The Devil Tales and Novels, Complete


Book Description

TO THE FIRST VOLUME OF THESE TALES I had resolved not to consent to the printing of these Tales, until after I had joined to them those of Boccaccio, which are those most to my taste; but several persons have advised me to produce at once what I have remaining of these trifles, in order to prevent from cooling the curiosity to see them, which is still in its first ardour. I gave way to this advice without much difficulty, and I have thought well to profit by the occasion. Not only is that permitted me, but it would be vanity on my part to despise such an advantage. It has sufficed me to wish that no one should be imposed upon in my favour, and to follow a road contrary to that of certain persons, who only make friends in order to gain voices in their favour by their means; creatures of the Cabal, very different from that Spaniard who prided himself on being the son of his own works. Although I may still be as much in want of these artifices as any other person, I cannot bring myself to resolve to employ them; however I shall accommodate myself if possible to the taste of the times, instructed as I am by my own experience, that there is nothing which is more necessary. Indeed one cannot say that all seasons are suitable for all classes of books. We have seen the Roundelays, the Metamorphoses, the Crambos, reign one after another. At present, these gallantries are out of date and nobody cares about them: so certain is it that what pleases at one time may not please at another! It only belongs to works of truly solid merit and sovereign beauty, to be well received by all minds and in all ages, without possessing any other passport than the sole merit with which they are filled. As mine are so far distant from such a high degree of perfection, prudence advises that I should keep them in my cabinet unless I choose well my own time for producing them. This is what I have done, or what I have tried to do in this edition, in which I have only added new Tales, because it seemed to me that people were prepared to take pleasure in them. There are some which I have extended, and others which I have abridged, only for the sake of diversifying them and making them less tedious. But I am occupying myself over matters about which perhaps people will take no notice, whilst I have reason to apprehend much more important objections. There are only two principal ones which can be made against me; the one that this book is licentious; the other that it does not sufficiently spare the fair sex. With regard to the first, I say boldly that the nature of what is understood as a tale decided that it should be so, it being an indispensable law according to Horace, or rather according to reason and common sense, that one must conform one's self to the nature of the things about which one writes. Now, that I should be permitted to write about these as so many others have done and with success I do not believe it can be doubted; and people cannot condemn me for so doing, without also condemning Ariosto before me and the Ancients before Ariosto. It may be said that I should have done better to have suppressed certain details, or at least to have disguised them. Nothing was more easy, but it would have weakened the tale and taken away some of its charm: So much circumspection is only necessary in works which promise great discretion from the beginning, either by their subject or by the manner in which they are treated. I confess that it is necessary to keep within certain limits, and that the narrowest are the best; also it must be allowed me that to be too scrupulous would spoil all. He who would wish to reduce Boccaccio to the same modesty as Virgil, would assuredly produce nothing worth having, and would sin against the laws of propriety by setting himself the task to observe them. For in order that one may not make a mistake in matters of verse and prose, extreme modesty and propriety are two very different things. Cicero makes the latter consist in saying what is appropriate one should say, considering the place, the time, and the persons to whom one is speaking. This principle once admitted, it is not a fault of judgment to entertain the people of to-day with Tales which are a little broad. Neither do I sin in that against morality.




The Devil and the Dairy Princess


Book Description

What happens when the stories we've been told fail us? In ten provocative and unsettling tales, Pedro Ponce grapples with the human instinct to create a narrative out of disparate experiences. The Devil and the Dairy Princess interrogates the power of stories to impact us for good or ill. We are all taught that love is destined to happen with our soul mate and that hard work eventually leads to success. But when faced with circumstances that no longer fit the chosen narrative, some protagonists cling to their outmoded stories with greater fervor, while others realize the old stories no longer suffice, so they choose to inhabit a new reality in stories yet to be told. Perfect for any reader who enjoys literary realism or speculative fiction, The Devil and the Dairy Princess reveals the episodic history of humanity's romance with narrative, from first love to breakup to hopeful reconciliation.




