The Corporeal Turn


Book Description

The purpose of The Corporeal Turn is to document in a single text the impressive array of investigations possible with respect to the body and bodily life, and to show that, whatever the specific topic being examined, it is a matter of fathoming and elucidating complex and subtle structures of animate meaning. The corporeal turn is envisioned as an ever-expanding, continuous, and open-ended spiral of inquiry in which deeper and deeper understandings are forged, understandings that in each instance themselves call out for deeper and deeper inquiries. The first thirteen essays have already been published as distinct articles. The two new essays constituting the final two chapters are testimony to this open-ended spiral of inquiry.




The Corporeal Turn


Book Description

In The Corporeal Turn, political theorist John Tambornino offers a thorough rethinking of ethical and political theory by emphasizing human embodiment, and the primacy of passion and need, in response to the neglect of these matters in much of contemporary thought. Tambornino calls for a 'corporeal turn' or, as he explains, sustained attention to human embodiment--something that is often occluded when priority is given to reason or language. Working through a diverse set of thinkers, exploring such themes as necessity and freedom, need and desire, nature and convention, and public and private, and noting vivid instances of politicized embodiment, Tambornino takes seriously Nietzsche's claim that philosophy has largely been an interpretation and misunderstanding of the body. The result is nothing less than a new orientation to ethical and political theory--one that appreciates the complex relations of language, politics, culture and corporeality-and a powerful intervention into those domains.




Flesh Cinema


Book Description

Flesh Cinema: The Corporeal Turn in American Avant-Garde Film explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning. Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students.




The Corporeal Imagination


Book Description

With few exceptions, the scholarship on religion in late antiquity has emphasized its tendencies toward transcendence, abstraction, and spirit at the expense of matter. In The Corporeal Imagination, Patricia Cox Miller argues instead that ancient Christianity took a material turn between the fourth and seventh centuries. During this period, Miller contends, there occurred a major shift in the ways in which the human being was oriented in relation to the divine, a shift that reconfigured the relationship between materiality and meaning in a positive direction. The Corporeal Imagination is a groundbreaking investigation into the theological poetics of material substance in late ancient Christian texts. From hagiographies to literary descriptions of sacred paintings to treatises on relics and theurgy, Miller examines a wide variety of ancient texts to reveal how Christian writers increasingly described the matter of the world as invested with divine power. By appealing to the reader's sensory imagination, Christian texts endowed phenomena like relics, saints' bodies in hagiography, and saints' presence in icons with a visual and tactile presence. The book draws on a variety of contemporary theoretical models to elucidate the significance of all these materials in ancient religious life and imagination.




Corporeality and Culture


Book Description

Presenting a multi- and interdisciplinary consideration of current research on the cultural relationship to living (and non-living) bodies, Corporeality and Culture puts the body in focus. From performance and body modification to film, literature and other cultural technologies, this volume undertakes a significant speculative mapping of the current possibilities for engagement, transformation and variance of embodied movement in relation to scientifically-situated corporealities and materialities in cultural and artistic practices. Time and time again, it finds these ever-shifting modes of being to be inextricably interdependent and coextensive: movement requires embodiment; and embodiment is a form of movement.




Emotion and Social Theory


Book Description

The emotions have traditionally been marginalized in mainstream social theory. This book demonstrates the problems that this has caused and charts the resurgence of emotions in social theory today. Drawing on a wide variety of sources, both classical and contemporary, Simon Williams treats the emotions as a universal feature of human life and our embodied relationship to the world. He reflects and comments upon the turn towards the body and intimacy in social theory, and explains what is important in current thinking about emotions. In his doing so, readers are provided with a critical assessment of various positions within the field, including the strengths and weaknesses of poststructuralism and postmodernism for examinin




The Roots Of Thinking


Book Description

A ground-breaking interdisciplinary study about conceptual origins linking hominid thinking with hominid evolution.




Volatile Bodies


Book Description

"Volatile Bodies demonstrates that the sexually specific body is socially constructed: biology or nature is inherently social and has no pure or natural 'origin' outside culture. Being the raw material of social and cultural organization, it is subject to the endless rewriting and inscription that constitute all sign systems. Grosz demonstrates that the theories of, among others, Freud and Lacan theorize a male body. She then turns to corporeal experiences unique to women--menstruation, pregnancy, childbirth, lactation, menopause--to lay the groundwork for new theories of sexed corporeality."--Back cover.




Bodies and Artefacts: Historical Materialism as Corporeal Semiotics (2 vols.)


Book Description

In a seemingly offhand, often overlooked comment, Karl Marx deemed ‘human corporeal organisation’ the ‘first fact of human history’. Following Marx’s corporeal turn and pursuing the radical implications of his corporeal insight, this book undertakes a reconstruction of the corporeal foundations of historical materialism. Part I exposes the corporeal roots of Marx’s materialist conception of history and historical-materialist Wissenschaft. Part II attempts a historical-materialist mapping of human corporeal organisation. Suggesting how to approach human histories up from their corporeal foundations, Part III elaborates historical-materialism as ‘corporeal semiotics’. Part IV, a case study of Marx’s critique of capitalist socio-economic and cultural forms, reveals the corporeal foundations of that critique and the corporeal depth of his vision of human freedom and dignity.




A Theatre of Affect


Book Description

Combining phenomenological analysis and affect theory, this book takes stock of the various ways in which the body in Samuel Beckett's drama participates in the affective ecology of performance. If the post-human innovation up until the present has worked to decentre the 'human', by rendering notions of thinking, experience, and affect impersonal and by developing new models of expression and communication, then this innovation seems to be already underway in Beckett's theatre of affect where the assault against language is made possible through the thematising of the body as a mode of encountering presence. The corporeal turn in Beckett's drama therefore has far-reaching implications for the production of meaning in his work.