The Potter's Dictionary of Materials and Techniques


Book Description

"An alphabetical listing of almost every material, form, term, and process used in or relating to pottery making. Well illustrated in black-and-white, with a few gorgeous color plates."--Pottery Making Illustrated (reviewing the fourth edition)







The Art of the Table


Book Description

"Home Comforts" meets Miss Manners in this elegant, comprehensive guide to the table -- an invaluable resource for every aspect of formal and informal dining and entertainment. 130 line drawings throughout. 16 pages of color photos.




Pictorial Guide to Pottery and Porcelain Marks


Book Description

This book features photographs of marks alongside their actual pieces for perspective. Other books simply show line drawings, but this massive encyclopedia educates collectors and researchers on what the marks actually look like on a piece of pottery or porcelain. Over 7,500 photographs of around 4,000 marks and items, from Abingdon to Zsolnay, are featured in this huge publication. Organized alphabetically by company, this book is the most user-friendly marks book you'll find, telling readers quickly what it looks like, when it was made, and who made it. Appraisers and dealers will find this guide extremely useful; they can learn a little bit about many different marks, rather than having to weed through extensive historical information on the thousands of marks produced. As an added feature, cross-referencing indexes are provided, by date, shape, and company. 2004 values.




Archaeologies of the British


Book Description

Beginning with the early English colonisation of Ireland and Virginia, the international range of contributors in Archaeology of the British examine the interplay of objects and identity in Scotland and Wales, regional England, Canada, Australia, South Africa, Cyprus, and Sri Lanka. Informed by developments in historical archaeology and by postcolo




Precious Metals 1981


Book Description

Precious Metals 1981 presents the significant role of precious noble metals in various aspects of human life. This book discusses the wide array of uses of precious metals from dental fillings to the manufacturing of air conditioners. Organized into nine parts encompassing 48 chapters, this book begins with an overview of the chemical reducing capability of sodium borohydride for various organic heavy metal applications. This text then examines the general plant operations comprising of heap leaching methods utilized for the recovery of finely dispersed particles of gold and silver. Other chapters consider the refining characteristics of gold alloys containing impurities. This book discusses as well the fundamental principles of major conventional bonding methods used to produce metal clad materials used in jewelry and electrical contact applications. The final chapter deals with the precious and non-precious alloy systems used in Dentistry. This book is a valuable resource for engineers, jewelers, and goldsmiths.




Color


Book Description

In this vivid and captivating journey through the colors of an artist’s palette, Victoria Finlay takes us on an enthralling adventure around the world and through the ages, illuminating how the colors we choose to value have determined the history of culture itself. How did the most precious color blue travel all the way from remote lapis mines in Afghanistan to Michelangelo’s brush? What is the connection between brown paint and ancient Egyptian mummies? Why did Robin Hood wear Lincoln green? In Color, Finlay explores the physical materials that color our world, such as precious minerals and insect blood, as well as the social and political meanings that color has carried through time. Roman emperors used to wear togas dyed with a purple color that was made from an odorous Lebanese shellfish–which probably meant their scent preceded them. In the eighteenth century, black dye was called logwood and grew along the Spanish Main. Some of the first indigo plantations were started in America, amazingly enough, by a seventeen-year-old girl named Eliza. And the popular van Gogh painting White Roses at Washington’s National Gallery had to be renamed after a researcher discovered that the flowers were originally done in a pink paint that had faded nearly a century ago. Color is full of extraordinary people, events, and anecdotes–painted all the more dazzling by Finlay’s engaging style. Embark upon a thrilling adventure with this intrepid journalist as she travels on a donkey along ancient silk trade routes; with the Phoenicians sailing the Mediterranean in search of a special purple shell that garners wealth, sustenance, and prestige; with modern Chilean farmers breeding and bleeding insects for their viscous red blood. The colors that craft our world have never looked so bright.




Ceramics and Globalization


Book Description

Neil Ewins' study of the Staffordshire potteries in a period of great global change traces how ceramics production has been affected by globalisation in both familiar and unexpected ways. Although many manufacturers such as Wedgwood initially moved production to cheaper labour markets in East Asia, others remained in or returned to England once it became clear that outsourcing manufacturing was affecting the brand value and customer perception of their products. Neil Ewins explores the complex behaviour of the UK ceramics industry, using a combination of evidence from the press, trade journals, ceramic objects, and primary interview evidence of manufacturers, retailers and a ceramic designer. Ewins suggests that, although the surface designs of UK ceramics invariably reflect diverse cultural and stylistic influences, a notion of authenticity often still resides in the place and context in which the ceramic product was originally made. Overall, the book argues that UK ceramics remain culturally complex because of issues of supply and demand, and ties to heritage, imagined or otherwise. Within a context of globalization, the book highlights compelling issues which have huge ramifications on UK manufacturing futures.




The Look of the Past


Book Description

Visual and material sources are central to historical practice and this is a much-needed introduction to using artefacts as evidence.