The Death of Sheherzad


Book Description

'Intizar Husain's stories often tread that twilight zone between fable and parable. His narratives are spun on an oriental loom' - Keki N. Daruwalla A man scours the town he left fifty years ago for some little evidence of past joys. Javed, who's returned to Lahore from East Pakistan, won't speak of what he witnessed 'there'. An old woman boards a train full of dead ancestors in her dreams. A sage who cannot control his anger must seek out a butcher for redemption. Mahaban, home of the monkeys once, is now a city full of human beings. Sheherzad, who once told Emperor Shaharyar a thousand-and-one stories, is now an old woman who has forgotten her yarns of fantasy. The stories in The Death of Sheherzad ably represent Intizar Husain's oeuvre, defying narrative tradition and exploring the past, specifically Partition, as a means of unravelling the present. He imaginatively revisits a syncretic, tolerant pluralistic past to analyse why the tide turned so irreversibly. Questioning everything - faith, violence, society - Husain probes the horrors of Partition in a manner as oblique as it is trenchant. Imbued with dark wit and literary brilliance, these stories at once shock, agitate and entertain.




Another Love


Book Description

In a time when our loves feel conscripted and exhausted by what we often do not remember desiring, Another Love: A Politics of the Unrequited explores the form, method, imperatives, and inflections of love in the global post colony, and offers a way to re-apprehend and re-inscribe love in an anticolonial, materialist, and nonfascist politics and aesthetics. The figure of “the unrequited” is invoked as a symptom of a brutally loveless yet effusively sentimentalized era, and also as an ineluctable yet very concrete political location in the face of both the intensifying external realities of war, occupation, apartheid, austerity, and terror, as well as the increasingly normalized internalizations of ordinary imperialism, nationalism, neoliberalism, fascism, and colonialism—all of which seem bent on extinguishing the possibility of relation itself. The book asks that we look at practices of love and other material labors that yield and sustain these realities within complex lifeworlds; indeed, those which sustain entire systems of our subjection, extraction, and disposability—such as colonialism, capitalism, liberalism, and fascism—as lifeworlds, especially when given, dominant, forms of recognition, affection, embrace, and belonging are unacceptable or even repulsive. Distancing itself from shortcuts afforded by love’s abstract forms deployed in ethical and moral discourses that at once elevate it yet wholly reduce it to a timeless, apolitical, essence, Another Love sees love as a material and political relation to time and space, signaling willed and unwilled shifts in historical reality in societies juggling various wars and annihilations. It maintains that love is something in and with which we confess our complicities not only with but also against hegemonic notions of belonging, devotion, martyrdom, hospitality, publicity, collectivity, and solidarity nurtured and harvested under capital and colony. The longing and the love—missed by the pernicious and reactionary politics both of liberal democracy and the incidental fascisms that it claims to set out to fix—can give us clues into past, present, and future, moments of rebellion, resistance, rejection, and redemption that are crucial to a liberatory, anticolonial, and antifascist politic, and to rethinking attachment, desire, and relation itself.




One Thousand and One Nights


Book Description

The Arab world's greatest folk stories re-imagined by the acclaimed Lebanese novelist Hanan al-Shaykh, published to coincide with the world tour of a magnificent musical and theatrical production directed by Tim Supple




Religion in South Asian Anglophone Literature


Book Description

This volume studies the representation of religion in South Asian Anglophone literature of the twentieth and twenty-first century. It traces the contours of South Asian writing through the consequences of the complex contesting forces of blasphemy and secularization. Employing a cross-disciplinary approach, it discusses various key issues such as religious fundamentalism, Islamophobia, religious majoritarianism, nationalism, and secularism. It also provides an account of the reception of this writing within the changing conceptions of racial "Others" and cultural difference, particularly with respect to minority writers, in terms of ethnic background and lack of access to social mobility. The volume features chapters on key texts, including The Hungry Tide, The Enchantress of Florence, In Times of Seige, One Part Woman, Anil’s Ghost, The Book of Gold Leaves, Red Earth and Pouring Rain, The Black Coat and Swarnalata, among others. An important contribution to the study of South Asian literature, the book will be indispensable for students and researchers of literary studies, religious studies, cultural studies, literary criticism, and South Asian studies.




