The Cyclops


Book Description




Cyclops


Book Description




Euripides: Cyclops


Book Description

This is an introduction to Euripides' "Cyclops", the only example of satyric drama to have survived complete. The work analyzes the genre, the place of satyrs in the religious imagination of the Greeks, and the significance of Euripides' divergence from the Homeric model.




The Cyclops Of Euripides


Book Description

The Cyclops is one of the few surviving satyr plays from ancient Greece, and this translation by E. P. Coleridge brings Euripides' work to life for modern readers. The play tells the story of Odysseus and his crew as they encounter the Cyclops Polyphemus. The lively and witty dialogue makes this an entertaining read, while the themes of heroism, cleverness, and vengeance continue to resonate with audiences today. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Euripides: Cyclops


Book Description

With its ribald chorus of ithyphallic, half-man / half-horse creatures, satyr drama was a peculiar part of the Athenian theatrical experience. Performed three times each year after a trilogy of tragedies, it was an integral part of the 5th- and 4th-century City Dionysia, a large festival in honour of the god Dionysus. Euripides: Cyclops is the first book-length study of this fascinating genre's only complete, extant play, a theatrical version of Odysseus' encounter with the monster Polyphemus. Shaw begins with a look at the history of the genre, following its development from early 6th-century religious processions up to the Hellenistic era. He then offers a comprehensive analysis of the Cyclops' plot and performance, using the text (alongside ancient literary fragments and visual evidence) to determine the original viewing experience: the stage, masks, costumes, actions and emotions. A detailed examination of the text reveals that Euripides associates and distinguishes his version of the story from previous iterations of the myth, especially book nine of Homer's Odyssey. Euripides handles many of the same themes as his predecessors, but he updates the Cyclops for the Athenian stage, adapting his work to reflect and comment upon contemporary religious, philosophical and literary-musical trends.




Euripides: Cyclops


Book Description

Euripides' Cyclops is the only example of Attic satyr-drama which survives intact. It is a brilliant dramatisation of the famous story from Homer's Odyssey of how Odysseus blinded the Cyclops after making him drunk. The play has much to teach us, not just about satyr-drama, but also about the reception and adaptation of Homer in classical Athens; the brutal savagery of the Homeric monster is here replaced by an ironised presentation of Athenian social custom. Problems of syntax, metre and language are fully explained, and there is a sophisticated literary discussion of the play. This edition will be of interest to advanced undergraduates and graduate students studying Greek literature, as well as to scholars.




Cyclops by Euripides


Book Description

A new translation of Cyclops, a Satyr play by Euripides. Cyclops is the only Satyr play to have survived in full. The Satyr plays took as their theme a well-known mythological story: here, the story is of Odysseus? encounter with the Cyclops, Polyphemus. Satyrs and their elderly leader, Silenus (whose sole desire is to spend an easy life honouring Bacchus with wine and pursuing nymphs) are introduced into the story, the Satyrs forming the chorus. In Cyclops, Silenus and his satyrs have already come into contact with Polyphemus and been enslaved by him. The Satyrs were not heroic, but are always ready to join in witty repartee ? from a safe distance. Silenus provides much of the humour, derived in large measure from his insatiable desire for alcohol. The play follows the traditional storyline and reaches the traditional conclusion ? with the escape of Odysseus and the remnants of his crew, accompanied in this case by the joyful Silenus and his Satyrs.




Cyclops


Book Description

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed! This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.




Euripides Cyclops and Major Fragments of Greek Satyric Drama


Book Description

This volume provides the most important texts of satyric drama, with facing-page translation, substantial introduction and detailed commentary. It includes not only the major papyri, but very many shorter fragments of importance, both on papyrus and in quotation, from the 5th to the 3rd Centuries; there are also one or two texts whose interest lies in their problematic ascription to the genre at all. The intention is to illustrate it as fully as practicable.