The Devil's Charter


Book Description

First Published in 1999. 'Our subject is of blood and tragedy, Murther, foul incest and hypocrisy'. In the sensational history of Borgias, Barnabe Barnes found a theme tailor-made for the dark and lurid imaginings of the Jacobean stage. And then he spiced it up a little. This vigorous play was first performed by Shakespeare's company in 1607 and revived 390 years later in a semi-stage reading by Globe Education.




The Devil's Charter


Book Description




Devil Theatre


Book Description

The so-called "Devil Theatre" is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possessionin relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonicpossession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics ofreligion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflecton the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.




The Devils Rebirth


Book Description

The Devil’s Rebirth: The Terror Triangle of Ikhwan, IRGC and Hezbollah” is the work of leading academics and researchers from around the world, who have spent their days and nights to pen this comprehensive research, which aims to disclose the secret networking of globally recognised terrorist organisations, Ikhwan Ul Muslimeen, IRGC and Hezbollah. These organisations are rooted in public and have been in existence for more than seventy years. Their prime goal is to begin a non -violent struggle in order to win the hearts and minds of the local public, before turning them into the menace of terrorism. Another objective is also to topple the Arab kingdoms, as well as democratically elected governments in the Middle East. The reader will analyse the latest tactics, aims, recruitment process, financing, training, relations with the drug cartels and networking of these three organisations with European terrorist and criminal mafia syndicates. The reader will also find how these organisations use both soft and peaceful religious activities to lure vulnerable people from across the world, in order to attract them into the fire of the Middle East. Many secrets and disclosures of these organisations have been exposed in this compelling work.







The Devils We Know


Book Description

Is there an American culture? Certainly, says James Morone. Americans are fighting over it now. They have been fighting over it since the first Puritan stepped ashore. Americans hate government (no national health insurance!) and call for more of it (lock ‘em up!). They prize democracy (power to the people) and scramble to restrict it (the electoral college in the 21st century?). They celebrate opportunity -- but only for some (don’t let those people in!). Americans proclaim liberty then wrestle over which kind—positive (freedom from want) or negative (no new taxes!)? In this volume Morone offers his own answer to the conundrum of American political culture: It is a perpetual work in progress. Immigrants arrive, excluded groups demand power, and each generation injects new ethnicities, races, religions, ideas, foods, entertainments, sins, and body types into the national mix. The challengers—the devils we know—keep inventing new answers to the nation’s fundamental question: Who are we? Each essay in The Devils We Know takes up a different aspect of the creative conflicts that shape America. Ranging from Huck Finn to Obamacare, Morone explores the ways in which culture interacts with other forces—most notably the rules and organizations that channel collective choices. The battle to define the nation’s political culture spills over into every area of American life, but three are especially important: democracy, economics, and morals—each, in turn, complicated by race, race, race. Written over 25 years, these essays constitute a closely observed and deeply thoughtful vision of what America is—its ideas, images, rules, institutions, and culture clashes. Together, they explain just why America is the way it is. And what it might become.




A Dictionary of Literary Terms and Literary Theory


Book Description

With new entries and sensitive edits, this fifth edition places J.A. Cuddon’s indispensable dictionary firmly in the 21st Century. Written in a clear and highly readable style Comprehensive historical coverage extending from ancient times to the present day Broad intellectual and cultural range Expands on the previous edition to incorporate the most recent literary terminology New material is particularly focused in areas such as gender studies and queer theory, post-colonial theory, post-structuralism, post-modernism, narrative theory, and cultural studies. Existing entries have been edited to ensure that topics receive balanced treatment




Beat the Devils


Book Description

This inventive, page-turning crime thriller, shortlisted for the Sidewise Award, with "palpable emotional depth" (New York Times Book Review) envisions a world in which the Red Scare never ended. USA, 1958. President Joseph McCarthy sits in the White House, elected on a wave of populist xenophobia and barely‑concealed anti‑Semitism. The country is in the firm grip of McCarthy's Hueys, a secret police force evolved from the House Un-American Activities Committee. Hollywood's sparkling vision of the American dream has been suppressed; its remaining talents forced to turn out endless anti‑communist propaganda. LAPD detective Morris Baker—a Holocaust survivor who drowns his fractured memories of the unspeakable in schnapps and work—is called to the scene of a horrific double‑homicide. The victims are John Huston, a once‑promising but now forgotten film director, and an up‑and‑coming young journalist named Walter Cronkite. Clutched in the hand of one of the dead men is a cryptic note containing the phrase “beat the devils” followed by a single name: Baker. Did the two men die in an attack fueled by better-dead-than-red sentiment, as the Hueys are quick to conclude, or were they murdered in a cover-up designed to protect—or even set in motion—a secret plot connected to Baker's past? In a country where terror grows stronger by the day, and paranoia rises unchecked, Baker is determined to find justice for two men who raised their voices in a time when free speech comes at the ultimate cost. In the course of his investigation, Baker stumbles into a conspiracy that reaches deep into the halls of power and uncovers a secret that could destroy the City of Angels—and the American ideal itself.




The Staging of Witchcraft and a “Spectacle of Strangeness”


Book Description

The Staging of Witchcraft and a "Spectacle of Strangeness": Witchcraft at Court and the Globe presents a new interest in Continental texts on witchcraft coincided with technological advances in the English stage, which made a variety of dramatic effects possible in the private playhouses, such as flying witches, and the appearance of spirits and deities in Elizabethan plays. This book also evaluates how the technology of the Blackfriars playhouse facilitated the appearance of spirits, devils, witches, magicians, deities and dragons on stage. The study investigates the visual spectacle of witchcraft scenes which intersect with the genre of the plays, and it also presents to what extent changing theatrical tastes affect the way that supernatural characters are shown on stage.




Papist Devils


Book Description

This is a brief highly readable history of the Catholic experience in British America, which shaped the development of the colonies and the nascent republic in the seventeenth and eighteenth centuries. Historian Robert Emmett Curran begins his account with the English reformation, which helps us to understand the Catholic exodus from England, Ireland, and Scotland that took place over the nearly two centuries that constitute the colonial period. The deeply rooted English understanding of Catholics as enemies of the political and religious values at the heart of British tradition, ironically acted as a catalyst for the emergence of a Catholic republican movement that was a critical factor in the decision of a strong majority of American Catholics in 1775 to support the cause for independence