Aug 9—Fog


Book Description

"The searing strokes of this book remind me of the infinitude inside every life." --Leslie Jamison Paris Review Staff Pick, one of Chicago Tribune's 25 Hot Books of Summer, and one of The A.V. Club's 15 Most Anticipated Books of 2019 A stark, elegiac account of unexpected pleasures and the progress of seasons Fifteen years ago, Kathryn Scanlan found a stranger’s five-year diary at an estate auction in a small town in Illinois. The owner of the diary was eighty-six years old when she began recording the details of her life in the small book, a gift from her daughter and son-in-law. The diary was falling apart—water-stained and illegible in places—but magnetic to Scanlan nonetheless. After reading and rereading the diary, studying and dissecting it, for the next fifteen years she played with the sentences that caught her attention, cutting, editing, arranging, and rearranging them into the composition that became Aug 9—Fog (she chose the title from a note that was tucked into the diary). “Sure grand out,” the diarist writes. “That puzzle a humdinger,” she says, followed by, “A letter from Lloyd saying John died the 16th.” An entire state of mourning reveals itself in “2 canned hams.” The result of Scanlan’s collaging is an utterly compelling, deeply moving meditation on life and death. In Aug 9—Fog, Scanlan’s spare, minimalist approach has a maximal emotional effect, remaining with the reader long after the book ends. It is an unclassifiable work from a visionary young writer and artist—a singular portrait of a life revealed by revision and restraint.




The Diary of Others


Book Description

"Anaïs Nin, in 1955, was for all practical purposes a failed writer. She could interest no publisher in her introspective and feminine fiction, nor could she keep her past titles in print. But at the same time, she was keeping a diary begun when she was eleven years old. In The Diary of Others, Nin begins to realize that the diary itself was her most valuable writing, but she wonders how she could ever publish such a document, filled with love affairs and deceptions as well as incest and bigamy, without harming those she held most dear-her brother, her lover, and especially her husband of more than thirty years. When The Diary of Others opens, Nin has recently (and bigamously) married Rupert Pole, her young lover in California; she then struggles to keep a bicoastal double marriage alive, and she vainly seeks a publisher for her novels. She later begins a collaboration with two men who would change her fortunes-literary agent Gunther Stuhlmann and publisher Alan Swallow. And she is aided both financially and commercially by her long-estranged lover and colleague Henry Miller, whose rise to fame after the famous obscenity trials has given him the financial freedom to offer Nin the proceeds from the publication of his letters to her during the 1930s and '40s. After much deliberation, Nin comes up with a formula that allows her to publish her long-anticipated Paris diaries in such a way that she can describe her personal growth and relationships with fascinating characters such as Miller, Otto Rank and Antonin Artaud without disclosing the intimate details of her life. The Diary of Others documents Anaïs Nin's ascension from obscurity and commercial failure to sudden vindication, validation and fame"--




The Private Life of the Diary


Book Description

Diaries keep secrets, harbouring our fantasies and fictional histories. They are substitute boyfriends, girlfriends, spouses and friends. But in this age of social media, the role of the diary as a private confidante has been replaced by a culture of public self-disclosure. The Private Life of the Diary: from Pepys to Tweets is an elegantly-told story of the evolution – and perhaps death – of the diary. It traces its origins to seventeenth-century naval administrator, Samuel Pepys, and continues to twentieth-century diarist Virginia Woolf, who recorded everything from her personal confessions about her irritation with her servants to her memories of Armistice Day and the solar eclipse of 1927. Sally Bayley explores how diaries can sometimes record our lives as we live them, but that we often indulge our fondness for self-dramatization, like the teenaged Sylvia Plath who proclaimed herself 'The Girl Who Would be God'. This book is an examination of the importance of writing and self-reflection as a means of forging identity. It mourns the loss of the diary as an acutely private form of writing. And it champions it as a conduit to self-discovery, allowing us to ask ourselves the question: Who or What am I in relation to the world?




A Schoolboy's Diary and Other Stories


Book Description

A Schoolboy’s Diary brings together more than seventy of Robert Walser’s strange and wonderful stories, most never before available in English. Opening with a sequence from Walser’s first book, “Fritz Kocher’s Essays,” the complete classroom assignments of a fictional boy who has met a tragically early death, this selection ranges from sketches of uncomprehending editors, overly passionate readers, and dreamy artists to tales of devilish adultery, sexual encounters on a train, and Walser’s service in World War I. Throughout, Walser’s careening, confounding, delicious voice holds the reader transfixed.




