Dies Irae


Book Description

Since time immemorial, the response of the living to death has been to commemorate the life of the departed through ceremonies and rituals. For nearly two millennia, the Christian quest for eternal peace has been expressed in a poetic-musical structure known as the requiem. Traditional requiem texts, among them the anonymous medieval Latin poem Dies Irae ('Day of Wrath'), have inspired an untold number of composers in different ages and serving different religions, Western and Eastern. This book, the first comprehensive survey of requiem music for nearly half a century, provides a great deal of diverse and detailed information that will be of use to the professional musician, the musical scholar, the choral conductor, the theologian and liturgist, and the general reader. The main body of the guide is a description of some 250 requiems. Each entry includes a concise biography of the composer and a description of the composition. Details of voicing, orchestration, editions, and discography are given. An extensive bibliography includes dictionaries, encyclopedias, prayer books, monographs, and articles. An appendix lists more than 1700 requiems not discussed within the main text.




Deus Irae


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In this collaboration with Roger Zelazny, an armless and legless painter must undertake a pilgrimage through a nuclear war-ravaged America in a search for the God of Wrath, whose picture he has been commissioned to paint.




Day of Wrath


Book Description

"...Imagines a horrifying scenario where, in the course of one day, the terrorist group ISIS carries out massacres in schools and on highways across the United States. With a surprisingly small but well-organized and ruthless force, the nightmarish devastation brings America to a state of near paralysis"--Page [4] of cover.




Dies Irae


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Paolo Pellegrin


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Paolo Pellegrin is one of the most renowned contemporary photoreporters, awarded with a Robert Capa Gold Medal.




Dies Iræ


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Supremacy and Survival


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Chants of the Church


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Mozart's Requiem


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"'When was the score of the Requiem completed?' is a question that everyone has asked; . . .but Wolff goes on to ask: 'Where do the technical and stylistic premises for the Requiem lie, and to what extent could these be taken into account after Mozart's death?' This question is rich in implications, central to the uniqueness of the work, and virtually undiscussed in the Mozart literature."—Thomas Bauman, co-author of Mozart's Operas




Dies Iræ


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