The Devil's Storybook


Book Description

The Devil's Storybook is a 1974 New York Times Book Review Notable Children's Book of the Year and a 1975 National Book Award Finalist for Children's Books. An ALA Notable Book Chosen by School Library Journal as one of the Best of the Best Books




Tales the Devil Told Me


Book Description

What if Captain Hook gave up marauding and took a gig at the Post Office? How did Hamlet's uncle Claudius become such a rat? What might happen if a plastic surgeon fell for Medusa? If Moby Dick could write a letter, what would he say to Ahab? The answers to these and many other questions can be found in Tales the Devil Told Me by Jen Fawkes-winner of the 2020 Press 53 Award for Short Fiction. These twelve stories examine the possible lives of such classic literary villains as Professor Moriarty, Shere Khan, Rumpelstiltskin, Polyphemus, Mrs. Danvers and others, while illuminating the consumptive nature of love, the crushing weight of isolation, the false promise of beauty, and the power of storytelling itself.




The Devil and Sherlock Holmes


Book Description

From the #1 New York Times bestselling author of Killers of the Flower Moon and The Wager—and one of the most gifted reporters and storytellers of his generation—comes a “horrifying, hilarious, and outlandish” (Entertainment Weekly) collection of gripping true crime mysteries about people whose obsessions propel them into unfathomable and often deadly circumstances. "[Grann is] one of the preeminent adventure and true-crime writers working today."—New York Magazine Whether David Grann is investigating a mysterious murder, tracking a chameleon-like con artist, or hunting an elusive giant squid, he has proven to be a superb storyteller. In The Devil and Sherlock Holmes, Grann takes the reader around the world, revealing a gallery of rogues and heroes with their own particular fixations who show that truth is indeed stranger than fiction. Look for David Grann’s latest bestselling book, The Wager!




The Devil and Other Stories


Book Description

'It is impossible to explain why Yevgeny chose Liza Annenskaya, as it is always impossible to explain why a man chooses this and not that woman.' This collection of eleven stories spans virtually the whole of Tolstoy's creative life. While each is unique in form, as a group they are representative of his style, and touch on the central themes that surface in War and Peace and Anna Karenina. Stories as different as 'The Snowstorm', 'Lucerne', 'The Diary of a Madman', and 'The Devil' are grounded in autobiographical experience. They deal with journeys of self-discovery and the moral and religious questioning that characterizes Tolstoy's works of criticism and philosophy. 'Strider' and 'Father Sergy', as well as reflecting Tolstoy's own experiences, also reveal profound psychological insights. These stories range over much of the Russian world of the nineteenth century, from the nobility to the peasantry, the military to the clergy, from merchants and cobblers to a horse and a tree. Together they present a fascinating picture of Tolstoy's skill and artistry. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.




Devil House


Book Description

INSTANT NEW YORK TIMES BESTSELLER “It’s never quite the book you think it is. It’s better.” —Dwight Garner, The New York Times From John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling. Gage Chandler is descended from kings. That’s what his mother always told him. Years later, he is a true crime writer, with one grisly success—and a movie adaptation—to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell––his closest childhood friend lived there, once upon a time. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected—back into his own work and what it means, back to the very core of what he does and who he is. Devil House is John Darnielle’s most ambitious work yet, a book that blurs the line between fact and fiction, that combines daring formal experimentation with a spellbinding tale of crime, writing, memory, and artistic obsession.




Tales of the Jersey Devil


Book Description

The legend of the mysterious and terrifying Jersey Devil, and the many stories surrounding this truly unique American myth are not to be missed or forgotten. Collected here, are thirteen chilling tales of a creature that has terrorized and captivated the mysterious New Jersey Pine Barrens for more than two hundred years. From the creature's birth in 1735 to a modern-day Jersey Devil hunt, dare to follow this monster and those who have faced its terror through more than two hundred years of American history, folklore, and horror.




Phantom of the Pines


Book Description

Emitting shrill cries and leaving its footprints in mud and snow, it has roamed the Pine Barrons of South Jersey for almost three hundred years. It is usually said to resemble a composite of several different animals, but it walks upright and us believed to be the child of a human mother.What is this mysterious creature? The Jersey Devil, of course! More than twenty years after their first book about the Jersey Devil was published, James McCloy and Ray Miller, Jr.'s, new research into this phenomenon continues to intrigue readers. Does the Jersey Devil actually exist? Or is it simply a hoax? Open Phantom of the Pines--if you dare--and decide for yourself.




Duffy and the Devil


Book Description

The spinning and knitting the devil agrees to do for her win Duffy the Squire's name and a carefree life until it comes time for her to guess the devil's name. Now back in print, this book is a Caldecott Medal winner and ALA Notable Children's Book. Full-color illustrations. Copyright © Libri GmbH. All rights reserved.