The Daughters of George III


Book Description

This biography provides an account of all six princesses: Charlotte Augusta Matilda, Princess Royal, b. 1766; Augusta Sophia, b. 1768; Elizabeth, b. 1770; Mary, b. 1776; Sophia, b. 1777; and Amelia, b. 1783.




Princesses


Book Description

'Remarkably intimate... Full and revealing... Princesses opens an invaluable new window into the often troubled private world of these royal women' LA Times 'Riveting and wonderfully detailed....Thanks to Flora Fraser's new book, George III's daughters can step out of the shadows of history and take their rightful places with the rest of the House of Hanover' Washington Times Drawing on their extraordinary private correspondence, acclaimed biographer Flora Fraser gives voice to the daughters of 'Mad' King George III. Six handsome, accomplished, extremely well-educated women: Princess Royal, the eldest, constantly at odds with her mother; home-loving, family-minded Augusta; plump Elizabeth, a gifted amateur artist; Mary the bland beauty of the family; Sophia, emotional and prone to take refuge in illness; and Amelia, 'the most turbulent and tempestuous of all the princesses.' In this sumptuous group portrait, Fraser takes us into the heart of the British Royal family during the tumultuous period of the American and French revolutions. Never before has the historical searchlight been turned with such sympathy and acuity on George III and his family.




The Daughters of George III


Book Description

In the dying years of the 18th century, the corridors of Windsor echoed to the footsteps of six princesses. They were Charlotte, Augusta, Elizabeth, Mary, Sophia, and Amelia, the daughters of King George III and Queen Charlotte of Mecklenburg-Strelitz. Though more than fifteen years divided the births of the eldest sister from the youngest, these princesses all shared a longing for escape. Faced with their father’s illness and their mother’s dominance, for all but one a life away from the seclusion of the royal household seemed like an unobtainable dream. The six daughters of George III were raised to be young ladies and each in her time was one of the most eligible women in the world. Tutored in the arts of royal womanhood, they were trained from infancy in the skills vial to a regal wife but as the king’s illness ravaged him, husbands and opportunities slipped away. Yet even in isolation, the lives of the princesses were filled with incident. From secret romances to dashing equerries, rumors of pregnancy, clandestine marriage and even a run-in with Napoleon, each princess was the leading lady in her own story, whether tragic or inspirational. In The Royal Nunnery: Daughters of George III, take a wander through the hallways of the royal palaces, where the king’s endless ravings echo deep into the night and his daughters strive to be recognized not just as princesses, but as women too.




The Georgian Princesses


Book Description

A chronological account of the princesses and consort Queens of the Georgian era. From Sophia who died shortly before she would have become Queen as heir to Queen Anne, to Adelaide, consort to William IV whose failure to provide an heir ensured the succession passed to his niece Queen Victoria. During this period, an array of colourful personalities came and went - George I's ill-fated wife Sophia Dorothea of Celle who was imprisoned for adultery for over 30 years until her death; the equally tragic Caroline Matilda, Queen of Denmark and sister of George III who married an incipient schizophrenic, saw her lover put to death, was divorced and imprisoned, released after pressure from her brother, only to die of typhoid or scarlet fever aged just 23; George IV's notorious consort , his cousin Caroline of Brunswick, who danced naked on tables and was refused access to his coronation; and their daughter Charlotte, whose death in childbirth in 1817 necessitated the hasty marriages of several of her middle-aged uncles in a desperate race to provide a legal heir to the throne.




So Long a Letter


Book Description

Written by award-winning African novelist Mariama Bâ and translated from the original French, So Long a Letter has been recognized as one of Africa’s 100 Best Books of the 20th Century. The brief narrative, written as an extended letter, is a sequence of reminiscences —some wistful, some bitter—recounted by recently widowed Senegalese schoolteacher Ramatoulaye Fall. Addressed to a lifelong friend, Aissatou, it is a record of Ramatoulaye’s emotional struggle for survival after her husband betrayed their marriage by taking a second wife. This semi-autobiographical account is a perceptive testimony to the plight of educated and articulate Muslim women. Angered by the traditions that allow polygyny, they inhabit a social milieu dominated by attitudes and values that deny them status equal to men. Ramatoulaye hopes for a world where the best of old customs and new freedom can be combined. Considered a classic of contemporary African women’s literature, So Long a Letter is a must-read for anyone interested in African literature and the passage from colonialism to modernism in a Muslim country. Winner of the prestigious Noma Award for Publishing in Africa.




Quadrupeds


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Six Royal Sisters


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The Romance of Princess Amelia


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Ancient and Modern Gems and Jewels


Book Description

"This catalogue is the first comprehensive study of the 328 objects that make up this little-known area of the Royal Collection. The ancient gems and intaglios have been catalogued by John Boardman, and although they are few in number, they include the magnificent Claudius cameo that was once in the collection of Charles I. The later, post-Renaissance pieces have been studied by Kirsten Aschengreen Piacenti, and these include the great Tudor portrait cameos, a superb series of Italian sixteenth-century portrait cameos of North Italian 'Beauties', the group of exquisite eighteenth-century Italian carnelians bought by George III from Consul Smith in 1762 and a fine selection of Garter badges, several bearing the signature of the gem-engravers Marchant and Burch." "Close examination by gemmologists has produced an accurate technical analysis of all the stones and settings, and newly commissioned photographs bring out the distinctive features of each piece. Casts are illustrated wherever possible, and close-tip images of signatures, inscriptions and hallmarks support the detailed descriptions in the text. Research into the collection has resulted in new information concerning the mounts of many of the gems, and this is summarised in an illustrated appendix. Also published in full, and for the first time, is the collection of intaglios once owned by Henry, Prince of Wales, which was recorded in a series of wax impressions made by Elias Ashmole at the request of Charles II in June 1660."--BOOK JACKET.