The Doctrine of Addai and the Letters of Jesus and Abgar


Book Description

The Doctrine of Addai tells the story of how Christianity came to the Syrian city of Edessa. It incorporates and adapts a correspondence between Jesus and the Syrian king Abgar, who wrote to Jesus requesting healing from a long-term illness. In his response, Jesus promises to send him an apostle, Addai (sometimes called Thaddaeus), who will heal Abgar’s disease and establish Christianity in his kingdom. The exchange between Jesus and Abgar and Edessa’s subsequent evangelization by Addai functions as a founding myth for Christianity in the region, which likely did become Christian under a later King Abgar in the early third century. But the activities and interactions of Addai in Edessa reflect a later time: the fifth century, when Christians in the East were embroiled in a conflict over reforms enacted by the Bishop Rabbula. These complexities of Syrian Christian history are all made clear in the introduction and rich commentary that accompanies this updated English translation of the Doctrine of Addai and related texts—including early witnesses to the Abgar/Jesus Correspondence in papyri and inscriptions, and selections from the Ecclesiastical History of Eusebius of Caesarea, the Acts of Thaddaeus, and the Acts of Mar Mari.




The Image of Edessa


Book Description

The Image of Edessa, also later known as the Mandylion, was a relic of Christ, a cloth imprinted with his features which he had used to wipe his face, and subsequently used to cure King Agbar of Edessa, the first Christian ruler. This book collects and provides parallel translations of all the available written evidence for the image, along with detailed analysis of the history of the image. Guscin deftly seperates fact from legend, for while the story of King Agbar is certainly mythical, an image of some sort did definitely exist by the mid tenth century when it was translated to Constantinople.







The book of the bee


Book Description




How do I Look?


Book Description

We live in the age of the retouchable selfie. For those navigating the world of social media, the issue of how one presents oneself to the world has never been more critical. Psychological studies have shown the high impact of this selfie culture on the mental health of young people especially. How might the long tradition of the Christian gaze, found in scripture, art, theology and philosophy speak into this selfie generation? What, in this context, might be the significance of the doctrine of humankind’s creation in God’s image, or of the incarnation? On a more practical level, how might the monastic tradition of the ‘chaste gaze’ challenge or reinforce the selfie-culture? Putting such theological and ethical questions into dialogue with psychological studies and philosophical understandings, the book offers an important pastoral and scholarly resource for anyone seeking to understand theologically one of the most profound developments of the digital age.




Christianity and Classical Culture


Book Description

The momentous encounter between Christian thought and Greek philosophy reached a high point in fourth-century Byzantium, and the principal actors were four Greek-speaking Christian thinkers whose collective influence on the Eastern Church was comparable to that of Augustine on Western Latin Christendom. In this erudite and informative book, a distinguished scholar provides the first coherent account of the lives and writings of these so-called Cappadocians (named for a region in what is now eastern Turkey), showing how they managed to be Greek and Christian at the same time. Jaroslav Pelikan describes the four Cappadocians--Gregory of Nazianzus, Basil of Caesarea, Gregory of Nyssa, and Macrina, sister and teacher of the last two--who were trained in Classical culture, philosophy, and rhetoric but who were also defenders and expositors of Christian orthodoxy. On one issue of faith and life after another--the nature of religious language, the ways of knowing, the existence of God, the universe as cosmos, time, and space, free will and immortality, the nature of the good life, the purpose of the universe--they challenged and debated the validity of the Greek philosophical tradition in interpreting Scripture. Because the way they resolved these issues became the very definition of normative Christian belief, says Pelikan, their system is still a key to our understanding not only of Christianity's diverse religious traditions but also of its intellectual and philosophical traditions. This book is based on the prestigious Gifford Lectures, presented by Jaroslav Pelikan at the University of Aberdeen in 1992 and 1993.




What Did Jesus Look Like?


Book Description

Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.




Jesus, King of Edessa


Book Description

Jesus was a king of Edessa 600 pages of gnosis. Colour Images. This is the book that the Catholic Church has been dreading for the last 1700 years. This is the book that will end Christianity as we know it. And this is not advertising hyperbole, this really is the end of the Christian fairytale. We now know who Jesus was. Visit his city, see the ruins of his citadel, gaze upon his statue, handle his coins. In reality, Jesus was a son of King Abgarus of Edessa, a king with a small realm, a large treasury, and even bigger ambitions. Thus Jesus' true history undermines much of the biblical fairystory that the gospel authors crafted, and so Christianity will never be the same again. The jacket image shows Jesus wearing his Crown of Thorns, the ceremonial crown of the Edessan monarchy. We suggest that readers start with 'Cleopatra to Christ' and then 'King Jesus'. The wait before arriving at the last episode in the trilogy will be worthwhile, for if a book could be valued on its 'eureka moments' then this final book would be priceless. The 'King Jesus Trilogy' Latest version v12.1 2024 Book three of the King Jesus Trilogy (in four parts). Followed by 'The Grail Cypher'. .




The Tradition of the Image of Edessa


Book Description

The Image of Edessa was an image of Christ, which, according to tradition, was of miraculous origin. It was taken from Edessa to Constantinople in 944, and disappeared from known history in the aftermath of the Fourth Crusade in 1204. It generated, however, a vast amount of literature and hundreds of copies in churches all over the Byzantine world. This book is a study of the literature, paintings, icons and other aspects related to the Image of Edessa. It examines how it was used as a tool to express Christ’s humanity and for various other purposes, and how some of the related literature became completely decontextualised and used as a magical charm, especially in the West.




The Life of Thecla


Book Description

Thecla was one of the most venerated saints in late antiquity. One of her followers created the Life of Thecla as an act of devotion in the fifth century, rewriting the popular Acts of Thecla and transforming it into the heroic saga of a saint. Replete with long speeches, dramatic flourishes, and literary flamboyance, the Life of Thecla gives modern readers insight into the ways a gender-bending apostolic saint could be reframed and reimagined for later audiences. This first modern English translation of the Life explores its relationship with the earlier Acts as well as its place in fifth-century concerns about miracles, healing, sainthood, and sexuality.