The Fasces


Book Description

"For an astounding two millennia-from the Etruscans of the seventh century BCE, then through the Romans under all their forms of government, indeed down to the last Byzantine dynasty-political authorities used the device known as the 'fasces' to induce respect as well as fear. This was a bundle of wooden rods and a single-bladed axe bound with leather straps-in essence, a mobile kit for punishment. In the Renaissance, some writers and artists found it irresistable to associate the fasces with an old (and unrelated) didactic tale from Aesop illustrating how sticks are stronger once bundled. And so, over the course of the sixteenth through the early twentieth centuries, the Roman emblem came to represent not just expected concepts such as power, punishment, and justice, but now also strength, unity, and liberty against tyranny. The "Fascist" movement of Benito Mussolini, which seized power in Italy in October 1922, purported to revive the Roman emblem in its original form. But it retained aspects of the modern reimagining of the fasces, and introduced still further novelties, such as glorification of the 'lictors', the lowly attendants who carried the fasces in antiquity. Since World War II, the fasces has seen widespread but uneven eradication, in the context of a public that has grown progressively unconversant with the symbol. It is precisely the fasces' long history and relative present-day unfamiliarity that has given an opening to right-wing extremists searching for a symbol that is potent, but not widely provocative at first glance"--




The Vestal and the Fasces


Book Description

In this feminist exploration of the erotics of the marketplace, Hegel's notion of property and Lacan's idea of the phallus serve parallel functions in creating the subjectivity necessary for self-actualization. Subjectivity requires intersubjective relationships mediated through a regime of possessing, enjoying, and exchanging an object of desire. For Hegel, this regime is property; for Lacan, it is sexuality, symbolized by the Phallus, which we conflate with the male organ and the female body. Property law, in Jeanne Schroeder's account, is implicitly figured by similar anatomical metaphors for that which men wish to possess and that which women try to be and enjoy. This is reflected in imagery taken from ancient Rome—the axe and bundle of sticks known as the Fasces, and the virgin priestess called the Vestal. Schroeder traces the persistence of phallic metaphors in modern jurisprudence. Rejecting the dominant schools of legal feminism, she reconceptualizes property—the legal relationship as well as its not necessarily material object—as a necessary moment in the human struggle for love and recognition. The Feminine, for Schroeder, is the radical negativity at the heart of both Lacan's split subject and Hegel's concept of freedom. Feminine emancipation and private property are, therefore, equally necessary conditions for the actualization of the free individual and the just society. Feminist scholars, social theorists, political scientists, philosophers, and lawyers will find in Schroeder's analysis scintillating new perspectives on property theory and the feminine within the market and the law.



















The Artists of the Ara Pacis


Book Description

Conlin questions the long-held assumption that the friezes' sculptors were anonymous Greek masters, directly influenced by the reliefs carved on the Parthenon. Through close analysis of the sculptures, Conlin demonstrates that the carvers of the large processional friezes were actually Italian-trained sculptors influenced by both native and Hellenic stonecarving practices. Her conclusions rest on a systematic examination of the evidence left on the marble by the sculptors themselves - the traces of tool marks, the carving of specific details, and the compositional formulas of the friezes.







AN INCONVENIENT TRUTH - The Planetary Emergency


Book Description

The planetary emergency is SOCIALISM. This book details the factors contributing to the growing crisis, describes changes to the world caused by global socialism, and discusses the shift in policy that is needed to avert disaster. One of the many inconvenient truths is that American socialists share in the guilt. Numerous annoying politicians have abetted a long history of American socialists, including the notorious Francis Bellamy and Edward Bellamy. Both Bellamy cousins wanted government to take over all schools, to teach socialism to all children. Francis Bellamy was the author of the Pledge of Allegiance to the flag, the origin of the infamous stiff-armed salute adopted later under German socialism and Adolf Hitler. Long before the Deutschland fad began, American schoolchildren were taught to chant in unison and perform the same salute each day in government schools that imposed segregation by law and taught racism as official policy. Anyone who rejected the ritual in the schools was persecuted. This astonishing book explains the following revelations: 1. Hitler never self-identified as a "Nazi". 2. Hitler never self-identified as a 'Fascist'. 3. The term 'Nazi' never appears in "Mein Kampf" nor in "Triumph of he Will." 4. The term 'Fascist' never appears in Mein Kampf as a self-description by Hitler. 5. The term "Socialist" appears throughout Mein Kampf as a self-description by Hitler. Hitler and his followers self-identified as 'socialists' by the very word in voluminous speeches and writings. 6. Hitler used the swastika to represent 'S'-letter shapes for 'socialist'. 7. Hitler was influnenced by American socialists - the USA's Pledge of Allegiance to the flag was the origin of Nazi salutes and Nazi behavior. 8. A socialist started fascism. Before he coined the term 'Fascist,' Mussolini was a long-time socialist leader, with a socialist background, raised by socialists to be a socialist. 9. German socialists partnered with Soviet socialists to launch WWII, invading Poland together, and going onward from there, killing millions. Much of the amazing historical material comes from the archives of the historian Dr. Rex Curry.