Dante's Purgatorio


Book Description

A sequel to Philip Terry's Dante's Inferno (2014), where Dante relocates to the University of Essex, here the action shifts from Dante's Island of Purgatory to Mersea Island, in Essex still, where the poet and his guide Ted Berrigan climb a mountain made out of Flexible Rock Substitute (FRS). Dante's artists are replaced with contemporary artists and artists-in-residence on the Essex Alp, including Grayson Perry, Rachel Whiteread and Damien Hirst. Hirst, an example of pride, is encountered not carrying a rock on his back, as in Dante, but carrying a washing-machine, a Siemens Avantgarde, which runs through its spin cycle as he carries it. Other characters encountered include Christopher Marlowe, Boris Johnson, Lady Diana, Jean Paul Getty, Hilary Clinton, Allen Ginsberg, Samuel Beckett, Martin McGuinness, Ciaran Carson and Anoushka S hankar. On the final terrace, the poet, accompanied by Berrigan and poet Tim Atkins, passes through a wall of flames to reach Dante's Paradise, here modelled on the Eden Project, where the poet meets his Beatrice, Marina Warner. The poem comes to a climax with an interview with Marina Warner in the LRB Tent, followed by a gig from the Pogues, for which Shane MacGowan has been brought up from Hell on an Arts Council 'Exceptional Talent' scheme.




The Divine Comedy


Book Description

A stunning 3-in-1 deluxe edition of one of the great works of Western literature An epic masterpiece and a foundational work of the Western canon, The Divine Comedy describes Dante's descent into Hell with Virgil as his guide; his ascent of Mount Purgatory and reunion with his dead love, Beatrice; and, finally, his arrival in Heaven. Examining questions of faith, desire, and enlightenment and furnished with semiautobiographical details, Dante's poem is a brilliantly nuanced and moving allegory of human redemption. This acclaimed blank verse translation is published here for the first time in a one-volume edition. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




The Undivine Comedy


Book Description

Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet. By detheologizing, the reader can emerge from this poet's hall of mirrors and discover the narrative techniques that enabled Dante to forge a true fiction. Foregrounding the formal exigencies that Dante masked as ideology, Barolini moves from the problems of beginning to those of closure, focusing always on the narrative journey. Her investigation--which treats such topics as the visionary and the poet, the One and the many, narrative and time--reveals some of the transgressive paths trodden by a master of mimesis, some of the ways in which Dante's poetic adventuring is indeed, according to his own lights, Ulyssean.




Dante's Divine Comedy


Book Description

Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.




The Divine Comedy of Dante Alighieri


Book Description

Robert Durling's spirited new prose translation of the Paradiso completes his masterful rendering of the Divine Comedy. Durling's earlier translations of the Inferno and the Purgatorio garnered high praise, and with this superb version of the Paradiso readers can now traverse the entirety of Dante's epic poem of spiritual ascent with the guidance of one of the greatest living Italian-to-English translators. Reunited with his beloved Beatrice in the Purgatorio, in the Paradiso the poet-narrator journeys with her through the heavenly spheres and comes to know "the state of blessed souls after death." As with the previous volumes, the original Italian and its English translation appear on facing pages. Readers will be drawn to Durling's precise and vivid prose, which captures Dante's extraordinary range of expression--from the high style of divine revelation to colloquial speech, lyrical interludes, and scornful diatribes against corrupt clergy. This edition boasts several unique features. Durling's introduction explores the chief interpretive issues surrounding the Paradiso, including the nature of its allegories, the status in the poem of Dante's human body, and his relation to the mystical tradition. The notes at the end of each canto provide detailed commentary on historical, theological, and literary allusions, and unravel the obscurity and difficulties of Dante's ambitious style . An unusual feature is the inclusion of the text, translation, and commentary on one of Dante's chief models, the famous cosmological poem by Boethius that ends the third book of his Consolation of Philosophy. A substantial section of Additional Notes discusses myths, symbols, and themes that figure in all three cantiche of Dante's masterpiece. Finally, the volume includes a set of indexes that is unique in American editions, including Proper Names Discussed in the Notes (with thorough subheadings concerning related themes), Passages Cited in the Notes, and Words Discussed in the Notes, as well as an Index of Proper Names in the text and translation. Like the previous volumes, this final volume includes a rich series of illustrations by Robert Turner.




The Divine Comedy


Book Description

Sixty artists from 22 African countries thematically explore The Divine Comedy by Dante Alighieri, employing a broad range of artistic media such as painting, photography, sculpture, video works, installations, and performances.This catalogue may be considered a triptych, following the rhythm of Dante's famous poem. The African artists at the core of this project, which presents reproductions and presentations of their artwork, focus on notions taken from the poem that they have charged with different meanings, linked both to their artistic practices and their respective personalities.Five essays written by authors from various countries create immediate links to our contemporary times and add a further dimension to the interpretation of the works presented. Artists include: Kader Attia, Mohamed Bourouissa, Nicholas Hlobo, Wangechi Mutu, Youssef Nabil, Zineb Sedira, Yinka Shonibare, Guy Tillim, and many others.Published to accompany the exhibition The Divine Comedy: Heaven, Hell, and Purgatory at MMK Museum für Moderne Kunst, Frankfurt, March - June 2014, and touring to SCAD Museum of Art, Savannah; Smithsonian National Museum of African Art, Washington; and Ca' Foscari, Venedig until 2015.




Dante's Divine Comedy


Book Description

This edition of the complete Divine comedy in English features Longfellow's translation and engravings by Gustave Doré.




The Divine Comedy (Classic Reprint)


Book Description

Excerpt from The Divine Comedy Every fresh attempt at translating the Di vine Comedy affords proof of Dante's asser tion that nothing harmonized by a musical bond can be transmuted from its own speech without losing all its sweetness and harmony. The coalescence of the music and the meaning of the verse, in the perfection of which the life of poetry consists, cannot be transferred from one tongue to another. A new harmony may be substituted, but the difference is fatal. The translation may have a life of its own, but it is not the life of the original. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Divine Comedy: Inferno (2 v.)


Book Description




Dante's Purgatorio


Book Description

Purgatorio is the second part of Italian poet Dante Alighieri's epic poem Divine Comedy and describes Dante's climb up the Mount of Purgatory. As in the Inferno, the Roman poet Virgil is guiding Dante on a journey; this time they visit the seven terraces of Purgatory, where sinners are cleansing themselves in preparation for entering Paradise. Each of the terraces represents one of the seven deadly sins, ranging from pride to lust. Through this allegory, Dante conveys that repentant souls can be redeemed. Dante wrote his narrative poem between 1308 and 1321. This version is taken from a 1901 English edition, featuring British author Rev. H. F. Cary's blank verse translation and woodcut illustrations by French artist Gustave Doré.