Basti


Book Description

An NYRB Classics Original Basti is a beautifully written reckoning with the tragic history of Pakistan. Basti means settlement, a common place, and Intizar Husain’s extraordinary novel begins with a mythic, even mystic, vision of harmony between old and young, man and woman, Muslim and Hindu. Then Zakir, the hero, wakes to the modern world. Crowds gather. Slogans echo. Cities burn. Whether hunkered down with family or furtively meeting to exchange news with friends in cafés, Zakir is alone in a country lost to the politics of loneliness.




The First Cell


Book Description

With the fascinating scholarship of The Emperor of All Maladies and the deeply personal experience of When Breath Becomes Air, a world-class oncologist examines the current state of cancer and its devastating impact on the individuals it affects -- including herself. In The First Cell, Azra Raza offers a searing account of how both medicine and our society (mis)treats cancer, how we can do better, and why we must. A lyrical journey from hope to despair and back again, The First Cell explores cancer from every angle: medical, scientific, cultural, and personal. Indeed, Raza describes how she bore the terrible burden of being her own husband's oncologist as he succumbed to leukemia. Like When Breath Becomes Air, The First Cell is no ordinary book of medicine, but a book of wisdom and grace by an author who has devoted her life to making the unbearable easier to bear.




Once There Was a City Named Dilli


Book Description

The history of Delhi has been told and retold many times. Often the intent is to use history as an ideological tool for staking a claim to the present of the city. In Intizar Husain’s retelling, it is the tale itself that becomes delectable. A popular recital that highlights the forgotten nuances of the story, Once There was a City Named Dilli, is a celebration of the people and culture that made the city unforgettable. Forts, walled cities, bazaars, diwan khanas, durbars, and the Yamuna itself come alive in this ode to a capital serenaded and ravaged by powerful kings and chieftains over time.




Circle and Other Stories


Book Description

The stories in this collection are drawn from the rich oral narrative tradition of the Indian subcontinent, on sources as diverse as the Katha Sagar, Puranic lore, Sufi legends, Jataka tales, Kissa-kahani and dastan, as well as Intizar Hussain's own training and experience as a veteran newspaper man. In story after story he seeks to retrieve the past, to see it better, to understand it, maybe even learn from it. Taken together, they cover a gamut of emotions - nostalgia for a world left behind in India, angst for the amputated 'other' abandoned in the former East Pakistan, concern over the two emerging nuclear powers, a cathartic repurging of his own Shia Muslim legacy and much more.




Dark Shamans


Book Description

On the little-known and darker side of shamanism there exists an ancient form of sorcery called kanaimà, a practice still observed among the Amerindians of the highlands of Guyana, Venezuela, and Brazil that involves the ritual stalking, mutilation, lingering death, and consumption of human victims. At once a memoir of cultural encounter and an ethnographic and historical investigation, this book offers a sustained, intimate look at kanaimà, its practitioners, their victims, and the reasons they give for their actions. Neil L. Whitehead tells of his own involvement with kanaimà—including an attempt to kill him with poison—and relates the personal testimonies of kanaimà shamans, their potential victims, and the victims’ families. He then goes on to discuss the historical emergence of kanaimà, describing how, in the face of successive modern colonizing forces—missionaries, rubber gatherers, miners, and development agencies—the practice has become an assertion of native autonomy. His analysis explores the ways in which kanaimà mediates both national and international impacts on native peoples in the region and considers the significance of kanaimà for current accounts of shamanism and religious belief and for theories of war and violence. Kanaimà appears here as part of the wider lexicon of rebellious terror and exotic horror—alongside the cannibal, vampire, and zombie—that haunts the western imagination. Dark Shamans broadens discussions of violence and of the representation of primitive savagery by recasting both in the light of current debates on modernity and globalization.




Delhi Noir


Book Description

Presents a collection of crime and noir stories set in Delhi, India.