The Dramatic Cobbler


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British Enlightenment Theatre


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Reveals how England's eighteenth-century theatre dramatized anti-imperial protest, and gave voice to oppressed groups.




Plays about the Theatre in England, 1737-1800


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This work is the late author's manuscript abridged and edited by M. L. Lawhon. It follows his earlier volume of similar title for the years 1671-1737, continuing that study through the remainder of the eighteenth century. In addition to Sheridan's Critic, the book treats little-known plays of the lesser playwrights of the period. Illustrated.




The Theatre Career of Thomas Arne


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This book concerns the life and theatrical career of the great native-born English composer and musician of the eighteenth century, Thomas Augustine Arne (1710-1778), best known today as the composer of "Rule, Britannia." It will appeal to those interested in the mid-to-late eighteenth-century London and Dublin theatre, opera, and music scenes.




The Supine Cobbler


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A contemporary clinical abortion in the spirit of a Western.




Bloody Tyrants and Little Pickles


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Bloody Tyrants and Little Pickles traces the theatrical repertoire of a small group of white Anglo-American actresses as they reshaped the meanings of girlhood in Britain, North America, and the British West Indies during the first half of the nineteenth century. It is a study of the possibilities and the problems girl performers presented as they adopted the manners and clothing of boys, entered spaces intended for adults, and assumed characters written for men. It asks why masculine roles like Young Norval, Richard III, Little Pickle, and Shylock came to seem “normal” and “natural” for young white girls to play, and it considers how playwrights, managers, critics, and audiences sought to contain or fix the at-times dangerous plasticity they exhibited both on and off the stage. Schweitzer analyzes the formation of a distinct repertoire for girls in the first half of the nineteenth century, which delighted in precocity and playfulness and offered up a model of girlhood that was similarly joyful and fluid. This evolving repertoire reflected shifting perspectives on girls’ place within Anglo-American society, including where and how they should behave, and which girls had the right to appear at all.




The Drama


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Theatre in the Antebellum South


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The Year of the Cobbler


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November 2015. As police and the national press investigated the 'missing millions' loaned by local government - for an unfinished stand - and the borough council understandably demanded their money back, things were looking bleak at Northampton Town Football Club. With staff unpaid and fans demanding answers in vain, HMRC's winding-up order threatened to send the club into administration or even oblivion. Against a backdrop more fitting for a soap opera, there emerged a unique, almost surreal story of solidarity and success. Five months later - shattering a host of club records in the process - the Cobblers were champions before any other League club had even sealed promotion. The Year of the Cobbler reflects upon life as a lower division football fan and, more specifically, a season which both nightmares and sweet dreams are made of... 'Forget Leicester - Northampton Town are English football's story of the season.' (The Sun)




English Drama


Book Description

What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.




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