Critical Visions in Film Theory


Book Description

Critical Visions in Film Theory is a new book for a new generation, embracing groundbreaking approaches in the field without ignoring the history of classical film theory. The study of film theory has changed dramatically over the past 30 years with innovative ways of looking at classic debates in areas like film form, genre, and authorship, as well as exciting new conversations on such topics as race, gender and sexuality, and new media. Until now, no film theory anthology has stepped forward to represent this broader, more inclusive perspective. Critical Visions also provides the best guidance for students, giving them the context and the tools they need to critically engage with theory and apply it to their film experiences.




Critical Vision


Book Description

Random Essays & Tracts Concerning Sex, Religion and Death




Critical Theory and Democratic Vision


Book Description

dialogue with what Farr calls recent liberation philosophies such as feminism and African-American philosophy. All of these forms ofphilosophy are driven by a democratic impulse whereby we realize that there are many social groups that have been excluded from the democratic decision-making process." --Book Jacket.




The Critical Eye


Book Description

Based on the highly successful course at the School of Visual Arts developed by the author, this book provides a comprehensive approach to the critical understanding of photography through an in-depth discussion of fifteen photographs and their contexts – historical, generic, biographical and aesthetic. This book presents an intensive course in looking at photographs, open to undergraduates and general audiences alike. Rexer argues that by concentrating on fifteen carefully chosen works it is possible to understand the history, development and contemporary situation of photography. Looking to images by photographers such as Roland Fischer, Nancy Rexroth and Ernest Cole, The Critical Eye is the only book to address the totality of issues involved in photography, from authorial self-consciousness to the role of the audience. Its subjects are not limited to art photography but include vernacular images, commercial genres and anthropology. With every chapter it seeks to link the history of photography to current practice. This highly illustrated and beautiful book provides a much-needed introduction to image production.




Troubling Vision


Book Description

Nicole R. Fleetwood explores how blackness is seen as a troubling presence in the field of vision and the black body is persistently seen as a problem. She examines a wide range of materials from visual and media art, documentary photography theatre, performance and more.




A Conflict of Visions


Book Description

Thomas Sowell’s “extraordinary” explication of the competing visions of human nature lie at the heart of our political conflicts (New York Times) Controversies in politics arise from many sources, but the conflicts that endure for generations or centuries show a remarkably consistent pattern. In this classic work, Thomas Sowell analyzes this pattern. He describes the two competing visions that shape our debates about the nature of reason, justice, equality, and power: the "constrained" vision, which sees human nature as unchanging and selfish, and the "unconstrained" vision, in which human nature is malleable and perfectible. A Conflict of Visions offers a convincing case that ethical and policy disputes circle around the disparity between both outlooks.




Infinite Vision


Book Description

The Aravind Eye Care System, based in India, is the world's largest provider of high-quality eye care. It is also one of the world's most incredible and revolutionary organizations. This is the first book to explore Aravind's history and the distinctive philosophies, practices, and commitments that are the keys to its success.




Scripture, Metaphysics, and Poetry


Book Description

This book offers a critical edition of arguably the greatest work of English theology in the 20th century: Austin Farrer's Bampton Lectures published as The Glass of Vision in 1948. Farrer was an interdisciplinary genius who made original contributions to philosophy, theology, and biblical studies, as well as to our understanding of the role of imagination in human thought and Christian doctrine. According to Farrer, the three primary themes of these lectures are 'scripture, metaphysics, and poetry,' individually and in relation to each other. The lectures defend his famous theory of divine revelation through images rather than propositions or events, a provocative account of the place of metaphysical reasoning in theology, and a literary approach to the Biblical text that was decades ahead of its time and is still controversial. The Glass of Vision has generated a rich and interesting interdisciplinary conversation that has lasted for decades, starting with commentators such as Helen Gardner and Frank Kermode. In addition to Farrer's full text, this critical edition also contains an introduction to the significance and context of Farrer's thought, and a selection of thirty-years' worth of commentary by leading British and European theologians and literary scholars: David Brown, Ingolf Dalferth, Hans Haugh, Douglas Hedley, David Jasper, and Gerard Loughlin. Of interest to literary and biblical scholars, theologians, and philosophers, this book holds particular value for those exploring the nature of imagination in contemporary thought and scholarship.




Visions of the City


Book Description

Visions of the City is a dramatic history of utopian urbanism in the twentieth century. It explores radical demands for new spaces and ways of living, and considers their effects on planning, architecture and struggles to shape urban landscapes. The author critically examines influential utopian approaches to urbanism in western Europe associated with such figures as Ebenezer Howard and Le Corbusier, uncovering the political interests, desires and anxieties that lay behind their ideal cities. He also investigates avant-garde perspectives from the time that challenged these conceptions of cities, especially from within surrealism. At the heart of this richly illustrated book is an encounter with the explosive ideas of the situationists. Tracing the subversive practices of this avant-garde group and its associates from their explorations of Paris during the 1950s to their alternative visions based on nomadic life and play, David Pinder convincingly explains the significance of their revolutionary attempts to transform urban spaces and everyday life. He addresses in particular Constant's New Babylon, finding within his proposals a still powerful provocation to imagine cities otherwise. The book not only recovers vital moments from past hopes and dreams of modern urbanism. It also contests current claims about the 'end of utopia', arguing that reconsidering earlier projects can play a critical role in developing utopian perspectives today. Through the study of utopian visions, it aims to rekindle elements of utopianism itself. A superb critical exploration of the underside of utopian thought over the last hundred years and its continuing relevance in the here and now for thinking about possible urban worlds. The treatment of the Situationists and their milieu is a revelation. David Harvey, Distinguished Professor of Anthropology, City University of New York Graduate School




An Invitation to 3-D Vision


Book Description

This book introduces the geometry of 3-D vision, that is, the reconstruction of 3-D models of objects from a collection of 2-D images. It details the classic theory of two view geometry and shows that a more proper tool for studying the geometry of multiple views is the so-called rank consideration of the multiple view matrix. It also develops practical reconstruction algorithms and discusses possible extensions of the theory.