Behind the Mask


Book Description

Halloween is coming. "What are you going to be?" the children ask one another. Kimin says he will be his grandfather. "Going as an old man is not very scary," they tease. What the children don't know is that Kimin's grandfather was a Korean mask dancer. And Kimin doesn't know that the mask holds a secret for him. With vibrant illustrations, Yangsook Choi joins Korean and American folk traditions in her story about a boy who finds a link to his grandfather, behind the mask. Behind the Mask is a 2007 Bank Street - Best Children's Book of the Year.




Masks of Mexico


Book Description

This is a state-by-state guide for collectors and general folk art enthusiasts to learn about the types of masked dances still carried out in Mexico's Indian and mestizo communities today. Close to one hundred color photographs of authenticated masks from the collection of the Museum of International Folk Art are presented, including finely carved pieces from the nineteenth century to simple face coverings made in the past ten years. The masked ceremonies are brought to life with documentary photographs showing masqueraders acting out their roles. --Amazon.




Cut and Make Festival Masks from India


Book Description

A demon mask worn by dancers of Himachal Pradesh; a Ravana (demon) mask worn in northern India; a brightly decorated Kathakali dancer's mask from Kerala; a Narasimha mask from Orissa; and 2 others. 6 full-color masks on 6 plates. Identifying captions. Instructions.




Mexican Masks and Puppets


Book Description

In the Mexican states of Puebla and Veracruz, old masked dances have survived in isolated mountain regions. These dances include wonderful masks of humans and animals, masks with beautiful, comic, or wicked faces. Created by Indigenous master carvers, mascareros, these masks and puppets appear during religious fiestas. Over 700 vivid color photos reveal these masks and puppets in all their glory. The thoroughly researched text answers the questions about who made these beautiful works of art, who these dance characters are, and the nature of the religion they represent. The Spanish conquerors strove to convert the Indian inhabitants of Mexico to Christianity. However, these converts secretly retained important deities from earlier times to accompany Christian elements, creating a poetic blend of beliefs. Given that these indigenous peoples have suffered many injustices, the masks, puppets, and dance dramas reflect many unresolved societal tensions along with veiled wishes for divine justice.




Mexican Masks


Book Description




The Water Dancer


Book Description

#1 NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • From the National Book Award–winning author of Between the World and Me, a boldly conjured debut novel about a magical gift, a devastating loss, and an underground war for freedom. “This potent book about America’s most disgraceful sin establishes [Ta-Nehisi Coates] as a first-rate novelist.”—San Francisco Chronicle IN DEVELOPMENT AS A MAJOR MOTION PICTURE • Adapted by Ta-Nehisi Coates and Kamilah Forbes, directed by Nia DaCosta, and produced by MGM, Plan B, and Oprah Winfrey’s Harpo Films NOMINATED FOR THE NAACP IMAGE AWARD • NAMED ONE OF PASTE’S BEST NOVELS OF THE DECADE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time • NPR • The Washington Post • Chicago Tribune • Vanity Fair • Esquire • Good Housekeeping • Paste • Town & Country • The New York Public Library • Kirkus Reviews • Library Journal Young Hiram Walker was born into bondage. When his mother was sold away, Hiram was robbed of all memory of her—but was gifted with a mysterious power. Years later, when Hiram almost drowns in a river, that same power saves his life. This brush with death births an urgency in Hiram and a daring scheme: to escape from the only home he’s ever known. So begins an unexpected journey that takes Hiram from the corrupt grandeur of Virginia’s proud plantations to desperate guerrilla cells in the wilderness, from the coffin of the Deep South to dangerously idealistic movements in the North. Even as he’s enlisted in the underground war between slavers and the enslaved, Hiram’s resolve to rescue the family he left behind endures. This is the dramatic story of an atrocity inflicted on generations of women, men, and children—the violent and capricious separation of families—and the war they waged to simply make lives with the people they loved. Written by one of today’s most exciting thinkers and writers, The Water Dancer is a propulsive, transcendent work that restores the humanity of those from whom everything was stolen. Praise for The Water Dancer “Ta-Nehisi Coates is the most important essayist in a generation and a writer who changed the national political conversation about race with his 2015 memoir, Between the World and Me. So naturally his debut novel comes with slightly unrealistic expectations—and then proceeds to exceed them. The Water Dancer . . . is a work of both staggering imagination and rich historical significance. . . . What’s most powerful is the way Coates enlists his notions of the fantastic, as well as his fluid prose, to probe a wound that never seems to heal. . . . Timeless and instantly canon-worthy.”—Rolling Stone




Masks of Black Africa


Book Description

Pictures grotesques, masks, and headdresses of various African tribes as well as exploring the psychological and ideological meaning, and ritual function of masks




The Masks and The Dancer


Book Description

The Masks Zero, Nought, Nothing. We stole her away. We took her name, her identity... her life. She was our revenge. An eye for an eye. Only she became more than that. She fought against our darkest desires. She shone a light on our pitch black souls. She became our mirror. She made us see. And what do monsters do when they stare at their reflection? They break the fu*king glass. The Dancer Konrad, Leon, Jakub. They kidnapped me. They stole my name, my identity... my life. I was their vengeance. A tooth for a tooth. Only I was so much more than that because fate had plans for us. They used and abused me, they degraded and humiliated me. But I fought back. I held up the mirror. I made them see the men they've become. Only for them to shatter it into a million pieces. And what does a girl like me do to the men who break her? She cuts the b*stards and makes them feel. WARNING: This is an 18+ dark, contemporary, reverse harem romance and contains graphic sex scenes, non-con and dub-con, violence, and other subject matter that some may find triggering. This story will have a HEA, but of course it will be hard won.




Balinese Masks


Book Description

The unique and stunning masks used in Balinese rituals are explored in great detail in Balinese Masks. Masked performances are an ancient and integral part of Balinese rituals and are much more than mere spectacles for audiences. The masks serve both as visual aids in the portrayal of Bali's courtly legends and as harnessers of invisible forces. As "members of their own village communities," the masks are given a chance to "speak" and "move around" and be entertained by their human servants in parades and temple ceremonies. The great variety of Bali's masks, many of them sacred and rarely displayed, and the dance performances within which they appear, are well represented in this book. The spectacular detail and craftsmanship of the masks, revealed in Paul Schraub's stunning photographs, together with an informed text by Judy Slattum on their artistry, symbolism, religious significance, and manufacture, will take readers on a fascinating visual, spiritual, and dramatic journey into the sacred rituals of Bali. A foreword by Hildred Geertz further explains the significance of the masks and their role in Balinese village life.




Little Dancer Aged Fourteen


Book Description

This absorbing, heartfelt work uncovers the story of the real dancer behind Degas’s now-iconic sculpture, shedding light on the struggles of late nineteenth-century Parisian life. She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden, or Copenhagen, but where is her grave? We know only her age, fourteen, and the work that she did—because it was already grueling work, at an age when children today are sent to school. In the 1880s, she danced as a “little rat” at the Paris Opera, and what is often a dream for young girls now wasn’t a dream for her. She was fired after several years of intense labor; the director had had enough of her repeated absences. She had been working another job, even two, because the few pennies the Opera paid weren’t enough to keep her and her family fed. She was a model, posing for painters or sculptors—among them Edgar Degas. Drawing on a wealth of historical material as well as her own love of ballet and personal experiences of loss, Camille Laurens presents a compelling, compassionate portrait of Marie van Goethem and the world she inhabited that shows the importance of those who have traditionally been overlooked in the study of art.