The Extramural Sanctuary of Demeter and Persephone at Cyrene, Libya, Final Reports, Volume I


Book Description

According to Herodotus, Cyrene was colonized by settlers from the island of Thera, later joined by other colonists from Crete, Samos, Laconia, and Rhodes. Traditionally the foundation date has been set at 631 B.C. The sanctuary began to develop within a generation of the establishment of the colony and continued in use until its destruction by an earthquake in A.D. 262. In this volume, the excavator presents the background of the site, the history of its excavation, and an overall view of the current project. University Museum Monograph, 52




The Extramural Sanctuary of Demeter and Persephone at Cyrene, Libya, Final Reports, Volume VI


Book Description

Coins, for reasons that do not always make sense, are often treated by field excavators as more reliable chronological indexes than other classes of artifacts. This always makes their discovery a welcome event, especially when they are silver or gold, which tend to survive in the ground in a more recognizable state than their bronze counterparts. The Red Figure pottery does not have quite the same chronological relevance as the coins but does on occasion contribute to the dating of archaeological contexts. Its often high quality and interesting variety of shapes has already generated commentary elsewhere in addition to what is presented here. University Museum Monograph, 97




The Extramural Sanctuary of Demeter and Persephone at Cyrene, Libya, Final Reports, Volume VII


Book Description

Corinthian pottery represents the largest percentage of all the imported archaic Greek wares found at the sanctury of Demeter and Persephone at Cyrene in Libya. With its markedly broad range of types and quality, it provides insight into both the early history of the sanctuary and the nature of the export wares of this major Greek pottery center. In addition, the pottery provides some interesting new material for Corinthian vase painting in general, and adds to our knowledge of certain vase painters in particular. University Museum Monograph, 95







The Extramural Sanctuary of Demeter and Persephone at Cyrene, Libya, Final Reports, Volume VIII


Book Description

This is the climactic volume on the archaeological and architectural history from ca. 31 B.C. to A.D. 365 of the extramural sanctuary of Demeter and Persephone at Cyrene, Libya. It deals with the impact of Christianity on the cult and the causes of its decline, with particular emphasis on the largest body of evidence recorded anywhere for iconoclastic damage, presumably by Christian populations, to sculpted images of worshippers and twin goddesses. The volume traces the characteristics of major Demeter sanctuaries elsewhere (e.g., Eleusis, Corinth, Pergamon, Acragas, and Selinus) and places Cyrene's sanctuary within the context of this development. The volume also presents the sanctuary's important lapidary and lead inscriptions as analyzed by Joyce Reyonlds. It is the eighth volume in the final reports series for the excavations conducted for the University of Michigan, and subsequently the University of Pennsylvania Museum of Archaeology and Anthropology, between 1969 and 1981. University Museum Monograph, 134




Cyrene Ii:east Greek Island & Laconian


Book Description

This volume includes a detailed illustrated catalogue of the East Greek, Island, and Laconian pottery from the sanctuary. The author uses the data to help establish the chronology for the founding and early development of this important Greek colony. University Museum Monograph, 56










A Companion to Greeks Across the Ancient World


Book Description

An innovative, up-to-date treatment of ancient Greek mobility and migration from 1000 BCE to 30 BCE A Companion to Greeks Across the Ancient World explores the mobility and migration of Greeks who left their homelands in the ten centuries between the Early Iron Age and the Hellenistic period. While most academic literature centers on the Greeks of the Aegean basin area, this unique volume provides a systematic examination of the history of the other half of the ancient Greek world. Contributions from leading scholars and historians discuss where migrants settled, their new communities, and their connections and interactions with both Aegean Greeks and non-Greeks. Divided into three parts, the book first covers ancient and modern approaches and the study of the ancient Greeks outside their homelands, including various intellectual, national, and linguistic traditions. Regional case studies form the core of the text, taking a microhistory approach to examine Greeks in the Near Eastern Empires, Greek-Celtic interactions in Central Europe, Greek-established states in Central Asia, and many others throughout Europe, Africa, and Asia. The closing section of the text discusses wider themes such as the relations between the Greek homeland and the edges of Greek civilization. Reflecting contemporary research and fresh perspectives on ancient Greek culture contact, this volume: Discusses the development and intersection of mobility, migration, and diaspora studies Examines the various forms of ancient Greek mobility and their outcomes Highlights contributions to cultural development in the Greek and non-Greek world Examines wider themes and the various forms of ancient Greek mobility and their outcomes Includes an overview of ancient terminology and concepts, modern translations, numerous maps, and full references A Companion to Greeks Across the Ancient World is a valuable resource for students, instructors, and researchers of Classical antiquity, as well as non-specialists with interest in ancient Greek mobilities, migrations, and diasporas.




The Greek Theatre and Festivals


Book Description

A collection of essays, by leading international scholars, on the history of the Greek theatre, and on the wider context of festival culture in which theatrical activity took place in the Greek world. The emphasis is on the documentary material - inscriptions, archaeological remains and monuments - which provides so much of our 'hard' evidence for the activities of the theatre. Much of the important material discussed here is unknown except to specialists, and these studies offeraccess to its interpretation to a wider audience. They cover a wide range of time and place, from the earliest days of the Greek theatre to the Roman period, with special emphasis on the neglected Hellenistic period, which is especially rich in documentary evidence.