Working Days


Book Description

John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion. The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American masterpiece.




Mirages


Book Description

Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anaïs wrote, “Close your eyes to the ugly things,” and, against a horrifying backdrop of war and death, Nin combats the world’s darkness with her own search for light. Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,” the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.




Fire


Book Description

The renowned diarist continues the story begun in Henry and June and Incest. Drawing from the author’s original, uncensored journals, Fire follows Anaïs Nin’s journey as she attempts to liberate herself sexually, artistically, and emotionally. While referring to her relationships with psychoanalyst Otto Rank and author Henry Miller, as well as a new lover, the Peruvian Gonzalo Moré, she also reveals that her most passionate and enduring affair is with writing itself.




Incest


Book Description

The trailblazing memoirist and author of Henry & June recounts her relationships with Henry Miller and others—including her own father. Anaïs Nin wrote in her uncensored diaries like they were a broad-minded confidante with whom she shared the liberating psychosexual dramas of her life. In this continuation of her notorious Henry & June, she recounts a particularly turbulent period between 1932 and 1934, and the men who dominated it: her protective husband, her therapist, and the poet Antonin Artaud. However, most consuming of all is novelist Henry Miller—a man whose genius, said Anaïs, was so demonic it could drive people insane. Here too, recounted in extraordinary detail, is the sexual affair she had with her father. At once loving, exciting, and vengeful, it was the ultimate social transgression for which Anaïs would eventually seek absolution from her analysts. “Before Lena Dunham there was Anaïs Nin. Like Dunham, she’s been accused of narcissism, sociopathy, and sexual perversion time and again. Yet even that comparison undercuts the strangeness and bravery of her work, for Nin was the first of her kind. And, like all truly unique talents, she was worshipped by some, hated by many, and misunderstood by most . . . A woman who’d spent decades on the bleeding edge of American intellectual life, a woman who had been a respected colleague of male writers who pushed the boundaries of acceptable sex writing. Like many great . . . experimentalists, she wrote for a world that did not yet exist, and so helped to bring it into being.” —The Guardian Includes an introduction by Rupert Pole




The Diary of Anaïs Nin, 1944–1947


Book Description

The fourth volume of “one of the most remarkable diaries in the history of letters” (Los Angeles Times). The renowned diarist continues her record of her personal, professional, and artistic life, recounting her experiences in Greenwich Village for several years in the late 1940s, where she defends young writers against the Establishment—and her trip across the country in an old Ford to California and Mexico. “[Nin is] one of the most extraordinary and unconventional writers of [the twentieth] century.” —The New York Times Book Review Edited and with a preface by Gunther Stuhlmann




The Noah Diary


Book Description

The well-known personal diary of Texas Cowgirl Jordan Douglas in college, at age 19. A Daddy's Girl and Texas Tomboy, she grew up in rural Texas roping and riding on horses with her Father, and found out love could be harder for a Tomboy who weren't as pretty as the cheerleaders. She had kept secret diaries through her teens of her ideas of love, sexual secrets, and as older guy friends shared benefits, they rejected her afterwards. She wrote about her strict religious upbringing and guilt from self-intimacy, and private sexual fantasies about the perfect Cowboy, her father. Her "Daddy Issues," and not recognizing her darker sexual needs exploded to the surface her 2nd year in College, and was recorded by her, in 'The Noah Diary." With her secret "Daddy Issues," her thick, Texas curves in her favorite Cowgirl boots and short-shorts, found herself in the arms of a stranger and older Cowboy named 'Noah' who was 27 years old, and whose style of intimacy was emotionally and physically brutal and poisoning to her mind. Jordan began a sexually-dominated summer with her hands tied behind her back, getting forced to explore her darker sexual desires of real sexual humiliation, stimulating sexual-emotional abuse, and disturbing sexual mind-play drawing out her need for more than Daddy's approval. Noah used these on her all summer as he forced her sexual needs past limits she couldn't handle, punishing her with her own desires to screaming excess, drugging her daily, and bringing her into complete Submission to his stimulating Daddy role over her. She had found true love in this journey of self-discovery and understanding, and began to feel like a beautiful cheerleader with her new Daddy, and as the summer came to an end, she feared leaving Noah to go back to college, feared facing her religious parents, her lies to them about working all summer, the truth that she had flunked her last semester to be with Noah, and they paid the bill. She had to return home to face her mistakes, when all she wanted, was happily ever after in Texas.