The Cuba Archive


Book Description

Tria Giovan first traveled to Cuba in 1990. Over the next six years she took twelve month-long trips, traversing the island numerous times, and making over 25,000 images. Immersing herself in Cuba's history, literature and politics, she photographed interiors of homes and businesses, city streets, rural landscapes, signs and billboards, and, most of all, the people, creating a compelling body of work that captures the subtleties and layered complexities of day-to-day Cuba born from complete engagement and informed perspective. Cuba The Elusive Island published by Harry N. Abrams in 1996--a collector's item--first brought together 100 of these images, along with a selection of writings by some of Cuba's most important writers. Twenty years later, Giovan re-edited the images, while working to preserve the original 6 x 9 color negatives. Through this intensive re-examination, a new more complex view of the historical significance of this work has emerged. Images previously disregarded or missed now stand out as a record of elements that no longer exist and one of a Cuba poised on the brink of change. The 120 selected images featured in The Cuba Archive , many of which have never been shown, reveal Cuba at a pivotal point in its storied and fascinating history, and bear witness to an inimitable, resilient and complex country and people.




Tria Giovan: the Cuba Archive


Book Description

Published in a limited edition of 15 copies, this elegant boxed volume comes with a signed and numbered print, titled Malecon-Gibara , Cuba. Tria Giovan first traveled to Cuba in 1990. She returned 12 times over the next 6 years, shooting over 25,000 images. Immersing herself in Cuba's history, literature and politics, Giovan photographed interiors of homes and businesses, city streets, landscapes and, most of all, the people, creating a compelling body of work that captured the subtleties and layered complexities of day-to-day life in Cuba. Twenty years after the publication of her first book of Cuban photographs, Cuba: The Elusive Island , Giovan has returned to these images, rediscovering in them a record of a Cuba that no longer exists. Tria Giovan: The Cuba Archive selects 120 of these images, many of which have never before been shown. Giovan reveals Cuba at a pivotal point in its fascinating history and bears witness to an inimitable, resilient and complex country and people.




Facts and Fakes about Cuba


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The Island of Cuba


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The Man Who Invented Fidel


Book Description

In 1957, Herbert L.Matthews of the New York Times, then considered one of the premiere foreign correspondents of his time, tracked down Fidel Castro in Cuba's Sierra Maestra mountains and returned with what was considered the scoop of the century. His heroic portrayal of Castro, who was then believed dead, had a powerful effect on American perceptions of Cuba, both in and out of the government, and profoundly influenced the fall of the Batista regime. When Castro emerged as a Soviet-backed dictator, Matthews became a scapegoat; his paper turned on him, his career foundered, and he was accused of betraying his country. In this fascinating book, New York Times reporter DePalma investigates the Matthews case to reveal how it contains the story not just of one newspaperman but of an age, not just how Castro came to power but how America determines who its enemies are. He re-creates the atmosphere of revolutionary Cuba and Cold War America, and clarifies the facts of Castro's ascension and political evolution from the many myths that have sprung up around them. Through a dramatic, ironic, in ways tragic story, The Man Who Invented Fidel offers provocative insights into Cuban politics, the Cuban-American relationship, and the many difficult balancing acts of responsible journalism.







Revolucion!


Book Description

The poster was the popular art form in Cuba following the Cuban Revolution, when the government sponsored some 10,000 public posters on a fascinating range of cultural, social, and political themes. Revolucin!, produced with unprecedented access to Cuban national archives, assembles nearly 150 of these powerful but little—seen works of popular art. From the 1960s through the 1980s, the posters rallied the Cuban people to the huge task of building a new society, promoting massive sugar harvests and national literacy campaigns; opposing the U.S. war in Vietnam; celebrating films, music, dance, and baseball with a unique graphic wit and exuberant colorful style. With an introduction illuminating the rich social and artistic history of the posters, and rare biographical information on the artists themselves, this striking volume offers a window into the story of Cuba—and a truly revolutionary chapter in graphic design.




Rethinking Slave Rebellion in Cuba


Book Description

Envisioning La Escalera--an underground rebel movement largely composed of Africans living on farms and plantations in rural western Cuba--in the larger context of the long emancipation struggle in Cuba, Aisha Finch demonstrates how organized slave resistance became critical to the unraveling not only of slavery but also of colonial systems of power during the nineteenth century. While the discovery of La Escalera unleashed a reign of terror by the Spanish colonial powers in which hundreds of enslaved people were tortured, tried, and executed, Finch revises historiographical conceptions of the movement as a fiction conveniently invented by the Spanish government in order to target anticolonial activities. Connecting the political agitation stirred up by free people of color in the urban centers to the slave rebellions that rocked the countryside, Finch shows how the rural plantation was connected to a much larger conspiratorial world outside the agrarian sector. While acknowledging the role of foreign abolitionists and white creoles in the broader history of emancipation, Finch teases apart the organization, leadership, and effectiveness of the black insurgents in midcentury dissident mobilizations that emerged across western Cuba, presenting compelling evidence that black women played a particularly critical role.




Back Channel to Cuba


Book Description

History is being made in U.S.-Cuban relations. Now in paperback and updated to tell the real story behind the stunning December 17, 2014, announcement by President Obama and President Castro of their move to restore full diplomatic relations, this powerful book is essential to understanding ongoing efforts toward normalization in a new era of engagement. Challenging the conventional wisdom of perpetual conflict and aggression between the United States and Cuba since 1959, Back Channel to Cuba chronicles a surprising, untold history of bilateral efforts toward rapprochement and reconciliation. William M. LeoGrande and Peter Kornbluh here present a remarkably new and relevant account, describing how, despite the intense political clamor surrounding efforts to improve relations with Havana, negotiations have been conducted by every presidential administration since Eisenhower's through secret, back-channel diplomacy. From John F. Kennedy's offering of an olive branch to Fidel Castro after the missile crisis, to Henry Kissinger's top secret quest for normalization, to Barack Obama's promise of a new approach, LeoGrande and Kornbluh uncovered hundreds of formerly secret U.S. documents and conducted interviews with dozens of negotiators, intermediaries, and policy makers, including Fidel Castro and Jimmy Carter. They reveal a fifty-year record of dialogue and negotiations, both open and furtive, that provides the historical foundation for the dramatic breakthrough in U.S.-Cuba ties.