Sultan of Turkey’s harem. Among hundreds at his beck and call, Aimee’s loveliness and intelligence make her a favorite not only of the Sultan, but of his gentle, reserved nephew. Like Josephine, the newly crowned Empress of France, Aimee will ascend to a position of unimagined power. But for both cousins, passion and ambition carry their own burden. From the war-torn streets of Paris to the bejeweled golden bars of a Turkish palace, Brandy Purdy weaves some of history’s most compelling figures into a vivid, captivating account of two remarkable women and their extraordinary destinies.




Harems of the Mind


Book Description

In a nuanced reading of Ingres's Bain turc and other works, Yeazell concludes that for some the appeal of the harem lay in the fantasy of eluding time and death."--BOOK JACKET.




Bentley's Miscellany


Book Description




Veiled Desires


Book Description

Ingrid Bergman's engaging screen performance as Sister Mary Benedict in The Bells of St. Mary's made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a "complete understanding" of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naive? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires--a unique full-length, in-depth study of nuns in film--Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary's (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun's Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. She provides a framework for a more complex and holistic picture of nuns on screen by showing how the films dramatize these women's Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.