The Enraged Accompanist's Guide to the Perfect Audition


Book Description

(Applause Books). "I am your accompanist. You do not know me. I am the guy who sits behind the upright in the unflattering fluorescent light of the dance studio, a bottle of water on the floor, a half-eaten Power Bar on the bench, and your audition in my hands." Award-winning New York theatre composer and pianist Andrew Gerle pulls no punches in this irreverent, fly-on-the-wall guide to everything you've never been taught about auditioning for musical theatre. From the unique perspective of the pianist's bench, he demystifies the audition process, from how to put together your book and speak to an accompanist to the healthiest and savviest ways to approach the audition marketplace and your career. By better understanding the dynamics of professional auditions, you will learn to present yourself in the strongest, most castable way while remaining true to your own special voice the one that, in the end, will get you the job.




Strategies for Success in Musical Theatre


Book Description

In Strategies for Success in Musical Theatre, veteran musical director and teacher Herbert Marshall provides an essential how-to guide for teachers or community members who find themselves in charge of music directing a show. Stepping off the podium, Marshall offers practical and often humorous real-world advice on managing auditions; organizing rehearsals; working with a choir, choreographer, and leads; how to run a sitzprobe, a technical rehearsal, and a dress rehearsal; how to manage the cast and crew energy for a successful opening night; and ways to end the experience on a high note for all involved. Throughout the book, Marshall emphasizes the importance of learning through performance and the beauty of a group united in a common goal. In doing so, he turns what can appear as a never-ending list of tasks and demand for specialized knowledge into a manageable, educational, and ultimately engaging and fun experience for all. Because the techniques in Marshall's book have been thoroughly workshopped and classroom tested, they are based in proven pedagogy and will be of particular use for the music director in acting as a teaching director: someone imparting theatrical knowledge to his or her cast and production staff. Marshall provides both extended and abbreviated timelines, flexible to fit any director's needs. Marshall's book is a greatly beneficial resource for music education students and teachers alike, giving an insightful glimpse into the range of possibilities within a music educator's career. Musicians and actors with varying levels of skill and experience will be able to grow simultaneously through Marshall's innovative teaching plans. Through collaborative techniques, steps in the book serve to educate both director and student. Thoroughly illustrated with charts, diagrams, and scores, Strategies for Success in Musical Theatre is an ideal companion for all who work with school and community based musical theater productions.




Music in Theater


Book Description

You don’t need to act to make a valuable contribution to a high school or community theater performance. Music plays a crucial role in many theater productions. This book introduces students to the demands put upon musical directors and performers from preproduction to show time, and outlines how the experience can translate into work in the real world.




So You Want to Sing CCM (Contemporary Commercial Music)


Book Description

So You Want to Sing CCM (Contemporary Commercial Music) presents a compendium of approaches to non-classical singing with an emphasis on vocal technique and function. Over the past twenty years, approaches to singing CCM have exploded, resulting in many schools of technique. So You Want to Sing CCM is the first book to bring these trademarked methods—such as Estill Voice Training™, Somatic Voicework™, Complete Vocal Technique™, Voiceworks™, and the Vocal Power Method™—together in a single volume. So You Want to Sing CCM opens the reader to the vast world of contemporary commercial music through the teachings of the world’s best-known practicing CCM pedagogues. Supplemental chapters by Matthew Edwards, Darren Wicks, and editor Matthew Hoch offer additional commentary on CCM history and pedagogy while chapters by Scott McCoy, Wendy LeBorgne, and Matthew Edwards investigate voice science, vocal health, and audio enhancement technology. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing CCM features online supplemental material. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources




Acting the Song


Book Description

Used in tandem with Acting the Song: Performance for the Musical Theatre, this Student Companion Ebook guides students through three semesters (beginning, intermediate, and advanced) of musical theatre song study. It answers the many questions students using this method may have, including some that they may be reluctant to ask—about fear, handling criticism, understanding their type, dealing with bad auditions, and the best use of social media, among others. Worksheets completed by real-life students can be used as models of best practice and will serve to inspire students to dig deeply and explore their own thoughts about the songs. Teachers using Acting the Song will find this ebook companion indispensable, and students will come to class more prepared, ready to work, and more open to learning.




Music Essentials for Singers and Actors


Book Description

With Music Essentials for Singers and Actors, award-winning composer and music director Andrew Gerle has written a music theory text especially for singers, focused exclusively on topics and techniques that will help them in the rehearsal room and on stage.




A Pianist's Guide to Playing Musical Theatre Auditions


Book Description

With the significant increase of musical theatre companies across the United States and internationally, there is an equally serious need in the marketplace for talented musicians who are interested in the repertoire to serve in myriad roles for theatre companies. A pianist may conceivably seek employment in such roles, including: music director, vocal coach, conductor, rehearsal pianist, dance rehearsal accompanist, performance pianist (keyboardist), keyboard programmer, band leader, orchestral or pit musician, musical preparation, outreach performance pianist, and audition accompanist. Currently, there is scarce scholarly literature regarding the vocation of the musical theatre pianist despite increasing demand for pianists to fill these roles. This research paper begins the discussion for pianists aiming to join the field by focusing specifically on the role of the audition accompanist. By examining ways in which pianists can prepare, execute, and evaluate their performance of musical theatre auditions, pianists can continue to grow and learn new skills, and develop their ongoing musical and professional talents.




The Art of Auditioning


Book Description

Edition Peters, the world's leading publisher of vocal music for more than 200 years, has joined forces with Anthony Legge to produce this revised and updated edition of the best-selling guide - The Art of Auditioning. Essential reading for every aspiring and professional singer, it contains: authoritative advice on how to approach and prepare for your auditions a directory of more than two hundred recommended audition arias information about what to expect after your first successful audition and how to prepare for professional engagements Having won many competitions and survived many auditions - and now singing all over the world, including 250 performances of the role of Violetta, and having had the thrill of singing with Placido Domingo - I can recommend this book as an invaluable guide for achieving success.Ermonela Jaho, International Soprano This invaluable and much needed guide to the process of auditioning includes a comprehensive list of suitable arias with helpful comments on how they should be performed. Singers and pianists alike will benefit greatly from it. Dame Anne Evans Anthony Legge has worked regularly with the principal British opera companies, Opera Australia, many European opera companies and at Bayreuth, where he worked on The RingandDie Meistersinger. He spends much time on audition and competition panels. His experience as a conductor, accompanist and vocal coach has given him a broad overview of the profession




Secrets Your Accompanist Wants You to Know


Book Description

After playing and listening to thousands of auditions, Alan Blake Conley shares wisdom concerning the relationship between the auditioner and accompanist. This thought provoking conversation will help you communicate better with your accompanist and create a collaborative environment that will enhance your audition. Conley's advice will lead to more thoughtful partnership with your pianist both in and out of the audition.




The Complete Professional Audition


Book Description

Written by two New York theatre professionals, here is everything an actor needs to know about auditioning, including: choosing material, rehearsing your material, warming up on the day of the audition, trusting yourself during an audition, coping with nerves, standing out amongst other auditioners, understanding the person you are.